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Re: [Digital BW] Re: Glop mixed into the ink

Re: [Digital BW] Re: Glop mixed into the ink

2005-02-04 by Ernst Dinkla

koloshor wrote:


> But contaminated (even lightly contaminated) and all bets are off.
> 
> My parents house has what looks like 2 foot tall chunks of amber in front of it. My dad brought them home from work one day. They were the result of a tank of resin (he used to work at Rinchead-Mason, a big automotive paint manufacturer) that got contaminated and catalyzed into solid material in the tank.

Possible with 2 component inks (epoxy, polyester, polyurethane
etc), inks that solidify on oxidation (alkyds, linseed oil),
heat (infrared drying offset inks), UV curing resins, but not
likely to happen with dispersions with water, they still can
clogg the nozzles without getting solid though. Contamination
can disrupt the balance of the dispersion and coagulation or
settling may happen but that isn't a chemical reaction.


> I'd say, if it's kept clean, it should stay liquid for years. If you're mixing it with inks, that could be considered "contamination". Also if you're loading it into non-virgin carts.

Even our nice pigment inks settle without being contaminated.

> Grind something fine enough, and it can stay in colloidal suspension forever.

Would be very nice if it was that simple.

> 
> The water based versions use balls that are much bigger than the Epson ones. They won't stay in colloidal suspension, and form thixatropic slurrys.
> 
> To make something sprayable in a printer, the colloid has to be so fine that even under pressure, or local high differential velocities and shear, it stays a colloid. Thixatropy will clog the jets.
> 
> The solvent based coating don't have particles at all (except insoluble contaminants). The actual coating is fully in solution.

Pigment inkjet ink need a degree of thixotropy to have the
high viscosity for keeping the pigments from settling in the
carts while the viscosity has to get low for a better flow
when the ink is pumped through the nozzles, after that it is
nice when the ink gets the high viscosity again to keep
bleeding on the paper coating low. Even dye inks could use
that quality for the last aspect.

Ernst

Re: [Digital BW] Glop mixed into the ink

2005-02-04 by Ernst Dinkla

Carl Schofield wrote:
> Thanks Paul.  I'll scratch that option off my list for using glop in a 
> 4000.  I'm still considering the dual pass option with glop in the MK 
> slot for overlay application.
> 
> Carl

I think there are many good reasons to either use a dedicated,
permanent ink channel for glop or a cheap second printer for
glob only and in both cases applying Glop after printing. I've
seen 3000's for 250 Euro secondhand and it would be a nice
glop companion for a 4000. The first time glop was mentioned
here I asked whether it influenced bleed etc when applied at
the same time with the inks. Expecting similar effects that
one gets when varnish is applied too short after a halftone
printrun in silkscreen printing. In the last case dotgain gets
higher.

Using one ink channel for glop one time and another time for
an ink is asking for trouble imho. Heads are not that easy to
clean.

However a 3000 with tinted glop per channel could deliver some
nice simulations of older photographic processes. Fake of
course. But that never stopped progress.

Ernst

Re: [Digital BW] Glop mixed into the ink

2005-02-04 by Ernst Dinkla

Paul Roark wrote:
>>Don't leave the "Glop" sat in your printer for along period unused, 
>>some types can react and cause the ink to dry out and solidify in 
>>the cartridge particularly if it is acrylic or urethane based. 
> 
> 
> Thanks for the warning.  I had a similar feeling and pulled it out as soon
> as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
> wreck one of these than the alternatives.
> 
> Glop is, of course, meant to be used in a printer, at least by itself.  I've
> tried to inquire about clogging, but have found no evidence yet that it
> clogs more than other inks.  This is an issue to keep an eye on, however.

Isn't the glop as used in the Epson R800 and its MIS clone not
basically the normal ink carrier without pigment but more 
resin added ?  PVA as the
only resin component in it that will act as a very fragile 
coating that can't be compared to water bases acrylic 
dispersions and polyurethane coatings like Hydrocote's 
Polyshield. Especially the last is something you wouldn't like 
to use in inkjets as it can hardly be resolved after it dries, 
depends on its hydrolyse grade of course.

>>We did a 3year test on several versions of this type of combination.
> 
> 
> Is it just the combination with other inks that is the problem, or does glop
> by its nature tend to solidify?  
> 
> Frankly, the bulk glop looks most like the UT base.  When it is printed by
> itself, it does have a bit of density to it.  So, it's clearly not just
> base.  I think I've read the Epson version is an acrylic suspension.
> Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
> clogging those nozzles.

