-----Original Message-----
From: Myron Gochnauer goch@... [DigitalBlackandWhiteThePrint]
Sent: Friday, July 27, 2018 6:23 PM
To: digitalB&W group group
Subject: [Digital BW] Re: the Red River online newsletter: glass or no
glass?
This may be anathema for our group, but:
Have any of you run across information concerning the archival qualities, or
lack thereof, of hot lamination?
My sister recently gave me reproductions of paintings by a local artist. The
prints were laminated, and looked surprisingly good. The laminating material
was thicker than the stuff you normally see at stationery stores, and they
were dead flat.
I\u2019ve laminated a couple prints for children. 11x14, with a 1 inch
transparent margin all around, and two grommets through the top corners to
suspend the print by a thick cord. Hangs on a nail, bedpost, or whatever,
and can withstand sticky little fingers. Also suitable for garages,
workshops, and the like. :-)
The prints my sister gave me were a step up in thickness and general
refinement, but I have no idea how they were produced.
Full lamination makes me nervous, since there\u2019s no backing out, but it does
have the advantage of sealing out a nasty environment. I have no idea how
most laminating films treat, and are treated by, UV light.
I have found it difficult to find technical information on laminating films.
Can any of you help?
Myron
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Posted by: Myron Gochnauer <goch@...>
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