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OT - Luminous Landscape

OT - Luminous Landscape

2015-12-13 by roark.paul@...

While I'm at it, let me express my annoyance with the LuLa monetization program. I don't have a problem with a company asking people to pay for content so that they can afford to develop better content. However, to ask contributors to a forum to pay for providing free information to others is over the top.


I am abandoning LuLa and I urge others to do the same.


Paul

www.PaulRoark.com

Re: OT - Luminous Landscape

2015-12-14 by homershannon@...

Not having been over to LuLa for a few weeks, I failed to notice their change to a subscription format, so I looked into it and watched their video explaining the new arrangement.

I think this is a steal. $12 a year and I get access to ALL of their video content AND all the other good content there? I've already spent at least $300 on their videos (over several years) and it was an excellent investment. The Schewe/Reichman Lightroom and Photoshop videos are among the best available and they are only the tip of the iceberg.

This is quite like Adobe's move from license fees to subscription fees. Initially it seemed like some kind of scam, but when they came out with the photographers package for $12 a month, I jumped on it and have not regretted it for a second.

I think we all need to start recognizing that quality information is not cheap. The Internet has caused people to think that everything should be free, but it's not free to create or maintain. Paying for what you get is a much more natural state of affairs and, in the long run, will benefit all of those who do any kind of content creation - and that would include every photographer.

Homer Shannon

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by David Kachel

Homer,

The logical conclusion of your point of view is that every web site will charge a monthly fee (you said both monthly and yearly; which one is it?).
Think of all the web sites you visit for photographic information. Do you really want to be cut off from all that if you can\u2019t pay every last one of them?!
And how often do you use each web site? You will probably never get close to receiving a $12 value from most.
Look at your bookmarks! What if every single one of them has to be paid every month or year, or your library card is revoked? Is that really what you want? The internet IS the new library.
The whole idea of the internet is freely available information. You\u2019re talking about making the internet useless and unavailable, to all but the well off.
It is especially troublesome that a photographer would be supporting this wrong idea. Photography is where it is today BECAUSE of the free exchange of information among photographers, or do you forget that Kodak and Ilford, while producing great products, also slammed the door on individual innovation for over a hundred years? Alternative methods are currently thriving AND progressing, because of the free exchange of information ON THE INTERNET!
Hasn\u2019t the existing in-your-face, forced, aggressive advertising already soured the experience enough? Do you really want a coin slot installed in your computer?
That web sites need income to keep them alive is true and perfectly acceptable. Fees to get access, or forced takeover of a page by advertisers are not.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@...

PO Box 1093
Bisbee, AZ 85603
(520) 366-4181


The Internet has caused people to think that everything should be free, but it's not free to create or maintain. Paying for what you get is a much more natural state of affairs and, in the long run, will benefit all of those who do any kind of content creation - and that would include every photographer.

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by David Kachel

when they came out with the photographers package for $12 a month

Oops, didn’t realize you were still talking about Adobe re their software rental fee, which BTW, is an awful plan. (Don\u2019t be surprised when that $12 monthly fee goes to $120.)
While I\u2019m at it, I also want to point out that the vast majority of people do what I do, when a web site decides to charge a fee to get in. They simply don\u2019t go to that site any more. It is web site suicide.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@davidkachel.com

PO Box 1093
Bisbee, AZ 85603
(520) 366-4181

RE: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by Elliot Puritz

I agree Homer, and very well stated.

 

Might I extend the implications of your thoughts a bit?

 

Persons who provide detailed free advice on this and other threads have been criticized for directing readers to their individual sites and services which supply such guidance at nominal cost. The reality is that some photographers need to have such funds in order to pay bills.  There surely needs to be a realistic understanding that everyone is not wealthy enough to spend hours dispensing free advice and guidance to all with questions.   

 

All the more reason to sincerely thank those that have the means and time to provide information without the need for remuneration.

 

Elliot

 

Posted by: homershannon@... 

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RE: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by Elliot Puritz

Hi David:

 

I hope all is well on your end!

