Digital BW, The Print

I did the day it was out!

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Cdtobie <CDTobie@...> wrote:
>
> If you have PrintFIX PRO, you should go to the Datacolor website and  
> download the Spyder3Print SR software to use with it.
> 
> C. D. Tobie
> Global Product Technology Mngr.
> Digital Imaging & Home Theater
> Datacolor.com
> CDTobie@...
> 
> On Sep 4, 2009, at 7:08 PM, "andrevallejo" <vallejodasilva@...>  
> wrote:
> 
> > Humm...seems good enough for me...now I have to find a 1400 and set  
> > it up.I do have a PrintFix, so I guess I can make all the profiles I  
> > need with it, and as as surely like matte and some luster/baryta  
> > papers, it looks like it's the way to go.
> > Thanks one more time Paul, you been helping me to set up since a  
> > long time ago...I don't know how many years have passed since you  
> > sent me the first BW samples from a 1160, but I do remember to have  
> > a lot of hair by then! (8-)
> > André
> >
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "pr_roark"  
> > <pr_roark@> wrote:
> >
> >>
> >> A monotone inkset that is dedicated to only one tone and paper can  
> >> be a bit smoother, but I'm not sure many could see the difference.   
> >> Also, one can put a lighter ink in the UT14 Y position in place of  
> >> the glop and make it a hair smoother.  Recall, however, that the  
> >> UT14 already has light inks, which Epson doesn't even bother with  
> >> in the 1800 and 1900.  For my brochures, I use PK black only in a  
> >> 1400, and they look good.  So, the light inks that are in the UT14  
> >> inkset are generally smooth enough that I don't hear many wanting  
> >> lighter ones.
> >>
> >>> Does the UT14C plays any role here?
> >>
> >> It is used in most profiles.
> >>
> >>> Oh, and I love to print on Ilford Gold Fibre Silk...
> >>
> >> So, you might want to leave the glop in there.
> >>
> >> Paul
> >> www.PaulRoark.com
> >>
> >
> >
> >
> >
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