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Re: [Digital BW] Re:Luminous Landscape 2200 Review

Re: [Digital BW] Re:Luminous Landscape 2200 Review

2002-07-30 by Editor P.O.V. Image Service

Doug I. wrote:

>
>  
>
>>Date: Tue, 30 Jul 2002 04:31:17 -0000
>>From: "antonisphoto" <antonisphoto@...>
>>Subject: Re:Luminous Landscape 2200 Review
>>
>>Apparently, there are  a lot of perfectly succesful, talented photographers
>>out 
>>there who don't get what bw printing is all about.
>>    
>>
>
>Well, I for one would love to know what it's all about then. Let's see--you
>can be incredibly talented...you can be incredibly successful...but if you
>don't print the way WE print, you have (sniff) lower standards and are
>really just a hack. 
>
Ummm.. he never implied that...

Mary Ellen Marks and Annie Leibovitz for example have no frigging clue 
about actually printing... Doesn't make them unsuccessful.. Go see a 
shoot be either one, they don't even look through the camera until the 
last moment.. EVERYTHING except pressing the shutter is done by 
assistants, etc..  After years of think about this, I have decided that 
neither one is a real photog in my book (nor in many other photog's 
"books") anymore..  Great editors, yes, as that is essentially what they 
do, pick a great print from contacts and proofs..  Great marketers? 
yes..  Great photogs.. No..  Even good printers?  HAHAHAHAHA Not!

>And by the way, so is anyone who likes your work. It's
>an interesting, if not exactly traditional, business model.
>  
>
Hmmm.. any reason you are attacking his business model?

>  
>
>>I just listened in on a
>>presentation by Jeff Shewe who showcased the 2200 and lots of prints of his
>>work, bw among others.  They weren't bad, but if that was the only option
>>available, I would keep my darkroom. They don't hold a candle to what we are
>>talking about here.
>>
>>The only thing going for the 2200 is that it offers a one-printer solution
>>that 
>>does an adequate job of  printing the occasional monochrome portfolio print.
>>Very helpful to the photographer who doesn't want to get into the esoterica of
>>piezo printing and that second, third and fourth printer - depending on the
>>desired hue! 
>>Color may be another matter, though.
>>
>>    
>>
>Hmmm...I suspect that if I had formed my opinions of Piezo, MIS, etc., etc.
>based on the first 2 weeks' output of any member of this list, I'd be saying
>those systems suck heartily.
>
Much more than 2 weeks output babe...  They get the printers early AND 
the 2100 has been on sale in the EU for significantly longer than 2 weeks..

Oh, and BTW, if you did exactly what you say in the preceding, and 
INSTEAD, said the "output" you had seen so far "sucked heartily," as you 
so eloquently put it, you would be accurate.  There is no reason to call 
OUTPUT good unless it is..

The print engine can be the best in the world, if the inks and media 
don't make it.. The printer sucks as sold (until/unless 3rd party 
alternative consumables are available)..

EPSON chips the printers to prevent 3rd party inks... So,  they are held 
to a higher base standard for those inks.. That's eminently fair.. 
Especially given the ridiculous markup they get for those inks..  Given 
the pricing ratios, they better be significantly BETTER than 3rd Party 
inks... Otherwise, one is getting fleeced, plain and simple..

> Say what you will about Reichmann--at least he
>is speaking from personally living with and working with the printer,
>instead of writing off an entire new system based on a few samples of some
>other guy's work.
>  
>
Ok, since we can say what we will.... ;-)

Since I always play "Diogenes."

I shall assume you noted what Reichmann's reviews of the 1270 and 1280 
said about B&W output from those printers...

If you think reviews of equipment this early in the product cycle are 
untainted think again...  Remember the 1270 reviews? or more 
importantly, I can say that within the last year a manufacturer (not 
EPSON) tried to have me pulled from a review piece by implying to an 
associate editor that I was asking "uncomfortably tough questions" and 
it might make it tougher   for the pub to get "product" for early 
reviews in the future...  The associate editor actually DID pull me from 
the piece until the Editor in Chief found out and gave it back to me.. 
Right now, the tech industry is in such bad shape that even PC Magazine 
and other large pubs are doing very little real testing for reviews, 
they simply don't have the money.  So, they are much more dependent on 
marketing material and demo product... I have e-mail from writers at 
those pubs saying EXACTLY that and bemoaning the way vendors are using 
it to ensure good reviews..  Nuff said.


>Until people on this list have given the new system even a fraction of the
>effort they spent perfecting their quad/hex work, or seen samples printed by
>someone who does "get what B&W printing is all about" in their personal
>judgement, it's all just meaningless speculation, isn't it?
>
>  
>
That's a ludicrous comment...

It's like saying you can't review a car until you race it or a pickup 
until you haul logs with it..

Even more, by that logic I couldn't say Leibovitz or Marks sucked as 
printers until they actually made current prints for me to review.. 
 "Who knows, they may suddenly have been injected with some godlike 
ability to make perfect prints, and just don't like printing"... 
PUHLEAZZZE!!

Since you felt it was fair to flame Antonis, I have a question for you...

Were you one of those  recommending to the public that they buy 
WorldCom, Enron, and Tyco, while loaning them money?  Your faith in the 
unvarnished marketing hype is endearing, especially in light of what 
much of the public has apparently had to re-learn about business realities..

If you flame someone onlist, especially while wearing blinders, expect 
to get sandbagged!

For anyone not willing to simply buy the hype outright, the best advice 
is to wait and see if anyone does better..  Suffice it to say the new 
chip/cartridge setup is gonna make it much harder..

 
Keith
 
 



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Re: [Digital BW] Re:Luminous Landscape 2200 Review

2002-07-31 by Shire,Stanley

Picky, picky...It's Mary Ellen Mark
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Mitch Alland 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Tuesday, July 30, 2002 10:39 PM
  Subject: [Digital BW] Re:Luminous Landscape 2200 Review


  To: "Editor P.O.V. Image Service" <editor@...>

  >Mary Ellen Marks and Annie Leibovitz for example have no frigging clue 
  >about actually printing... Doesn't make them unsuccessful.. Go see a 
  >shoot be either one, they don't even look through the camera until the 
  >last moment.. EVERYTHING except pressing the shutter is done by 
  >assistants, etc..  After years of think about this, I have decided that 
  >neither one is a real photog in my book (nor in many other photog's 
  >"books") anymore..  Great editors, yes, as that is essentially what they 
  >do, pick a great print from contacts and proofs..  Great marketers? 
  >yes..  Great photogs.. No..  Even good printers?  HAHAHAHAHA
  >Not!

  Now, I don't think much of Leibovitz as a photographer and Mary Ellen Marks is not a favorite of mine; but to state that they are not real photographers strikes me as nonsensical. By this measure Henri Cartier-Bresson is not a real phorographer either, as he did not make his own prints.

  --Mitch/Bangkok


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