 

Allow me to extend the discussion concerning free information and the
internet.

 

Your position is well argued but perhaps not completely nuanced. If those
with useful information cannot recover the costs of dispensing such advice
then their contributions will by necessity cease.  There will be a loss of
information that might otherwise have been valuable and important.

 

Another approach would be to allow "the marketplace" to decide which
information is worth paying for, and which information is not.

 

I think we might agree that valuable information is indeed "worth" paying
for. However, how does one actually assign a value to information?  I would
argue that the marketplace is the gateway that allows free choice.

 

As a corollary: You and others who allow free access to valuable and
in-depth information are to be admired and sincerely thanked. However, as
you state: "Web sites that need income to keep them alive is true and
perfectly acceptable". 

 

Furthermore, in my view those individuals ( via individual web sites ) who
find the need to affix a cost to pay for their time and for computers,
software, printing paper, inks, etc., used to research issues that will be
discussed and clarified via the internet should be able to recover such
fixed costs. Once again:  The "market" will decide which individuals and
services offering advice and information are worth supporting. 

 

Elliot
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Monday, December 14, 2015 9:33 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: OT - Luminous Landscape

 

  

Homer, 

 

The logical conclusion of your point of view is that every web site will
charge a monthly fee (you said both monthly and yearly; which one is it?).

Think of all the web sites you visit for photographic information. Do you
really want to be cut off from all that if you can't pay every last one of
them?!

And how often do you use each web site? You will probably never get close to
receiving a $12 value from most.

Look at your bookmarks! What if every single one of them has to be paid
every month or year, or your library card is revoked? Is that really what
you want? The internet IS the new library.

The whole idea of the internet is freely available information. You're
talking about making the internet useless and unavailable, to all but the
well off.

It is especially troublesome that a photographer would be supporting this
wrong idea. Photography is where it is today BECAUSE of the free exchange of
information among photographers, or do you forget that Kodak and Ilford,
while producing great products, also slammed the door on individual
innovation for over a hundred years? Alternative methods are currently
thriving AND progressing, because of the free exchange of information ON THE
INTERNET! 

Hasn't the existing in-your-face, forced, aggressive advertising already
soured the experience enough? Do you really want a coin slot installed in
your computer?

That web sites need income to keep them alive is true and perfectly
acceptable. Fees to get access, or forced takeover of a page by advertisers
are not.

 

 

David Kachel

 

___________________

 

Artist-Photographer

Fine B&W Photographs

 

WEBSITE: www.davidkachel.com

BLOG: thetransparentphotographer.com

EMAIL: david@...

 

PO Box 1093

Bisbee, AZ 85603

(520) 366-4181

 

 

The Internet has caused people to think that everything should be free, but
it's not free to create or maintain. Paying for what you get is a much more
natural state of affairs and, in the long run, will benefit all of those who
do any kind of content creation - and that would include every photographer.

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by Paul Roark

I agree that people should expect to pay for any product -- information or widgets. Most forums are supported via advertising, the list of names the owner gets, and the extent to which a good forum attracts people to other products the owner has that are not free. So, we who use them are paying indirectly.

The problem I ran into is that the LuLa software was blocking my providing information to them for free. It is irrational for Lula to block or charge those who are free providers of information TO them. If they do charge for the forum, it should be on the reading side, not the providers of the information that is, in effect, a gift to them.

I assume the glitch has been taken care of and all is well now.

All that said (and being someone with an econ degree and a career in the related field of antitrust), I still vastly favor the totally "free" internet. Economics is a limited model that does not deal with very large parts of human behavior, including the posting of information for free. It was Lula's stated intention of keeping the forums free, and that is a very good thing and in their economic interest.

Paul
Show quoted textHide quoted text
On Mon, Dec 14, 2015 at 7:22 AM, 'Elliot Puritz' drpuritz@... [DigitalBlackandWhiteThePrint] <DigitalBlackandWhiteThePrint@yahoogroups.com> wrote:

Hi David:

I hope all is well on your end!