What Epson writes is "the same high density resin as used in 
the coating of the pigment particles". Sounds almost like a 
description of polyethylene or polypropylene instead of 
acrylics. But I guess it is to indicate it isn't a PVA but the 
last has different grades too. A modern copolymere is more likely.

> A paint technician once described water-borne acrylics as being like gooey
> little golf balls suspended in water.  I have assumed that the acrylic that
> Epson uses is relatively solid, but, on the other hand, it is used around
> their pigments to help hold them onto the paper.  

The acrylic coating of the pigment (pellets) has more than
just a function in bonding. It delivers a better protection of
the pigment itself and enhances the gloss quality of the ink.
I did read somewhere that their particle shape and consistency 
suited the piezo head. Bloodcells alike so to speak. 
Thixotropy at particle level.




Mars-Staedtler announced a waterbased inkjet ink that gives a 
a bond with a wide variety of substrates for outdoor use, the 
base could be an interesting alternative for glop if there are 
no other limitations in its use.

Ernst

Glop mixed into the ink

2005-02-05 by Paul Roark

I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.

 

Paul

www.PaulRoark.com <http://www.paulroark.com/>  

 



[Non-text portions of this message have been removed]

Re: [Digital BW] Glop mixed into the ink

2005-02-05 by John Edmunds

Paul,
       Don't leave the "Glop" sat in your printer for along period unused, some types  can react and cause the ink to dry out and solidify in the cartridge particularly if its is acrylic or urethane based. We did a 3year test on several versions of this type of combination.
 
Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





[Non-text portions of this message have been removed]



Please visit the Group Homepage to check the Files, and other resources as they are often being updated.

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Re: [Digital BW] Glop mixed into the ink

2005-02-05 by Carl Schofield

Thanks Paul.  I'll scratch that option off my list for using glop in a 
4000.  I'm still considering the dual pass option with glop in the MK 
slot for overlay application.

Carl
Show quoted textHide quoted text
On Feb 4, 2005, at 8:54 PM, Paul Roark wrote:

>
> I mixed an LK based on PK and Glop.  Putting it into the C86 black 
> position,
> I printed a BO test strip with it and compared it to the standard MIS 
> LK
> printed the same way.  There was almost no difference.  So, Glop seems 
> to
> have no effect when it is mixed into the ink.
>
>
>
> Paul
>
> www.PaulRoark.com <http://www.paulroark.com/>
>

RE: [Digital BW] Glop mixed into the ink

2005-02-05 by Paul Roark

>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 




 
Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





[Non-text portions of this message have been removed]



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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.




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"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
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RE: Ink all over

2005-02-05 by Moises Faidengold

Paul,
I just put in my 1280 a brand new set of inks from MIS and I have a super big mess on it. There is ink all over and the ink drips out of the cartridge. As I'm new to this inks, I ask, what am I doing wrong?????
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 





Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





[Non-text portions of this message have been removed]



Please visit the Group Homepage to check the Files, and other resources as
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Hostile, aggressive or argumentative users may be removed from the
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- Keep your posts and threads related to the group topic of digital B&W
printing. Users who persistently make off-topic posts may be removed from
the membership.
- By posting on this forum you agree to abide by the group rules and
guidelines, and to abide by the actions and decisions of the group Owner and
Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.




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printing. Users who persistently make off-topic posts may be removed from
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guidelines, and to abide by the actions and decisions of the group Owner and
Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
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BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS,
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.

Yahoo! Groups Links











Please visit the Group Homepage to check the Files, and other resources as they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep them short.
- Good manners are required at all time. No personal attacks or flames. Hostile, aggressive or argumentative users may be removed from the membership without notice.
- Keep your posts and threads related to the group topic of digital B&W printing. Users who persistently make off-topic posts may be removed from the membership.
- By posting on this forum you agree to abide by the group rules and guidelines, and to abide by the actions and decisions of the group Owner and Moderators. See �Group Topic, Rules and Guidelines� in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  �OWNER� AND �MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.




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RE: [Digital BW] RE: Ink all over

2005-02-05 by Paul Roark

Moises,

I don't know what would cause this.  The carts are supposed to seal around
the pegs that go into the cart outlets.

Where is the ink coming from?

