Sakura Pigma Micron pens come in various rapidograph-thin line widths...I use .05 most of the time. .01 may be OK depending on your taste, .001 is too thin. Totally reliable on highest gloss and "air-dried" baryta (such as Ilford Gold Fiber Silk)....perfect for prints that won't accept pencil... allegedly "archival" ...They're relatively inexpensive throw-aways... --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Ernst Dinkla <edinkla@...> wrote: > > hjswim2@... schreef: > > > And, man, I haven't used a Rapidograph in ages! But good idea. > > > > Harald Johnson > > The thicker ones can be used for signing on papers like that but on most > matte papers they still scratch and by that get clogged. > > The thin ones 0.13 are excellent for retouch on any paper. Stipple > technique. I use old Rötring and new Staedler Marsmatic 700 pens. Fill > them with the lightest grey ink etc for B&W. For color prints good > watercolor pencils are easier though. I use the Caran d'Ache brand. > > It would have been nice if they had pen inks 30 years ago that > functioned as good as inkjet inks do today :-) > > -- > Met vriendelijke groeten, Ernst > > > Dinkla Gallery Canvas Wrap Actions > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) | >
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Re: [Digital BW] signing prints (was: Atlex sale - Exhibition Fiber)
2009-11-13 by Djon
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