Hi Dennis-
I don't think it's critical, but useful. Especially if you are trying
to match your original silver and carbons.
I have done some restorations for some local folks of stuff out of the
1880-1920's. What I do with my iOne Pro is read the highlight and
shadow colors . Then I can make prints for them that are close to the
original rather than "Epson Sepia" or a yellowy brown. It also gives me
two colors for a duotone which works-sometimes.
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Posted by: "baecht1" dbaecht@...
<mailto:dbaecht@...?Subject=%20Re%3AProbably%20another%20dumb%20question%2C%20But%21>
baecht1 <http://profiles.yahoo.com/baecht1>
Wed Sep 2, 2009 10:02 pm (PDT
I know monitor calibration is a must with color, is it just as crucial
with Black and White. I have looked at the Spyder monitor stuff, but, I
just don't know, opinions please.
I'll be working from scanned 4x5 negs that I have silver and carbon
prints to compare plus I'll use images from a digital camera.
Am I missing something that I need and if so what.
[Non-text portions of this message have been removed]Message
Re:Probably another dumb question, But!
2009-09-03 by Seth Rossman
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