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condensation from print

condensation from print

2014-04-15 by Myron Gochnauer

In December I printed a few 16x20 colour images on canvas. I used an Epson 4880 with all Epson colours and MIS blacks.

One of the prints was off a bit from the colour balance I wanted, so I set it aside in my darkroom, draped face down over a 35mm Saunder 4500 negative carrier that was on top of a few boxes of 8x10 paper.  I did not disturb it until yesterday, at which point I saw what looked like mildly viscous patches on the black surface of the negative carrier. They looked a bit like oil or glycerol. These deposits were not there when I set the print on the carrier.  The patches cleaned off easily with Windex.

Does anyone know what the substance was?  I was surprised that it had apparently moved from the ink to the metal carrier, and even more surprised that it still there four months after the print �dried�.

Myron

Re: [Digital BW] condensation from print

2014-04-15 by C D Tobie

Classic outgassing description. If you had framed it under glass, this film would now be on the inner surface of the glass, and you would need to open the frame to clean it. Most of the outgassing occurs in the first day or so, but it continues at lower levels for some time.

C. David Tobie

Imaging Product & Technology Manager

Datacolor
5 Princess Road

Lawrenceville, NJ 08648, USA

609.924.2189


Mobile: 207.312.0448


Skype: cdtobie

On Apr 15, 2014, at 1:33 PM, Myron Gochnauer <goch@...> wrote:

In December I printed a few 16x20 colour images on canvas. I used an Epson 4880 with all Epson colours and MIS blacks.

One of the prints was off a bit from the colour balance I wanted, so I set it aside in my darkroom, draped face down over a 35mm Saunder 4500 negative carrier that was on top of a few boxes of 8x10 paper. I did not disturb it until yesterday, at which point I saw what looked like mildly viscous patches on the black surface of the negative carrier. They looked a bit like oil or glycerol. These deposits were not there when I set the print on the carrier. The patches cleaned off easily with Windex.

Does anyone know what the substance was? I was surprised that it had apparently moved from the ink to the metal carrier, and even more surprised that it still there four months after the print “dried”.

Myron

------------------------------------

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Re: [Digital BW] condensation from print

2014-04-15 by Paul Roark

In addition to the glycol that is usually said to be the source of the out-gassing, almost all inks also have glycerol in them. It is even slower to evaporate, if it ever does. It's virtually inert and usually just stays in the coating or matte paper (more room and works better). If there is physical contact, I can imagine some transfer could take place.

Paul
Show quoted textHide quoted text
On Tue, Apr 15, 2014 at 10:33 AM, Myron Gochnauer <goch@...> wrote:
In December I printed a few 16x20 colour images on canvas. I used an Epson 4880 with all Epson colours and MIS blacks.

One of the prints was off a bit from the colour balance I wanted, so I set it aside in my darkroom, draped face down over a 35mm Saunder 4500 negative carrier that was on top of a few boxes of 8x10 paper. I did not disturb it until yesterday, at which point I saw what looked like mildly viscous patches on the black surface of the negative carrier. They looked a bit like oil or glycerol. These deposits were not there when I set the print on the carrier. The patches cleaned off easily with Windex.

Does anyone know what the substance was? I was surprised that it had apparently moved from the ink to the metal carrier, and even more surprised that it still there four months after the print “dried”.

Myron

------------------------------------

Please visit the Group Homepage to check the Files, and other resources as they are often being updated.

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If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep them short.
- Good manners are required at all time. No personal attacks or flames. Hostile, aggressive or argumentative users may be removed from the membership without notice.
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Re: [Digital BW] condensation from print

2014-04-15 by Ernst Dinkla

On 15-04-14 20:03, Paul Roark wrote:
> In addition to the glycol that is usually said to be the source of the
> out-gassing, almost all inks also have glycerol in them.  It is even slower
> to evaporate, if it ever does.  It's virtually inert and usually just stays
> in the coating or matte paper (more room and works better).  If there is
> physical contact, I can imagine some transfer could take place.
>
> Paul
> www.PaulRoark.com

In frames it would not surprise me at all if glycerol is carried over by 
other ink media components that evaporate faster and then condensate on 
the cooler glass. The more when enough light is there to heat the print. 
Most likely the effects of static electricity etc add to that effect. It 
could be a nice project for a PhD to find all the details of that transfer.

-- 
Met vriendelijke groet, Ernst

http://www.pigment-print.com/spectralplots/spectrumviz_1.htm
January 2014, 600+ inkjet media white spectral plots.

