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TMax 100; maybe little OT

TMax 100; maybe little OT

2005-02-20 by Joe Cantrell

The big problems with TMax, since it was introduced,
were blown out hightlights, and reticulation. 
Overexposing it by setting the EI to 64, and
underdeveloping, by doing N-1 development, are a good
shotgun approach, but there are times when they will
give you flat negatives.  

The basis of the zone system is to envision the print
you want from a given scene, then know enough about
your film, and camera, control your development, and
print for the result you originally envisioned.  It is
a beautiful thing, when you can do it.

I prefer using TMax RS developer, diluted at least
twice as much as Kodak recommends, or HC110, also at
least twice recommended dilution, in a pinch.  (This
does require longer development times, but gives much
better control of highlights, while giving full film
speed in the shadows.)  

I hear Xtol is superb, but haven't used it.  D76 and
Microdol-X have too much Sodium Sulfite and dissolve
the sharp edges off the grains which makes a smoother
image, but not as sharp, and I love the tight, sharp
grain.

Main thing when developing any TMax emulsion, is KEEP
THE DEVELOPER, STOP AND FIXER EXACTLY THE SAME
TEMPERATURE.  TMax emulsion is coated in layers, and a
quick temperature change, even 1 degree Fahrenheit,
will break up the grain into clumps, similarly to the
way mud cracks as the surface dries but the subsurface
reatains moisture.  Fractals everywhere.  Keeping the
chemical containers in a water bath during development
helps a lot, minus more exotic controls, providing you
keep the water bath at the correct temp. 

The zone system should work exactly the same for
digital printing as it does for gelatin silver; the
difference is that instead of exposing and developing
for a silver process, you are doing it for a digital
one.  Someone more organized than I will doubtless
codify it.  I believe Paul Caponigro did it in his
book, "Adobe Photoshop Master Class," which I bought a
couple of years ago, immediately lent to a friend, and
have not seen since.  

If it were easy, folks, we'd all be master
photographers.  And the finest photographers are
interested in far more than gadgets, tricks and
photography itself.

In all this, as in all subtle matters, your mileage
will certainly vary. 

Joe


		
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