Allow me to extend the discussion concerning free information and the internet.

Your position is well argued but perhaps not completely nuanced. If those with useful information cannot recover the costs of dispensing such advice then their contributions will by necessity cease. There will be a loss of information that might otherwise have been valuable and important.

Another approach would be to allow "the marketplace" to decide which information is worth paying for, and which information is not.

I think we might agree that valuable information is indeed "worth" paying for. However, how does one actually assign a value to information? I would argue that the marketplace is the gateway that allows free choice.

As a corollary: You and others who allow free access to valuable and in-depth information are to be admired and sincerely thanked. However, as you state: "Web sites that need income to keep them alive is true and perfectly acceptable".

Furthermore, in my view those individuals ( via individual web sites ) who find the need to affix a cost to pay for their time and for computers, software, printing paper, inks, etc., used to research issues that will be discussed and clarified via the internet should be able to recover such fixed costs. Once again: The "market" will decide which individuals and services offering advice and information are worth supporting.

Elliot

From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]
Sent: Monday, December 14, 2015 9:33 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: OT - Luminous Landscape

Homer,

The logical conclusion of your point of view is that every web site will charge a monthly fee (you said both monthly and yearly; which one is it?).

Think of all the web sites you visit for photographic information. Do you really want to be cut off from all that if you can’t pay every last one of them?!

And how often do you use each web site? You will probably never get close to receiving a $12 value from most.

Look at your bookmarks! What if every single one of them has to be paid every month or year, or your library card is revoked? Is that really what you want? The internet IS the new library.

The whole idea of the internet is freely available information. You’re talking about making the internet useless and unavailable, to all but the well off.

It is especially troublesome that a photographer would be supporting this wrong idea. Photography is where it is today BECAUSE of the free exchange of information among photographers, or do you forget that Kodak and Ilford, while producing great products, also slammed the door on individual innovation for over a hundred years? Alternative methods are currently thriving AND progressing, because of the free exchange of information ON THE INTERNET!

Hasn’t the existing in-your-face, forced, aggressive advertising already soured the experience enough? Do you really want a coin slot installed in your computer?

That web sites need income to keep them alive is true and perfectly acceptable. Fees to get access, or forced takeover of a page by advertisers are not.

David Kachel

___________________

Artist-Photographer

Fine B&W Photographs

PO Box 1093

Bisbee, AZ 85603

The Internet has caused people to think that everything should be free, but it's not free to create or maintain. Paying for what you get is a much more natural state of affairs and, in the long run, will benefit all of those who do any kind of content creation - and that would include every photographer.


Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-14 by Seth Rossman

On 12/14/2015 9:32 AM, David Kachel david@... 
[DigitalBlackandWhiteThePrint] wrote:
  Do you really want a coin slot installed
> in your computer?

> David Kachel
>

If it came with a long arm, and when I pull it I have a chance of three 
cherries popping up for $350,000!!

Re: OT - Luminous Landscape

2015-12-14 by Seth Rossman

I totally agree with Paul.  (Regardless of what my signature below says LOL)

-- 
If I agreed with you both of us would be wrong.

Re: OT - Luminous Landscape

2015-12-14 by brian_downunda@...

Regarding the Lula Forum, they said from the outset that the forum would be outside the paywall. That seems to be how it is, so I don't know what happened to Paul R's access. Perhaps just a glitch.

In deciding to keep the forum outside the paywall, I wonder if the Lula duo were mindful of what happened to the old Rob Galbraith forums, which died rather quickly when it was sold and the new owner started charging.

But the Rob Galbraith forums are a good example of the challenges of a site that becomes a victim of its own success. What do you do when the time and costs of maintaining a site become too great, simply because it's so good that it's too popular? Some survive by advertising, or worse, by selling user tracking information. Clearly the internet would die if everyone started charging, which is clearly not going to happen, but it would be a tragedy if major sites ceased to operate under the burden of success.

I haven't signed up yet. I may. I have read the occasional article. It's a pain that I no longer can. That's life.

