Yahoo Groups archive

Digital BW, The Print

Index last updated: 2026-04-28 22:56 UTC

Thread

Re: [Digital BW] frustrations printing on a 980...

Re: [Digital BW] frustrations printing on a 980...

2002-10-27 by Martin Wesley

----- Original Message -----
From: "markroth61" <mark80905@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Saturday, October 26, 2002 5:25 PM
Subject: [Digital BW] frustrations printing on a 980...


> Am using the 980, with Epson archival matte paper. Have been messing
> around with this printer for several months now, and prior to
> converting to quad-black inks shortly, am trying to get sepia,
> bronze, and other warm-toned prints out of this printer, using the
> color inks. It prints excellent full-color prints, but when
> attempting to make sepia-toned, or bronze, or using any of the
> Duotones, Tritones, or Quadtones presets in PS6, it falls flat...the
> tones look horrible....mostly with a green or blue cast, or the tone
> is very exaggerated and unacceptable.
>
> The only decent prints I've attained, (which are nearly acceptable
> but not resembling the presets), are printing with the "photo-
> enhance, sepia" options selected in the Epson Advanced setting prior
> to the print. (btw, the heads are clear, and the printer otherwise
> works great as mentioned, in full color.)
>
> (negatives 35mm color film scanned at 2720 using Canoscan
> FS2710...output/print resolution at 300)
>
> I'm sure I must be doing something simply wrong in some setting
> somewhere, or I'm skipping a step prior to the output, but now I'm
> wondering if this is a specific 980-model issue...I doubt it, but I
> feel I've tried/researched/experimented with everything to this point.
>
> Anyone else who owns a 980 run into this, or could point to a known
> 980 workflow using color inks? Thanks..!
>
> Regards,
> mark r.
>
Mark,

To accomplish what you want I suggest you have some custom profiles made for
the papers you want to use. While you may be getting good color with the
default Epson color management, it may not be good enough for making
monochrome prints which are close to neutral. Most of the people printing
B&W with color ink sets seem to recommend profiles as the only way to
overcome the problems you describe

Martin Wesley

http://www.borderless-photos.de/guests.html


>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
resources on the homepage.
Show quoted textHide quoted text
>
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>

Re: [Digital BW] frustrations printing on a 980...

2002-10-27 by Steven Karafyllakis

Mark;
I agree with Martin, the custom profiles are the best place to start-
 a properly profiled paper will render a decent sepia print just as 
though it were a full color print, by and large. The least expensive 
software for that is probably Monaco Ezcolor, though it's not the 
most powerful. Short of that- if you start with a duo-tri-quadtone 
in PS, CONVERT IT TO RGB befor you print it. Is very difficult to 
fine-tune the color by going back and 'specifying a different ink 
shade'. In RGB OTOH, you can use an adjustment layer to get rid of a 
global color cast. Or, if you have a green or blue shift in a 
specific part of the tonal range, try this: a)zoom in on the area 
that most clearly displays the color shift  B)open a curves 
adjustment dialogue box, and set it for the color most likely to fix 
the problem e.g., if you have green crossover, you could use either 
the green curve or the red curve, if you have blue then use the 
blue. Place your cursor on the most obvious of-color area on the 
image, and do a 'ctrl-click' (or Mac equivalent) on that spot. That 
gives you a control point on the curve. Set a few more points on 
either side so that the whole curve doesn't move, and then adjust 
the first point up or down to get rid of the crossover.

Hope this helps

Steve

www.stevekphoto.com

--- In DigitalBlackandWhiteThePrint@y..., "Martin Wesley" 
<mwesley250@e...> wrote:
> 
> ----- Original Message -----
> From: "markroth61" <mark80905@h...>
> To: <DigitalBlackandWhiteThePrint@y...>
> Sent: Saturday, October 26, 2002 5:25 PM
> Subject: [Digital BW] frustrations printing on a 980...
> 
> 
> > Am using the 980, with Epson archival matte paper. Have been 
messing
> > around with this printer for several months now, and prior to
> > converting to quad-black inks shortly, am trying to get sepia,
> > bronze, and other warm-toned prints out of this printer, using 
the
> > color inks. It prints excellent full-color prints, but when
> > attempting to make sepia-toned, or bronze, or using any of the
> > Duotones, Tritones, or Quadtones presets in PS6, it falls 
flat...the
> > tones look horrible....mostly with a green or blue cast, or the 
tone
> > is very exaggerated and unacceptable.
> >
> > The only decent prints I've attained, (which are nearly 
acceptable
> > but not resembling the presets), are printing with the "photo-
> > enhance, sepia" options selected in the Epson Advanced setting 
prior
> > to the print. (btw, the heads are clear, and the printer 
otherwise
> > works great as mentioned, in full color.)
> >
> Mark,
> 
> To accomplish what you want I suggest you have some custom 
profiles made for
> the papers you want to use. While you may be getting good color 
with the
> default Epson color management, it may not be good enough for 
making
> monochrome prints which are close to neutral. Most of the people 
printing
> B&W with color ink sets seem to recommend profiles as the only way 
to
Show quoted textHide quoted text
> overcome the problems you describe
> 
> Martin Wesley
> 
> http://www.borderless-photos.de/guests.html
> 
>

Re: [Digital BW] frustrations printing on a 980...

2002-10-27 by Jerry Olson

Make a color adjustment layer in photoshop, and choose about 25 yellow
and 10 red. This will make a very nice sepia color.  If it isn't exactly
what you want, just keep on fiddling with those two colors until you get
the shade you want. (With color inks) 

Jerry




markroth61 wrote:
Show quoted textHide quoted text
> 
> Am using the 980, with Epson archival matte paper. Have been messing
> around with this printer for several months now, and prior to
> converting to quad-black inks shortly, am trying to get sepia,
> bronze, and other warm-toned prints out of this printer, using the
> color inks. It prints excellent full-color prints, but when
> attempting to make sepia-toned, or bronze, or using any of the
> Duotones, Tritones, or Quadtones presets in PS6, it falls flat...the
> tones look horrible....mostly with a green or blue cast, or the tone
> is very exaggerated and unacceptable.
> 
> The only decent prints I've attained, (which are nearly acceptable
> but not resembling the presets), are printing with the "photo-
> enhance, sepia" options selected in the Epson Advanced setting prior
> to the print. (btw, the heads are clear, and the printer otherwise
> works great as mentioned, in full color.)
> 
> (negatives 35mm color film scanned at 2720 using Canoscan
> FS2710...output/print resolution at 300)
> 
> I'm sure I must be doing something simply wrong in some setting
> somewhere, or I'm skipping a step prior to the output, but now I'm
> wondering if this is a specific 980-model issue...I doubt it, but I
> feel I've tried/researched/experimented with everything to this point.
> 
> Anyone else who owns a 980 run into this, or could point to a known
> 980 workflow using color inks? Thanks..!
> 
> Regards,
> mark r.
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page.
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or &amp;amp;quot;flames.&amp;amp;quot;
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various resources on the homepage.
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.