Paul
www.PaulRoark.com 
Show quoted textHide quoted text
-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:27 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] RE: Ink all over


Paul,
I just put in my 1280 a brand new set of inks from MIS and I have a super
big mess on it. There is ink all over and the ink drips out of the
cartridge. As I'm new to this inks, I ask, what am I doing wrong?????
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 





Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





[Non-text portions of this message have been removed]



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Re: Glop mixed into the ink

2005-02-05 by koloshor

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" <paul.roark@v...> wrote:
> >Don't leave the "Glop" sat in your printer for along period unused, 
> >some types can react and cause the ink to dry out and solidify in 
> >the cartridge particularly if it is acrylic or urethane based. 
> 
> Thanks for the warning.  I had a similar feeling and pulled it out as soon
> as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
> wreck one of these than the alternatives.
> 
> Glop is, of course, meant to be used in a printer, at least by itself.  I've
> tried to inquire about clogging, but have found no evidence yet that it
> clogs more than other inks.  This is an issue to keep an eye on, however.

By itself, I'd expect it to be relatively stable, just like any lacquer stored for a period of months or years.

But contaminated (even lightly contaminated) and all bets are off.

My parents house has what looks like 2 foot tall chunks of amber in front of it. My dad brought them home from work one day. They were the result of a tank of resin (he used to work at Rinchead-Mason, a big automotive paint manufacturer) that got contaminated and catalyzed into solid material in the tank.
 
> >We did a 3year test on several versions of this type of combination.
> 
> Is it just the combination with other inks that is the problem, or does glop
> by its nature tend to solidify?  

I'd say, if it's kept clean, it should stay liquid for years. If you're mixing it with inks, that could be considered "contamination". Also if you're loading it into non-virgin carts.
 
> Frankly, the bulk glop looks most like the UT base.  When it is printed by
> itself, it does have a bit of density to it.  So, it's clearly not just
> base.  I think I've read the Epson version is an acrylic suspension.
> Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
> clogging those nozzles.

The Epson version is a suspension of whatever is used to encapsulate the pigments in ultrachrome. So it shouldn't be any more troublesome that any colored Epson pigment.

Grind something fine enough, and it can stay in colloidal suspension forever.

> A paint technician once described water-borne acrylics as being like gooey
> little golf balls suspended in water.  I have assumed that the acrylic that
> Epson uses is relatively solid, but, on the other hand, it is used around
> their pigments to help hold them onto the paper.  

I thought it was used to help longevity.
 
> Do you know how these Epson acrylic coatings and balls that are supposedly
> used in the R800 glop compare to the acrylics that are in coatings, for
> example the Golden mediums we were experimenting with for coating finished
> prints?

The water based versions use balls that are much bigger than the Epson ones. They won't stay in colloidal suspension, and form thixatropic slurrys.

To make something sprayable in a printer, the colloid has to be so fine that even under pressure, or local high differential velocities and shear, it stays a colloid. Thixatropy will clog the jets.

The solvent based coating don't have particles at all (except insoluble contaminants). The actual coating is fully in solution.

Wow, looking at this site and at dpReview, I've now got hundreds of people, some of them quite respectable print makers and scientists,  saying "glop".

;) ;)

RE: [Digital BW] RE: Ink all over

2005-02-05 by Moises Faidengold

Paul,
I bought the inks at MIS Associates and the packages were sealed...
I guess I now have to send the printer to be repaired?
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
Moises,

I don't know what would cause this.  The carts are supposed to seal around
the pegs that go into the cart outlets.

Where is the ink coming from?

Paul
www.PaulRoark.com 
Show quoted textHide quoted text
-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:27 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] RE: Ink all over


Paul,
I just put in my 1280 a brand new set of inks from MIS and I have a super
big mess on it. There is ink all over and the ink drips out of the
cartridge. As I'm new to this inks, I ask, what am I doing wrong?????
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 





Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





[Non-text portions of this message have been removed]



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RE: [Digital BW] RE: Ink all over

2005-02-05 by Paul Roark

Moises,

Be sure to contact MIS.  They need to explore what would cause this.

Paul
www.PaulRoark.com 
Show quoted textHide quoted text
-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:51 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] RE: Ink all over


Paul,
I bought the inks at MIS Associates and the packages were sealed...
I guess I now have to send the printer to be repaired?
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
Moises,

I don't know what would cause this.  The carts are supposed to seal around
the pegs that go into the cart outlets.

Where is the ink coming from?

