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RE: [Digital BW] Rolleiflex to be liquidated / Elliot

RE: [Digital BW] Rolleiflex to be liquidated / Elliot

2015-03-14 by Jim Bechtel

Hi Elliot,

Admittedly it's a tad different but then again not really. I was really slow
to move off of film for 35mm.  I was told stubborn. But I started drum
scanning my 35mm long ago and just really got comfortable with that work
flow.. So I was in part a digital head but maybe didn't go all the way at
first.. I was drum scanning for a long time prior to getting my first
digital which for me was a D1X .. Anyway I have 2 drum scanners here a
Howtek Hi resolve that Aztek has upgraded to their spec and also a
Heidelberg Tango plus a Heidelberg Nexscan 4200 LF flatbed.. Anyway I still
use my 4x5 all the time in the studio with a BL back for art repro.. so
there not going anywhere.. and I have a few clients that still want a 4x5 or
an 8x10 of their art work.. 

 

I make it a point to haul the  "beasts" out  at least 3 or 4 times a year..
it's hard to explain.. almost like a religion in a way.. I behave totally
different shooting a 4x5 or the 8x10 .. I think nothing of using a D4 or a
D800 as a Gatling gun but when shooting the larger formats .well it's like
watching paint dry sometimes. And everything that know or think I know lives
in that one shutter release.  It's kinda hard to explain.. Pushing the
shutter at the wrong time on an 8x10  is what I call a $150.00 mistake.. So
this discipline honestly helps keep me in line and in tune and makes sure
that I pay attention.. Cameras to me are just tools that are supposed to do
what I want. Many are letting their skills and their brains go to sleep with
the new digitals. I have been unable to let that happen for me. 

 

So Film.. I have a Jobo ATL 2300 here that when warranted I fire it up.. but
it has become a convenience for me to send it out if I don't have enough
work to justify it.. I have been working with an outfit in Bozeman ( F11 our
pro shop here) and it gets sent to a processor in Washington state.. ( I'll
get the name of them for you) .. They have never botched for me and if I
have any special needs they always deal with them.. It has honestly worked
quite well. 

 

As far as your insights regarding Platinum printing .. right on.. That is
absolutely something I'm trying to really work into here. My deal is I want
to do big not small but 2015 will hopefully allow me to come out of the
closet on this.. To go a step further in my craziness.. I am totally stuck
on the concept of writing a digital file however it was acquired back to
film.  There are still government standards and specs that require a piece
of film as a deliverable. They will not accept digital..  So a film recorder
might be kinda nice.. J.. (are you reading this John?  Might be a good
nitch..) 

 

jimbo
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From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Saturday, March 14, 2015 9:30 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] Rolleiflex to be liquidated

 

  

That's an interesting way to work Jimbo.

 

I admit to reprising your experience with 35mm film cameras and film..too
many and too much!  I too work almost exclusively via the digital route.

 

I have kept my 4x5 kit but wonder if I will ever use it again.  I recently
sold virtually all of my Jobo equipment except for a tempering box.  I
thought that I could till develop any 4x5 negatives by inspection ( I had
become reasonably proficient at DBI ) and my 35mm film using the tempering
box.  However, now I wonder if such efforts are still worthwhile.

 

My 8x10 is gone but I still have the "best negatives".  I have had a few of
the negatives scanned and printed by the analog route.  I am in the midst of
comparing such prints with digital ink jet prints made from the same scans.
If more immediate relevance perhaps is a comparison of a few of my "native"
digital files ( from the Monchrome and the Leica Vario ) printed using the
Cone inks and profiles with prints of the same files via the analog route. 

 

One might embrace "digital" as a way to broaden various analog options.  For
example, as some skilled photographers are doing, one might use either
native digital files or scanned analog files and create a larger negative to
be used for Platinum printing.  

 

Might you tell us who develops your film?  Also, do you own a drum scanner,
or have the negatives scanned elsewhere?  

 

Elliot

 

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Saturday, March 14, 2015 9:30 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] Rolleiflex to be liquidated

 

  

Yup I agree , but it's a sign of the times with everything that is going on
with digital. Sadly we'll likely see more of it as time goes on.. 

So a share for those of us that are stubborn ..well, or think they are.
I'll admit to not shooting 35mm film anymore but still have one heck of a
stable of 35mm camera's and literally hundreds of rolls of transparency and
B&W film.. Like David I have a Pentax 6x7 also have a couple of 4x5's and
8x10's. Plus a zoom back for the 4x5. These I still shoot. And I think I
have enough film to last easily the rest of my life.. I have for many years
used a process of shooting film , drum scanning & print.. Sadly I never got
much into the dark room side of it like so many did.. when I discovered
drum scanning that was the way I choose to go so abandoned the print side of
my old dark room. I do have a film processer so I can develop my own but
generally it's easier for me to ship it out for developing to a lab as my
volumes are low..