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by Paul Roark

It would be interesting to see the costs of operating a forum. I assume it's just computer time, with almost no labor cost. However, as the backlog of old posts becomes greater, it may be that the cost of maintaining that old stuff escalates. I've generally assumed the cost of computer time and data storage is dropping fast enough so that costs stay reasonable, but maybe not.

(In my old day job I more than once observed that people ultimately become totally unproductive because the follow-up on old matters just keeps snowballing until all people are doing is the follow up on the past. Zero current productivity. In the US government the cost of FOIA requests was one of those costs [and it largely amounted to competitors trying to get the goods on each other]. However, there were surprisingly flexible rules on what needed to be kept. Thus part of my ability to out-survive others was to trash the old files. Forums may need to follow a similar practice.)

Paul
Show quoted textHide quoted text
On Mon, Dec 14, 2015 at 3:38 PM, brian_downunda@... [DigitalBlackandWhiteThePrint] <DigitalBlackandWhiteThePrint@yahoogroups.com> wrote:

Regarding the Lula Forum, they said from the outset that the forum would be outside the paywall. That seems to be how it is, so I don't know what happened to Paul R's access. Perhaps just a glitch.

In deciding to keep the forum outside the paywall, I wonder if the Lula duo were mindful of what happened to the old Rob Galbraith forums, which died rather quickly when it was sold and the new owner started charging.

But the Rob Galbraith forums are a good example of the challenges of a site that becomes a victim of its own success. What do you do when the time and costs of maintaining a site become too great, simply because it's so good that it';s too popular? Some survive by advertising, or worse, by selling user tracking information. Clearly the internet would die if everyone started charging, which is clearly not going to happen, but it would be a tragedy if major sites ceased to operate under the burden of success.

I haven't signed up yet. I may. I have read the occasional article. It's a pain that I no longer can. That's life.


Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by David Kachel

Elliot ,

Hi. I don\u2019t have a problem with anyone making an income or just recovering costs on their web sites, but this periodic fee or no access plan has already proven itself a loser.
Photographers definitely do not like the \u201cI have a secret and you have to pay to hear it\u201d approach.
It is like a certain individual I have been having an on and off dispute with recently who \u201chas a secret” and won\u2019t reveal it under any circumstances but a $1000 workshop setting, $2000 with expenses.
Only the well off have access to that knowledge. Definitely not the custom in photography for the last century or so.
If you make your information freely available, people will STILL sign up for your workshops and STILL buy your books. In fact, all of those areas will be greatly enhanced. Ansel Adams proved this approach correct a long time ago.

You don\u2019t have to be a secret keeper to make a living. You just have to know how to do it right. Fee based web sites are absolutely NOT the right way to deal with the internet. People don\u2019t like it, won\u2019t go to your web site and won\u2019t buy anything you have to offer. Millions of web site owners have proven this the hard way. The internet is a means of making your reputation so that people will be interested in your product. The only reason Adobe is getting away with it (maybe) is that they have a captive audience. Photoshop is a must have tool and what Adobe is doing is really quite low.

If they weren\u2019t the only game in town, I believe their bottom line would be in considerable pain right now. They wouldn\u2019t tell us if it was.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@...

PO Box 1093
Bisbee, AZ 85603
(520) 366-4181

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by David Kachel

Uh-oh!
Time to go to a meeting, Seth!

;-)

David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@...


PO Box 1093
Bisbee, AZ 85603

(520) 366-4181




On 12/14/15, 9:07 AM, "Seth Rossman seth@...
[DigitalBlackandWhiteThePrint]"
<DigitalBlackandWhiteThePrint@yahoogroups.com> wrote:
Show quoted textHide quoted text
>If it came with a long arm, and when I pull it I have a chance of three
>cherries popping up for $350,000!!
>

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by David Kachel

I haven't signed up yet. I may. I have read the occasional article. It's a pain that I no longer can. That's life.