Paul
www.PaulRoark.com 


-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:27 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] RE: Ink all over


Paul,
I just put in my 1280 a brand new set of inks from MIS and I have a super
big mess on it. There is ink all over and the ink drips out of the
cartridge. As I'm new to this inks, I ask, what am I doing wrong?????
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 





Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





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RE: [Digital BW] RE: Ink all over

2005-02-05 by Moises Faidengold

Will do.
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
Moises,

Be sure to contact MIS.  They need to explore what would cause this.

Paul
www.PaulRoark.com 
Show quoted textHide quoted text
-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:51 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] RE: Ink all over


Paul,
I bought the inks at MIS Associates and the packages were sealed...
I guess I now have to send the printer to be repaired?
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
Moises,

I don't know what would cause this.  The carts are supposed to seal around
the pegs that go into the cart outlets.

Where is the ink coming from?

Paul
www.PaulRoark.com 


-----Original Message-----
From: Moises Faidengold [mailto:mfaidengold@...] 
Sent: Saturday, February 05, 2005 8:27 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] RE: Ink all over


Paul,
I just put in my 1280 a brand new set of inks from MIS and I have a super
big mess on it. There is ink all over and the ink drips out of the
cartridge. As I'm new to this inks, I ask, what am I doing wrong?????
Thanks
Moises

Paul Roark <paul.roark@...> wrote:
>Don't leave the "Glop" sat in your printer for along period unused, 
>some types can react and cause the ink to dry out and solidify in 
>the cartridge particularly if it is acrylic or urethane based. 

Thanks for the warning.  I had a similar feeling and pulled it out as soon
as the experiment was done.  I use a C86 for testing.  It's a lot cheaper to
wreck one of these than the alternatives.

Glop is, of course, meant to be used in a printer, at least by itself.  I've
tried to inquire about clogging, but have found no evidence yet that it
clogs more than other inks.  This is an issue to keep an eye on, however.

>We did a 3year test on several versions of this type of combination.

Is it just the combination with other inks that is the problem, or does glop
by its nature tend to solidify?  

Frankly, the bulk glop looks most like the UT base.  When it is printed by
itself, it does have a bit of density to it.  So, it's clearly not just
base.  I think I've read the Epson version is an acrylic suspension.
Water-borne acrylic sprays, like aerosols, seem to have a bad reputation for
clogging those nozzles.

A paint technician once described water-borne acrylics as being like gooey
little golf balls suspended in water.  I have assumed that the acrylic that
Epson uses is relatively solid, but, on the other hand, it is used around
their pigments to help hold them onto the paper.  

Do you know how these Epson acrylic coatings and balls that are supposedly
used in the R800 glop compare to the acrylics that are in coatings, for
example the Golden mediums we were experimenting with for coating finished
prints?

Paul
www.PaulRoark.com 





Forest John

Paul Roark <paul.roark@...> wrote:
I mixed an LK based on PK and Glop.  Putting it into the C86 black position,
I printed a BO test strip with it and compared it to the standard MIS LK
printed the same way.  There was almost no difference.  So, Glop seems to
have no effect when it is mixed into the ink.



Paul

www.PaulRoark.com <http://www.paulroark.com/>  





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Re: [Digital BW] Glop mixed into the ink

2005-02-05 by BKPhoto@aol.com

Ernst-

That's an excellent suggestion. I think, in the near future, we're going to 
see new choices made available for clear coating inkjet prints; for the time 
being I'd be very careful. A second machine makes the most sense right now.

It's an exciting development. 


Bill Kennedy
Associate Professor of Photocommunications
St. Edward's University
512/448-8680


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Re: [Digital BW] Glop mixed into the ink

2005-02-05 by Carl Schofield

Ernst,

Thanks for the suggestions.  After this recent round of discussion on 
potential glop hazards I 'm going to hold off using it in the 4000.  
I've been using glop in the 2200 for a few weeks without problems, so 
I'll just keep it there for overcoating the smaller prints and monitor 
the situation.  Also, the larger PKN BO prints I'm doing in the 4000 on 
Epson premium semigloss don't need any glop.  If I need to coat other 
types of large prints from the 4000 I'll just use a spray and or wax to 
be safe.