Anyway for the past couple of years I've been doing something a bit off the
wall and it has honestly helped me justify keeping that side of it going..
So I'd like to share that. I have only been doing it with 4x5 so far.. The
only images I am doing this with are images that are worth doing it with so
for me some of my best.. I scan the film or transparency and when I'm
satisfied with the file and the print I sign the film with a Sharpie. I've
been doing the prints a bit on the larger side, and attaching the film to
the back of the framed art work and it goes with the sale. I can still make
another print if needed with the file but am only doing a smaller version.
I have only done three of these so far and I'm hoping to get to maybe three
or four of these a year.. assuming I get the right images and still have the
guts to continue something that many would likely consider pretty stupid.
For me this is justifying keeping this gear and has added a totally
different market that I think will make it work for me. It has really
changed pretty much everything in how I look at it. 

jimbo

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Friday, March 13, 2015 10:03 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Rolleiflex to be liquidated

It's a real shame to see this happen. I was more of a Pentax 6x7 fan, but
all medium format cameras are/were great.

The longevity problem created by the digital switch is difficult to
confront, too. You could buy a Rollei and shoot with it the rest of your
life. If things went really bad, you might need to replace it once. The
bellows on your view camera might need to be replaced a couple of times. And
your enlarger might need realignment and an occasional new bulb. As long as
you could get film, your old box that holds film was good to go.

Now, your digital camera is obsolete in a couple of years and quits working
in just a few more. With analog, when a new film came out, you could buy a
roll and get improved images for a couple of dollars. Now, if a new sensor
comes out, its of no use to you unless you buy a whole new camera. And
certain manufacturers don't have a problem making your lenses obsolete at
the same time. (Isn't that right, Sony?!)

Though I went 100% digital six years ago, I hate to see this stuff go.

David Kachel

___________________

Artist-Photographer

Fine B&W Photographs

WEBSITE: www.davidkachel.com

BLOG: thetransparentphotographer.com

EMAIL: david@...

PO Box 173

Globe, AZ 85502

(928) 275-0925

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[Non-text portions of this message have been removed]

Re: [Digital BW] Rolleiflex to be liquidated / Elliot

2015-03-14 by John Castronovo

I still have my awesome 16x20 LVT and Management Graphics film recorders, 
but no convenient way to process film any more since I ditched the big lab 
at the end of 2010. I do get calls for 8x10 transparencies from my 
Betterlight captures, but it happens so infrequently that I send it out to 
someone I've established a rapport with. Just last week, someone asked me 
for 35mm slides from digital and I was almost speechless. I used to make 
those by the mile but that was the first request since long before I closed 
the lab. What makes sense is that there should be more of a need for a 
quality large format digital to analog service, but there's more resistance 
than demand for it.
Show quoted textHide quoted text
-----Original Message----- 
From: 'Jim Bechtel' mrjimbo2@... [DigitalBlackandWhiteThePrint]

I am totally stuck on the concept of writing a digital file however it was 
acquired back to
film.  There are still government standards and specs that require a piece
of film as a deliverable. They will not accept digital..  So a film recorder
might be kinda nice.. J.. (are you reading this John?  Might be a good
nitch..)

Re: [Digital BW] Rolleiflex to be liquidated / Elliot

2015-03-14 by Ben Albu

Several companies in Europe are starting over again with the production of analog film & polaroid like stuff.

Some examples:

http://www.adox.de
http://www.new55.net/
https://www.the-impossible-project.com/
Show quoted textHide quoted text
On 14/03/2015 20:21, 'John Castronovo' jc@... [DigitalBlackandWhiteThePrint] wrote:

I still have my awesome 16x20 LVT and Management Graphics film recorders,
but no convenient way to process film any more since I ditched the big lab
at the end of 2010. I do get calls for 8x10 transparencies from my
Betterlight captures, but it happens so infrequently that I send it out to
someone I've established a rapport with. Just last week, someone asked me
for 35mm slides from digital and I was almost speechless. I used to make
those by the mile but that was the first request since long before I closed
the lab. What makes sense is that there should be more of a need for a
quality large format digital to analog service, but there's more resistance
than demand for it.

-----Original Message-----
From: 'Jim Bechtel' mrjimbo2@... [DigitalBlackandWhiteThePrint]

I am totally stuck on the concept of writing a digital file however it was
acquired back to
film. There are still government standards and specs that require a piece
of film as a deliverable. They will not accept digital.. So a film recorder
might be kinda nice.. J.. (are you reading this John? Might be a good
nitch..)


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