Re: [Digital BW] Scanners - Imacon Photo Flextight vs. SprintScan 120
2001-11-20 by jennifer drucker
What is the maximum scan area? Does it scan up to 4x5? Thx! - Jennifer Drucker http://www.jdrucker.com jdrucker@...
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----- Original Message -----
From: hslavitt@...
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Sent: Tuesday, November 20, 2001 2:40 PM
Subject: [Digital BW] Scanners - Imacon Photo Flextight vs. SprintScan 120
Just thought I'd share my experiences and impressions with the
Polaroid SprintScan 120 and Imacon Photo Flextight for those still
making similar purchasing decisions. I purchased an SS120 in July,
but returned it after testing it for about a week (well within the
return period) primarily because Polaroid had, in the interim,
announced financial difficulties and I didn't want to risk being
stuck with an unserviceable scanner. Overall, when I returned it, I
thought the SS120 was a very good value and, on balance, a capable
machine (but wait until you read what I say about the Imacon, which
is significantly better). My biggest problems with the SS120 were
significant noise, especially in the highlights, color fringing from
time to time (only visible at 100% view, and not in all cases, and
not consistent, and barely noticeable, if at all, on final print
outs, although it does degrade sharpness), and the film holders
cutting off the edges of the film and decreasing useable film space
by 5-10%. I used the Silverfast software with the SS120.
After waiting 3 months + for the Nikon 8000 ED, I received a new
Imacon Photo yesterday. (I finally got a call that my Nikon was in
stock the same day I had decided to order the Imacon and just
cancelled the Nikon order.) The Imacon scans are simply gorgeous. In
a different category from the SS120, IMHO. Every part of every frame
is SHARP (I used USM setting at -120 which is equivalent to no
sharpening for the Imacon). The SS120 scans were sharp too. The
Imacon scans, however, just have a different type of "presence." The
film holder design is a pleasure to work with and, in my limited
experience thus far (and also from what many others have told me)
works as intended to get sharp scans time and again. Barely a need
for sharpening, if at all, of 3200 dpi scans. Noise is significantly
lower than with the SS120. Color gradations are smooth. No color
fringing that I can see. The Flexcolor Imacon software is powerful
and has a very intuitive interface. The Imacon is really a pleasure.
Although it only scans at 3200 dpi as opposed to 4000 dpi, I'd any
day take the Imacon's 3200 dpi over the SS120's 4000 dpi, even for 35
mm. For anyone considering the various medium format options, if you
can afford $5,000 for the Imacon (after rebate; good through the end
of November as I understand it but you should check with Imacon), I'd
recommend you rethink it before spending the money on one of the
competing models.
BTW, I am scanning only color transparencies, almost all Velvia and
Astia, 35 mm and 6 cm x 9 cm (haven't scanned the medium format yet
on the Imacon because I'm waiting to receive a custom holder from
Denmark).
BTW, the Imacon is not fast. A 35 mm slide at 3200 dpi 16 bit takes
about 7 minutes to scan. Much longer than the Polaroid. However,
the software is very well behaved (at least on a Mac) and only
requires at maximum 192 MB of RAM. Therefore, it's easy to do other
Photoshop work at the same time that the scanner is working. The
machine is very well constructed and, compared to the noisy SS120, is
very quiet during the scanning. The Imacon does not have digital
ice, which I thought would bother me, but the scans are so nice, that
I don't mind looking through the file and dusting it; I'm also taking
extra precautions to absolutely clean all the dust possible off the
slide before scanning (i.e. special Hepa dust fan/filter for the
workroom, and special dust cleaning antistatic brush), which
substantially decreases dusting time. $5,000 for the scanner doesn't
seem as exorbitant as it did to me a few days ago. (BTW, about 3-6
months ago the market price was $10,000.)
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