Carl
Show quoted textHide quoted text
On Feb 4, 2005, at 3:10 PM, Ernst Dinkla wrote:

>
> Carl Schofield wrote:
>> Thanks Paul.  I'll scratch that option off my list for using glop in a
>> 4000.  I'm still considering the dual pass option with glop in the MK
>> slot for overlay application.
>>
>> Carl
>
> I think there are many good reasons to either use a dedicated,
> permanent ink channel for glop or a cheap second printer for
> glob only and in both cases applying Glop after printing. I've
> seen 3000's for 250 Euro secondhand and it would be a nice
> glop companion for a 4000. The first time glop was mentioned
> here I asked whether it influenced bleed etc when applied at
> the same time with the inks. Expecting similar effects that
> one gets when varnish is applied too short after a halftone
> printrun in silkscreen printing. In the last case dotgain gets
> higher.
>
> Using one ink channel for glop one time and another time for
> an ink is asking for trouble imho. Heads are not that easy to
> clean.
>
> However a 3000 with tinted glop per channel could deliver some
> nice simulations of older photographic processes. Fake of
> course. But that never stopped progress.
>
> Ernst

RE: [Digital BW] Glop mixed into the ink

2005-02-05 by Paul Roark

Ernst,

You wrote:

>I think there are many good reasons ... applying Glop after printing. 
>... The first time glop was mentioned here I asked whether 
>it influenced bleed etc when applied at the same time with the inks. 

Sorry I missed that.  Yes, it does.  It can overload the coating and cause
serious roughness.  I recommend going to 2880 when printing with glop in the
mix.  This seems to control it best.

>Isn't the glop as used in the Epson R800 and its MIS clone not 
>basically the normal ink carrier without pigment but more resin added?

Yes, that is my understanding.  It looks like a slightly yellower UT base.
It does print with a bit of density, so it's more than just base. 

>... will act as a very fragile coating that can't be compared 
>to water based acrylic dispersions and polyurethane coatings 
>like Hydrocote's Polyshield. 

Exactly.  All it really does is counteract the bronzing.  I will probably
still spray or otherwise coat the important prints.  I may also not use the
glop when I'm going to spray the print -- unless my fade testing shows that
it offers more protection to the pigs, which it may.  If it doesn't I'm
going to suggest that MIS's supplier add some UV absorbing substances.

>Especially the last is something you wouldn't like to use in 
>inkjets as it can hardly be resolved after it dries, depends on 
>its hydrolyse grade of course.

By the way, there will be another entrant in the cross-linking,
non-yellowing, water-borne coating market, complete with a Wilhelm rating,
if they're lucky.  Something to protect these pigments from abraision, and
perhaps also UV, is almost certainly part of the best solution given current
materials. 

>What Epson writes is "the same high density resin as used in the 
>coating of the pigment particles". Sounds almost like a description 
>of polyethylene or polypropylene instead of acrylics. ...

I've heard that it is an acrylic, but they must have carefully balanced the
softness and stickiness with the need not to clog the heads too much.

On the other hand, I'll bet the "high density" may be about as misleading as
their description of the matte black's "solubility" layer.  There is no way
Epson would add a coating to a particle that had a higher specific gravity
than the dispersant base.

>The acrylic coating of the pigment (pellets) has more than just a 
>function in bonding.

Definitely.

> It delivers a better protection of the pigment itself

I'm not so sure of this.  Acrylic is not a particularly good oxygen barrier.
If one assumes that the total dimensions of the particles are, say, 0.1
micron, then the thickness of the coating may deliver less resistance to
oxidation than if there were that much more carbon or pigment.  The fact
that the Epson pigments seem to respond to the Print Shield protection more
than the MIS pigments suggests to me that the Epson coating probably does
not have significant UV blocking.  On the other hand, I'm suspicious the MIS
base does include some.

> and enhances the gloss quality of the ink.

That is near the top of the list and why it's going to be tough for an
uncoated pigment to match the high gloss look that the Epson pigments can
achieve.

I also think the acrylic can act as a bit of a floatation device.  In
general, the acrylic specific gravity is about the same as what I've
measured the base to be -- actually a bit less.  The pigments, on the other
hand, virtually all have higher specific gravities.

At any rate, neither Epson nor MIS's supplier is about to tell us exactly
what they are doing, unfortunately.  So, we'll just have to speculate.

Paul
www.PaulRoark.com

Re: [Digital BW] Glop mixed into the ink

2005-02-06 by Carl Schofield

Sorry, it is Epson Premium Semimatte that I'm using for the BO prints 
with PKN - NOT semigloss.