Re: [Digital BW] condensation from print

2014-04-16 by mrjimbo2

Just a few thoughts on this if I may... I used to do many art shows every year.. Out gassing used to make me nuts.. I had a travel kit that would allow me to dis-assemble and re-assemble framed pieces with me all the time. Typically the kiss of death was when the piece got heated up and it was especially tuff if the piece had a lot of dark colors that would absorb the heat and hold it..
So I also shot and processed film here and have a great Arkay stainless steel vertical dryer.. I started processing prints thru it and it honestly really made a difference.. It has both blower and a heat system and vents to outside the cabinet. The air is moving in this thing all the time.....you can still put the piece in enough heat and it will always make it outgas some more.. seriously however I feel that this maybe solved 85/95 % of my issues. I can stand up a rolled 60 inch print in this thing by removing the interior wire shelves.. Their efficient, you can "overdry" a piece pretty quickly but of course they will settle in at the local humidity level when the dust settles..
So no it doesn't totally solve the problem but it the closest thing I've found so far.. My guess is these would be cost effective now as not much film is getting done these days. I would honestly suggest looking into one if the shoe fits..
jimbo
Show quoted textHide quoted text
----- Original Message -----
Sent: Tuesday, April 15, 2014 1:56 PM
Subject: Re: [Digital BW] condensation from print

On 15-04-14 20:03, Paul Roark wrote:
> In addition to the glycol that is usually said to be the source of the
> out-gassing, almost all inks also have glycerol in them. It is even slower
> to evaporate, if it ever does. It's virtually inert and usually just stays
> in the coating or matte paper (more room and works better). If there is
> physical contact, I can imagine some transfer could take place.
>
> Paul
> www.PaulRoark.com

In frames it would not surprise me at all if glycerol is carried over by
other ink media components that evaporate faster and then condensate on
the cooler glass. The more when enough light is there to heat the print.
Most likely the effects of static electricity etc add to that effect. It
could be a nice project for a PhD to find all the details of that transfer.

--
Met vriendelijke groet, Ernst

http://www.pigment-print.com/spectralplots/spectrumviz_1.htm
January 2014, 600+ inkjet media white spectral plots.

No virus found in this message.
Checked by AVG - www.avg.com
Version: 2014.0.4355 / Virus Database: 3882/7347 - Release Date: 04/15/14

Re: [Digital BW] condensation from print

2014-04-16 by Ernst Dinkla

On 16-04-14 02:02, mrjimbo2 wrote:
> Just a few thoughts on this if I may... I used to do many art shows every year.. Out gassing used to make me nuts.. I had a travel kit that would allow me to dis-assemble and re-assemble framed pieces with me all the time. Typically the kiss of death was when the piece got heated up and it was especially tuff if the piece had a lot of dark colors that would absorb the heat and hold it..
>
> So I also shot and processed film here and have a great Arkay stainless steel vertical dryer.. I started processing prints thru it and it honestly really made a difference.. It has both blower and a heat system and vents to outside the cabinet. The air is moving in this thing all the time.....you can still put the piece in enough heat and it will always make it outgas some more.. seriously however I feel that this maybe solved 85/95 % of my issues. I can stand up a rolled 60 inch print in this thing by removing the interior wire shelves.. Their efficient, you can "overdry" a piece pretty quickly but of course they will settle in at the local humidity level when the dust settles..
>
> So no it doesn't totally solve the problem but it the closest thing I've found so far.. My guess is these would be cost effective now as not much film is getting done these days. I would honestly suggest looking into one if the shoe fits..
>
> jimbo

Secondhand graphic equipment is another source for drying cabinets. Like 
the ones used to dry silkscreen emulsions and offset plates. They are 
usually horizontal which may influence the drying for RC papers. If 
large enough they are usable for canvas varnishes etc too. I have one 
for silkscreen frames. Most of the time I go for the drying tunnel 
though as it has air jets that give a pulsed airflow on the surface and 
the transport band can go really slow.

-- 
Met vriendelijke groet, Ernst

http://www.pigment-print.com/spectralplots/spectrumviz_1.htm
January 2014, 600+ inkjet media white spectral plots.

Re: [Digital BW] condensation from print

2014-04-16 by <goch@...>

What temperature would be effective and safe for most inkjet media? This seems like it could be a do-it-yourself project. Mild heat and air flow are not difficult to arrange.

RE: [Digital BW] condensation from print

2014-04-16 by Elliot Puritz

I admit to being relatively naïve when the subject of digital print out gassing is discussed.

 

So, a few questions:

 

If one simply leaves a completed ink jet print open to the air for a week before framing would a good deal of the out gassing be eliminated?  To be slightly more "aggressive"- if one leaves the print on a table and allows a fan to blow air over the surface for a day or two will the out gassing be eliminated?  Also, many of us take precautions not to place our digital or analog prints in direct sunlight. So,  if a digital ink jet print is thoroughly dry and t "ventilated" for a day or two, and then when framed is kept out of direct sunlight, will out gassing still occur?

 

Do all digital ink jet inks evidence the same problems with out gassing?  Are prints made with some inks more likely to "out gas"?

 

Elliot

 

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of goch@...
Sent: Wednesday, April 16, 2014 10:31 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] condensation from print

 

  

What temperature would be effective and safe for most inkjet media?  This seems like it could be a do-it-yourself project. Mild heat and air flow are not difficult to arrange.

Re: [Digital BW] condensation from print

2014-04-16 by Paul Roark

Just a few of thoughts on this -- First, out-gassing is an issue for only glossy papers. With matte papers the glycol, which is said to be the main culprit, just wraps itself around the paper fibers and stays there. Glycol has an affinity for paper. The barrier in glossy papers is the problem. It stops the glycol from reaching the paper. Second, the glycol affinity for paper can be used to "sponge" the glycol out of the glossy coatings by stacking the glossy prints with plain paper interleaving.

