So, it's the image or it's the printer (including all parts of the print
pipeline).
Have you tried another image? From the mention of 50% gray sheets below,
I'd guess not.
As they have both interesting gradient areas and real-world insets, I like
to use images from Keith Cooper's "Northlight Images" website for testing;
http://www.northlight-images.co.uk/article_pages/black_and_white_test.html--
this is a good overall test
http://www.northlight-images.co.uk/downloadable_1/DL_page.html
-- the grouping of 4 circles with graduated interior fill is a
terrific test image
http://www.northlight-images.co.uk/article_pages/test_images.html
-- and here are some others that may be useful.
I must admit I don't know if you're using the Epson driver or QTR, but if
the latter are you sure you've got your calibration correct? I started
using MIS Eboni ink, mixed to my own choice of dilutions, in one of my
printers and while many images turned out very well using a stock printer
curve, I had problems in the highlights of some images. After setting out
to calibrate the new system, it only took about 5 prints of the QTR
calibration mode image for me to get the new curve defined and it's
beautifully smooth over the entire range of image values.
Best,
Pete
On Thu, Mar 7, 2013 at 7:54 AM, remononaz1 <homershannon@gmail.com> wrote:
> Sylvian:
>
> I am using the uni-directional setting, so it is not that. Perhaps I
> should try bi-directional. I guess I could also try printing sheets of 50%
> gray just to see what I get.
>
> I could also try different papers and curve settings. This particular
> image is being printed with UT14 ink on RR Ultrapro Satin using a curve to
> control the Ebony black and GLOP. Other than this strange banding, the
> print looks really good.
>
> What is also odd, and perhaps significant, is that the sky fades (I
> applied a graduation to it) from about 50% gray at the top (of the sky,
> left side of the print on 11" x 17" paper) to ~15% at the horizon. The
> banding is all in the ~50% to 30% range, then it disappears in the lighter
> tones.
>
>
>
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