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Digital BW, The Print

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Re: [Digital BW] Somerset Velvet Radiant White -- warming

Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-14 by Paul Roark

Jerry,

>I have quite a bit of Somerset velvet paper, uncoated.
>Is there any way to get a good black on this paper?

I doubt it.  I've never seen good blacks.

In light of the fade/warm test results (essentially the same as Epson
Archival Matte and Eclipse Satine), I just see no reason to use this paper,
unless, perhaps one wants a soft look.

Paul

Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-15 by James Klebau

Hi Jerry,

I have found that somerset velvet -appears- to have a "good" black when 
the blacks in the image are small areas surrounded by much larger, much 
lighter areas..... snow scenes and branches against the sky, for 
instance. I didn't intend for this answer to replace the better tech 
answer that Paul can supply. Just thought it could help on a different 
level.

I had a lot of s.v. on hand when I acquired some Hahnemueler Photo Rag, 
and was able to get some use out of using this approach.

Jim
Show quoted textHide quoted text
On Thursday, March 14, 2002, at 12:25  PM, Jerry Olson wrote:

> Paul, I have quite a bit of somerset velvet paper, uncoated. Is there 
> any way to get a
> good black on this paper?
>
> Jerry
>
>
>
>

Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-15 by Jerry Olson

Jim, I got 25 sheets of Royal Rennaissance paper from Media street, which they say is Photo Rag 308.  It prints beautifully, but is awfully
thin.  Thinner than the Epson Archival matte. Do you find this to be so also?
The ENHANCED somerset velvet is ok for the images you describe. but not the regular.  However, for high key only photos like a real light
waterfall, or cloudscape, it does ok, so long as there are no deep blacks.

Jerry

James Klebau wrote:
Show quoted textHide quoted text
> Hi Jerry,
>
> I have found that somerset velvet -appears- to have a "good" black when
> the blacks in the image are small areas surrounded by much larger, much
> lighter areas..... snow scenes and branches against the sky, for
> instance. I didn't intend for this answer to replace the better tech
> answer that Paul can supply. Just thought it could help on a different
> level.
>
> I had a lot of s.v. on hand when I acquired some Hahnemueler Photo Rag,
> and was able to get some use out of using this approach.
>
> Jim
>
> On Thursday, March 14, 2002, at 12:25  PM, Jerry Olson wrote:
>
> > Paul, I have quite a bit of somerset velvet paper, uncoated. Is there
> > any way to get a
> > good black on this paper?
> >
> > Jerry
> >
> >
> >
> >
>
>
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Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-15 by Todd Flashner

> Jim, I got 25 sheets of Royal Rennaissance paper from Media street, which they
> say is Photo Rag 308.  It prints beautifully, but is awfully
> thin.  Thinner than the Epson Archival matte. Do you find this to be so also?

Jerry,

I don't think even the 188 (or whatever that weight is) is as thin as EAM,
let alone the 308. The 308 is a nice sheet. Not stiff, but weighty. They
must have sent you the thinner weight.

Todd

Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-15 by James Klebau

The Photo Rag I have came from Inkjet Mall and the re-labeled doesn't 
tell the weight of the paper. It must be the lightest weight version. 
But its light weight has not been a problem for me. (It does buckle 
sometimes when I'm taking it out of the fix and putting it into the 
wash - sorry, couldn't resist.)

Yup - that sommerset velvet just has to wait for the right 
image....either high key or, like I said, ones that by their local 
contrast give the impression a good black.

Jim
Show quoted textHide quoted text
On Thursday, March 14, 2002, at 05:28  PM, Jerry Olson wrote:

> Jim, I got 25 sheets of Royal Rennaissance paper from Media street, 
> which they say is Photo Rag 308.  It prints beautifully, but is awfully
> thin.  Thinner than the Epson Archival matte. Do you find this to be so 
> also?
> The ENHANCED somerset velvet is ok for the images you describe. but not 
> the regular.  However, for high key only photos like a real light
> waterfall, or cloudscape, it does ok, so long as there are no deep 
> blacks.
>
> Jerry
>
> James Klebau wrote:
>
>> Hi Jerry,
>>
>> I have found that somerset velvet -appears- to have a "good" black when
>> the blacks in the image are small areas surrounded by much larger, much
>> lighter areas..... snow scenes and branches against the sky, for
>> instance. I didn't intend for this answer to replace the better tech
>> answer that Paul can supply. Just thought it could help on a different
>> level.
>>
>> I had a lot of s.v. on hand when I acquired some Hahnemueler Photo Rag,
>> and was able to get some use out of using this approach.
>>
>> Jim
>>
>> On Thursday, March 14, 2002, at 12:25  PM, Jerry Olson wrote:
>>
>>> Paul, I have quite a bit of somerset velvet paper, uncoated. Is there
>>> any way to get a
>>> good black on this paper?
>>>
>>> Jerry
>>>
>>>
>>>

Re: [Digital BW] Somerset Velvet Radiant White -- warming

2002-03-15 by James Klebau

Jerry,

 From Tod's post, I figure I must have the 188.

Does anyone know the gram equivalent of 60 pound paper?

Jim
Show quoted textHide quoted text
On Thursday, March 14, 2002, at 05:37  PM, Todd Flashner wrote:

>> Jim, I got 25 sheets of Royal Rennaissance paper from Media street, 
>> which they
>> say is Photo Rag 308.  It prints beautifully, but is awfully
>> thin.  Thinner than the Epson Archival matte. Do you find this to be 
>> so also?
>
> Jerry,
>
> I don't think even the 188 (or whatever that weight is) is as thin as 
> EAM,
> let alone the 308. The 308 is a nice sheet. Not stiff, but weighty. They
> must have sent you the thinner weight.
>
> Todd
>

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