Carl
Show quoted textHide quoted text
On Feb 5, 2005, at 3:29 PM, Carl Schofield wrote:

>
> Ernst,
>
> Thanks for the suggestions.  After this recent round of discussion on
> potential glop hazards I 'm going to hold off using it in the 4000.
> I've been using glop in the 2200 for a few weeks without problems, so
> I'll just keep it there for overcoating the smaller prints and monitor
> the situation.  Also, the larger PKN BO prints I'm doing in the 4000 on
> Epson premium semigloss don't need any glop.  If I need to coat other
> types of large prints from the 4000 I'll just use a spray and or wax to
> be safe.
>
> Carl
>
> On Feb 4, 2005, at 3:10 PM, Ernst Dinkla wrote:
>
>>
>> Carl Schofield wrote:
>>> Thanks Paul.  I'll scratch that option off my list for using glop in 
>>> a
>>> 4000.  I'm still considering the dual pass option with glop in the MK
>>> slot for overlay application.
>>>
>>> Carl
>>
>> I think there are many good reasons to either use a dedicated,
>> permanent ink channel for glop or a cheap second printer for
>> glob only and in both cases applying Glop after printing. I've
>> seen 3000's for 250 Euro secondhand and it would be a nice
>> glop companion for a 4000. The first time glop was mentioned
>> here I asked whether it influenced bleed etc when applied at
>> the same time with the inks. Expecting similar effects that
>> one gets when varnish is applied too short after a halftone
>> printrun in silkscreen printing. In the last case dotgain gets
>> higher.
>>
>> Using one ink channel for glop one time and another time for
>> an ink is asking for trouble imho. Heads are not that easy to
>> clean.
>>
>> However a 3000 with tinted glop per channel could deliver some
>> nice simulations of older photographic processes. Fake of
>> course. But that never stopped progress.
>>
>> Ernst
>
>
>
>
> Please visit the Group Homepage to check the Files, and other 
> resources as they are often being updated.
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
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> to unsubscribe, please edit your Membership preferences by visiting 
> this same page.
>
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> keep them short.
> - Good manners are required at all time. No personal attacks or 
> flames. Hostile, aggressive or argumentative users may be removed from 
> the membership without notice.
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> B&W printing. Users who persistently make off-topic posts may be 
> removed from the membership.
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> guidelines, and to abide by the actions and decisions of the group 
> Owner and Moderators. See “Group Topic, Rules and Guidelines” in the 
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> LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, 
> CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, 
> DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE 
> LOSSES (EVEN IF THE  “OWNER” AND “MODERATORS” OF DIGITAL BW, THE PRINT 
> YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), 
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Re: [Digital BW] Glop mixed into the ink

2005-02-06 by Steven Karafyllakis

Forest;

When I did my first experiment with glop I had no trouble with the 
glop clogging over a period of a week; I can't say as much for the 
other inks, which went unused. They got proggressively harder to 
keep a goo nozzle test, in the end requiring a thorough cleaning of 
the underside of the head. I think glop mixing and drying on the 
outside is much more of a problem

Steve Karafyllakis

-- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Edmunds 
<charleysfabrics@y...> wrote:
> Paul,
>        Don't leave the "Glop" sat in your printer for along period 
unused, some types  can react and cause the ink to dry out and 
solidify in the cartridge particularly if its is acrylic or urethane 
based. We did a 3year test on several versions of this type of 
combination.
>  
> Forest John
> 
> Paul Roark <paul.roark@v...> wrote:
> I mixed an LK based on PK and Glop.  Putting it into the C86 black 
position,
> I printed a BO test strip with it and compared it to the standard 
MIS LK
> printed the same way.  There was almost no difference.  So, Glop 
seems to
> have no effect when it is mixed into the ink.
> 
> 
> 
> Paul
> 
> www.PaulRoark.com <http://www.paulroark.com/>  
> 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
> Please visit the Group Homepage to check the Files, and other 
resources as they are often being updated.
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> If you wish to receive no emails or just a daily digest, or you 
wish to unsubscribe, please edit your Membership preferences by 
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> 
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flames. Hostile, aggressive or argumentative users may be removed 
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digital B&W printing. Users who persistently make off-topic posts 
may be removed from the membership.
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and guidelines, and to abide by the actions and decisions of the 
group Owner and Moderators. See ?Group Topic, Rules and Guidelines? 
in the Files section:
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> 
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CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, 
DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE 
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