I went to look. Never really was a LL fan. First thing I saw was a teaser paragraph or two, cut off with a "sign up or go away" message.
I went away. And in under a minute, found the complete article and several others on the author\u2019s web site.
This makes the whole fee-based idea EXTRA bad. No one is going to be happy paying for material that the author of that material gives a way elsewhere.
I\u2019m sure the author has some sort of contract with LL and is happy with the deal, but no one else is going to be. People will feel swindled. The flip side of that coin is if they are also charging to read articles the author provides free of charge and the author doesn\u2019t know. That would be even worse.
There is no way to win with this. The unwritten laws of the internet say you don\u2019t charge for information. You can however, put a bunch of free articles into a book and then sell the book. No one has a problem with that. People don\u2019t look at that as paying for the information, but rather, paying for the convenient formatting.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@davidkachel.com

PO Box 1093
Bisbee, AZ 85603
(520) 366-4181

RE: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by Elliot Puritz

Hi David:

 

Certainly interesting issues that have many possible responses-actually, too
many for the current thread.  One hopes that two "older timers" might have
an opportunity to meet over some libations and discuss the questions that
you have raised.  I doubt if either of us have all the answers. 

 

Stay well and best for the holidays.

 

Elliot
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Monday, December 14, 2015 7:15 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: OT - Luminous Landscape

 

  

Elliot ,

 

Hi. I don't have a problem with anyone making an income or just recovering
costs on their web sites, but this periodic fee or no access plan has
already proven itself a loser.

Photographers definitely do not like the "I have a secret and you have to
pay to hear it" approach.

It is like a certain individual I have been having an on and off dispute
with recently who "has a secret" and won't reveal it under any circumstances
but a $1000 workshop setting, $2000 with expenses.

Only the well off have access to that knowledge. Definitely not the custom
in photography for the last century or so.

If you make your information freely available, people will STILL sign up for
your workshops and STILL buy your books. In fact, all of those areas will be
greatly enhanced. Ansel Adams proved this approach correct a long time ago.

 

You don't have to be a secret keeper to make a living. You just have to know
how to do it right. Fee based web sites are absolutely NOT the right way to
deal with the internet. People don't like it, won't go to your web site and
won't buy anything you have to offer. Millions of web site owners have
proven this the hard way. The internet is a means of making your reputation
so that people will be interested in your product. The only reason Adobe is
getting away with it (maybe) is that they have a captive audience. Photoshop
is a must have tool and what Adobe is doing is really quite low.

 

If they weren't the only game in town, I believe their bottom line would be
in considerable pain right now. They wouldn't tell us if it was.

 

 

David Kachel

 

___________________

 

Artist-Photographer

Fine B&W Photographs

 

WEBSITE: www.davidkachel.com

BLOG: thetransparentphotographer.com

EMAIL: david@...

 

PO Box 1093

Bisbee, AZ 85603

(520) 366-4181

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by David Kachel

Who you callin\u2019; an \u201cold timer\u201d? Geezer! ;-)
I had all the answers fifty years ago. I seem to have misplaced them all in the interim.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@...

PO Box 1093
Bisbee, AZ 85603
(520) 366-4181

From: "'Elliot Puritz' drpuritz@cfl.rr.com [DigitalBlackandWhiteThePrint]" <DigitalBlackandWhiteThePrint@yahoogroups.com>
Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Date: Monday, December 14, 2015 at 7:58 PM
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Subject: RE: [Digital BW] Re: OT - Luminous Landscape

One hopes that two "older timers" might have an opportunity to meet over some libations and discuss the questions that you have raised. I doubt if either of us have all the answers.

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by homershannon@...

Well this has turned into a lively conversation and that is always good!

I'm sure Paul Roark has some experience with trying to earn a few dollars from a web site. He has certainly given away many of the best techniques for producing outstanding black and white prints. Yes, his site does request a donation, which I have done from time to time - though I'd confess I've donated far less than what his information is really worth. Does voluntary contribution actually cover a significant portion of the site's costs?

