>
> Jerry Olson <jerryolson@...> writes:
>
> > You probably shouldn't be mounting prints using dry mount. Use the
> > archival tape hinge method. Much safer, many less problems. And the
> > prints do lay flat, when matted. And no part of the print is attached
> > directly to the mount/backing board.
>
> Conservators certainly prefer prints not to be dry mounted or in any
> other way permanently bonded to anything.
>
> However, I've never gotten a print to lie satisfactorily flat using
> archival tape hinges, and the over-mat doesn't help any that I can
> see.
>
> Currently I'm just living with it. If I had room and money I'd
> probably buy a press and go back to dry mounting, because the results
> look so much better. And dry mount is known to be reasonably
> well-behaved over time, too.
> --
> David Dyer-Bennet, dd-b@... / Ghugle: the Fannish Ghod of Queries
> John Dyer-Bennet 1915-2002 Memorial Site http://john.dyer-bennet.net
> Book log: http://www.dd-b.net/dd-b/Ouroboros/booknotes/
> Photos: http://dd-b.lighthunters.net/
>
>
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