Glossy dye prints also have the same issues, but there appear to be some offsetting issues there. The dyes are said to "migrate" initially in a manner that makes them more stable in the long run. While old style dyes migrated too much and made the image less sharp, the newer ones appear to simply be migrating over very short distances to a place where they can attach themselves to the coating or other dye crystals and become more stable. The moisture in the coating helps this process. Some have said to put a dye print in a bag to retain that moisture longer.

Apparently there is some ideal amount of humidity in the print, and keeping that stable is definitely a good idea. Whether the remaining glycols and glycerol help or hurt with that is not something I know the answer to. The cycling of the humidity, with the resulting differential expansion and contraction of papers and coatings, has been said to be one of the primary causes of their destruction. An interesting window test of papers may have exaggerated that due to direct (through the window) sun hitting the papers. But, as you can see here --
the bottom line was not good for any inkjet papers, particularly the glossy ones.

There are some reasons I consider Arches paper my top medium and glossy dyes my "impulse buying" lower priced one.

Paul
Show quoted textHide quoted text
On Wed, Apr 16, 2014 at 8:00 AM, Elliot Puritz <drpuritz@...> wrote:

I admit to being relatively naïve when the subject of digital print out gassing is discussed.

So, a few questions:

If one simply leaves a completed ink jet print open to the air for a week before framing would a good deal of the out gassing be eliminated? To be slightly more "aggressive"- if one leaves the print on a table and allows a fan to blow air over the surface for a day or two will the out gassing be eliminated? Also, many of us take precautions not to place our digital or analog prints in direct sunlight. So, if a digital ink jet print is thoroughly dry and t "ventilated" for a day or two, and then when framed is kept out of direct sunlight, will out gassing still occur?

Do all digital ink jet inks evidence the same problems with out gassing? Are prints made with some inks more likely to "out gas"?

Elliot

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of goch@...
Sent: Wednesday, April 16, 2014 10:31 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] condensation from print

What temperature would be effective and safe for most inkjet media? This seems like it could be a do-it-yourself project. Mild heat and air flow are not difficult to arrange.


RE: [Digital BW] condensation from print

2014-04-16 by Elliot Puritz

I just completed my own search.  Thanks anyway.
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Elliot Puritz
Sent: Wednesday, April 16, 2014 11:00 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] condensation from print

 

  

I admit to being relatively naïve when the subject of digital print out gassing is discussed.

 

So, a few questions:

 

If one simply leaves a completed ink jet print open to the air for a week before framing would a good deal of the out gassing be eliminated?  To be slightly more "aggressive"- if one leaves the print on a table and allows a fan to blow air over the surface for a day or two will the out gassing be eliminated?  Also, many of us take precautions not to place our digital or analog prints in direct sunlight. So,  if a digital ink jet print is thoroughly dry and t "ventilated" for a day or two, and then when framed is kept out of direct sunlight, will out gassing still occur?

 

Do all digital ink jet inks evidence the same problems with out gassing?  Are prints made with some inks more likely to "out gas"?

 

Elliot

 

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of goch@...
Sent: Wednesday, April 16, 2014 10:31 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] condensation from print

 

  

What temperature would be effective and safe for most inkjet media?  This seems like it could be a do-it-yourself project. Mild heat and air flow are not difficult to arrange.

RE: [Digital BW] condensation from print

2014-04-16 by Elliot Puritz

It was brought to my attention that my reply below might have been misinterpreted as being disrespectful and ungrateful for those who have posted about the subject previously.

 

If so, I want to issues a sincere and appropriate apology to any that I might have inadvertently offended.  My only reason in posting the information was to spare others from having to reiterate information that might have been available elsewhere.

 

Once again, to any of the experts who take the time and effort to post information here and to whom my response might been unintentionally incorrect, please accept my sincerest apologies.

 

Elliot
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Elliot Puritz
Sent: Wednesday, April 16, 2014 11:43 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] condensation from print

 

  

I just completed my own search.  Thanks anyway.

 

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Elliot Puritz
Sent: Wednesday, April 16, 2014 11:00 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] condensation from print

 

  

I admit to being relatively naïve when the subject of digital print out gassing is discussed.

 

So, a few questions:

 

If one simply leaves a completed ink jet print open to the air for a week before framing would a good deal of the out gassing be eliminated?  To be slightly more "aggressive"- if one leaves the print on a table and allows a fan to blow air over the surface for a day or two will the out gassing be eliminated?  Also, many of us take precautions not to place our digital or analog prints in direct sunlight. So,  if a digital ink jet print is thoroughly dry and t "ventilated" for a day or two, and then when framed is kept out of direct sunlight, will out gassing still occur?

 

Do all digital ink jet inks evidence the same problems with out gassing?  Are prints made with some inks more likely to "out gas"?

 

Elliot

 

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of goch@...
Sent: Wednesday, April 16, 2014 10:31 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] condensation from print

 

  

What temperature would be effective and safe for most inkjet media?  This seems like it could be a do-it-yourself project. Mild heat and air flow are not difficult to arrange.

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