If Paul charged $10 per PDF download, I'd say it was a good value, but I wouldn't know that unless I read and tried the processes he describes first. For $100 I'd probably never read one. Monetizing the web is still in its infancy and its going to take another ten years before we settle on better models. Ask the newspaper publishers - they're still scratching their heads.

Homer

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by Tony Sleep

On 15/12/2015 00:40, David Kachel david@... 
[DigitalBlackandWhiteThePrint] wrote:
> The unwritten laws of the internet say you don\ufffdt charge for information.

Sleight of hand is how we got there. Everybody pays, through taxation for 
the salaries of the academics who were the early providers of information. 
Latterly everybody pays as a cost factored into advertisers goods and 
services.

A vast majority can see no reason to pay for pictures, either. That's why 
the profession is the walking dead. Journalism as a whole is dying. Why 
pay for newspapers when their content is aggregated and available for free?

Past a certain point, creative endeavour becomes expensive to sustain. If 
money isn't available, it stops happening. Only the independently wealthy 
can pursue excellence without inhibition, the rest must concentrate on the 
day job.

This isn't good for media quality or inclusiveness of varied viewpoints. 
It's especially not good for creatives in less wealthy economies. Unless 
we are careful, we shall end up unwittingly in an echo chamber of 
self-affirming viewpoints.

There is another consequence, of 'free' c/o indirect revenue from ads and 
sponsorship too. That what value there is, is harvested and kept by 
aggregators like Google, FB, whose monopolistic indispensability is 
increasingly woven into everyone's personal and business lives.

With this proposition, all you can do is withdraw and be a hermit. Back 
when you actually paid to view magazine and newspapers, if they displeased 
you, if the quality fell, you voted with your wallet. You no longer have 
that option in this realm of let's-pretend-it's-free.

Personally I wouldn't subscribe to LL because I've not seen much content 
there that has impressed me. But, the existing model, of entitlement to 
pro-bono, of covert advertiser agendas and sponsorship by PR axegrinders, 
isn't going anywhere healthy. It's reminiscent of C20th fishing, when the 
pursuit of cheap fish led to ever bigger boats and more efficient 
harvesting. And then one day, the fish were nearly gone.

Creative work is an ecosystem. No-one is looking at how sustainable it is, 
except creatives - the small fry at the bottom of the food chain, that 
everyone feeds off.

-- 
Regards
Tony Sleep
--

Re: [Digital BW] Re: OT - Luminous Landscape

2015-12-15 by Paul Roark

I appreciate those who do donate a few bucks via those donate buttons, but they don't produce much revenue or cover the costs. On the other hand, I'm not trying to make money at this. Also, much, if not most, of what I do is for my own purposes -- like the current 9800 project. The information and profiles generated in that process don't cost me anything to post. That said, the 3880 setup was done strictly for the market in general, and the donations do help pay for things like the carts from Cone that were needed. (MIS eventually sent some carts, but it was way too late; I'll be sending those back to MIS [at my expense - a net loss]. I passed the damaged 3880 on to another forum member for the cost of shipping.)

Although I do sell prints, that too is not really to make money. (I'd starve.) Sales are more a validation that what I do mostly out of passion for the medium and art is not something that no one else can appreciate.

I also print for (a few) others, but those who have me do printing for them are usually high end artists from whom I learn. (Eboni-6 was the byproduct of a [";failed"] project for a Guggenheim winning painter.) The connections I make in that process are probably more important than the money they pay for the printing.

When it comes to the costs of this effort, my strategy -- probably like most people on this forum -- is to hold costs to a minimum. As long as the ship is not sinking, I'll continue to do what I do and try to find the best and most cost effective way to accomplish my B&W photographic goals.

I, for sure, am not bothered by the Lula guys trying to monetize their efforts. I wish them luck. I, personally, have not paid and rarely do for the paid sites. This is usually due to the fact that there is so much free information out there, it's just not necessary. I'm sufficiently specialized that, frankly, there would not be much or a market for an article that had the information I'm interested in. It's their forums and the group of very knowledgeable posters they have that is where I find occasionally useful and new information. (Their B&W forum, however, is very weak.)

