Hi Duane,
With the Eric Bullock's small gamut profiles, yes, there is a slight
shift in the highlights going from daylight to tungsten light (Their
balanced at 5000K I believe...), but it is minimal. I actually prefer
the small gamut profile to QTR for this paper.
For QTR w/ matte papers I much prefer Hahn photo rag and the
Moab's... My favorite paper w/ QTR is still semi-matte w/ a liberal
dose of Printshield.
SteveB
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "dlruckus"
<dlruckus@y...> wrote:
>
> Hi Steve.
> How did the prints do in moving from daylight to incandescent? Were
> there significant tonal (color) shifts vis-a-vis cyan/red?
>
> Thanks
> Duane
>
>
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "
> <steveabrink@y...> wrote:
> >
> > I use the cool tone with QTR and small gamut profiles and just
love
> > it -- especially for the price. It's also great for color.
> > SteveB
> >
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Chris
Hargens"
> > <chargens@s...> wrote:
> > >
> > > Has anyone tried InkjetArt's Illuminata Photo Cotton? The price
on
> > > this paper is very attractive -- $28.50 for 25 11x17 sheets --
so
> > I'm
> > > surprised I haven't read anything about it on this list. I may
> > order
> > > a box today, but I thought I'd check the list to see if anyone
has Show quoted textHide quoted text
> > > seen excessive flaking or other problems/deficiencies with the
> > paper.
> > >
> > > Chris Hargens