Paul


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On Tue, Dec 15, 2015 at 8:29 AM, homershannon@... [DigitalBlackandWhiteThePrint] <DigitalBlackandWhiteThePrint@yahoogroups.com> wrote:

Well this has turned into a lively conversation and that is always good!


I'm sure Paul Roark has some experience with trying to earn a few dollars from a web site. He has certainly given away many of the best techniques for producing outstanding black and white prints. Yes, his site does request a donation, which I have done from time to time - though I'd confess I've donated far less than what his information is really worth. Does voluntary contribution actually cover a significant portion of the site's costs?

If Paul charged $10 per PDF download, I'd say it was a good value, but I wouldn't know that unless I read and tried the processes he describes first. For $100 I'd probably never read one. Monetizing the web is still in its infancy and its going to take another ten years before we settle on better models. Ask the newspaper publishers - they're still scratching their heads.

Homer


Re: OT - Luminous Landscape

2015-12-16 by Joseph Meyerson

Just a quick defense of 'the good old days' of Kodak and Ilford with regard to information. They published hundreds of specialty publications on their products; Kodak's great failing was to separate 'professional' from 'amateur' divisions, sometimes in ridiculous ways, such as a story a recently read of requiring your FAA license info if you wanted to buy spools of aero film - but I still have some of the best, concise guides to macro photography from 1980's Kodak guides that must have sold for less than their cost of printing it. The Darkroom and Master Guides cost a few bucks - but with cutout multi wheel dials on page after page, and I have some with a dozen toned paper samples, surfaces, etc.
Data sheets on each film? I have the Morgan and Morgan books, collecting graphic art and strange variations of emulsions that could be cross processed up the whazoo with the direct positive kit, etc.
Kodak maintained mail and telephone desks to answer questions, and while 98% were from people who couldn't open an Instamatic; eventually you built up a secret list of people who drank phenidone in their coffee to call with oddball requests; and every so often, a mystery box or bottle would appear with typewritten instructions and a request that an sample exposure be sent back from me or one of my students.
Ilford had much less of a presence in the US back then, but I also have their books on Monochrome Practice, sample black and white negatives they'd send out (why was their never an equivalent B&W "IT-8"?) and found their sales reps to be more accommodating than what Kodak would allow.
"Oh, you have 75 Adult Ed darkroom students? Can we send you..."

Joe Meyerson
Still have stains under the fingernails...

Re: OT - Luminous Landscape

2015-12-16 by brian_downunda@...

The "Like" button has been pressed


---In DigitalBlackandWhiteThePrint@yahoogroups.com, <lensandcamera@...> wrote :

Just a quick defense of 'the good old days' of Kodak and Ilford with regard to information. They published hundreds of specialty publications on their products; Kodak's great failing was to separate 'professional' from 'amateur' divisions, sometimes in ridiculous ways, such as a story a recently read of requiring your FAA license info if you wanted to buy spools of aero film - but I still have some of the best, concise guides to macro photography from 1980's Kodak guides that must have sold for less than their cost of printing it. The Darkroom and Master Guides cost a few bucks - but with cutout multi wheel dials on page after page, and I have some with a dozen toned paper samples, surfaces, etc.
Data sheets on each film? I have the Morgan and Morgan books, collecting graphic art and strange variations of emulsions that could be cross processed up the whazoo with the direct positive kit, etc.
Kodak maintained mail and telephone desks to answer questions, and while 98% were from people who couldn't open an Instamatic; eventually you built up a secret list of people who drank phenidone in their coffee to call with oddball requests; and every so often, a mystery box or bottle would appear with typewritten instructions and a request that an sample exposure be sent back from me or one of my students.
Ilford had much less of a presence in the US back then, but I also have their books on Monochrome Practice, sample black and white negatives they'd send out (why was their never an equivalent B&W "IT-8"?) and found their sales reps to be more accommodating than what Kodak would allow.
"Oh, you have 75 Adult Ed darkroom students? Can we send you..."

Joe Meyerson
Still have stains under the fingernails...

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