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Digital BW, The Print

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Workflow - QTR, Workspace Profile, Qimage & Eboni?

Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-08 by dean_carnagey

I'm still trying to get my head around the various options available 
to print B&W in the digital realm.  I've recently read so much about 
the subject here as well as other places on the net that my eyes are 
bleeding.  However, I still have a few unanswered questions that I 
hope a kind soul or two out there will help me with.

I shoot digital (Raw) rather than scan…I'm a Windows user with a 
solid color managed workflow...and I'm using an Epson 2200 (for 
now).  I've settled on using QTR with the Epson OEM UC inks, and I 
plan on using Qimage in my workflow.  (Alternatively, I'd like to use 
the above same workflow, but substitute MIS' Eboni ink in place of 
the Epson Matt or Photo black cartridge.)  

So with that, my questions are as follows:

1  I use Photoshop to make my RGB images appear black and white... 
usually using just the two Hue & Sat layers method.  I then edit 
these images in my normal workspace (ProPhoto RGB) until I get the 
look I'm after.

So my first question is…would there be anything to gain from 
assigning Roy Harrinton's RGB-Lab.icc (or Gray-Lab.icc) profile and 
doing my edits in this workspace instead? 

2  I understand that before saving the file as a TIFF file, I'll need 
to do a profile conversion to one of Roy's supplied Matte or Photo 
profiles.  I also understand I need to use RGB-Matte or RGB Photo 
because Qimage doen't handle grayscale.  I've also gathered that I 
can use either Photoshop or Qimage to handle the conversion.  But 
since I'd like to use Qimage's interpolation and smart sharpening 
features, I was thinking of letting Qimage handle the conversion... 
then do a print to file...and then save as a TIFF.

So I guess here my only question at this point is...would there be 
any advantage either way as to which application handles the profile 
conversion?

3.  Once I have a TIFF file, I understand I can then load it into QTR 
and begin applying the supplied or downloaded curves.  As I 
understand it, these curves apply the desired toning touches, taking 
into consideration the ink/paper combinations.  

My question here is...if I desire my file to look exactly as it was 
when I saved it (i.e., no toning whatsoever), do I set the toning 
slider to 50% between two Cool and Warm curves...or do I choose no 
curve at all?

4.  Softproofing...this one has me thoroughly baffled.  I understand 
that I can use Roy's Matt or Photo ICC profiles to do a rough 
softproofing in Photoshop...but is there any way to see the effect 
the toning slider in QTR is having on the image?  In other words, if 
I want my image "somewhat" cool...how can I tell if I've got the 
right percentage mix?  Is doing a printed proof the only way?

5,  And finally...if I wanted to substitute MIS' Eboni cartridge for 
the Epson black cartridge (either Matt or Photo), how much would that 
throw off the supplied curves?  I realize the correct way to do 
things would be to build my own curve for this altered ink set, but 
until I learn a bit more how to do it and can purchase a densometer, 
I was hoping I'd be able to use the ink for a bit richer looking 
black.

I realize I've prattled on quite a bit here with my questions, so I 
want to thank anyone who's read this far for indulging me.  If anyone 
would care to take a shot at this list of questions, I'd be most 
appreciative...even if you're able to address only one or two of them 
it would help tremendously.

Thanks,

-Dean Carnagey

Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-08 by Steve Kale

> From: dean_carnagey <jd_tazmo@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Fri, 08 Jul 2005 20:20:43 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?
> 
> I'm still trying to get my head around the various options available
> to print B&W in the digital realm.  I've recently read so much about
> the subject here as well as other places on the net that my eyes are
> bleeding.  However, I still have a few unanswered questions that I
> hope a kind soul or two out there will help me with.
> 
> I shoot digital (Raw) rather than scanŠI'm a Windows user with a
> solid color managed workflow...and I'm using an Epson 2200 (for
> now).  I've settled on using QTR with the Epson OEM UC inks, and I
> plan on using Qimage in my workflow.  (Alternatively, I'd like to use
> the above same workflow, but substitute MIS' Eboni ink in place of
> the Epson Matt or Photo black cartridge.)
> 
> So with that, my questions are as follows:
> 
> 1  I use Photoshop to make my RGB images appear black and white...
> usually using just the two Hue & Sat layers method.  I then edit
> these images in my normal workspace (ProPhoto RGB) until I get the
> look I'm after.
> 
> So my first question isŠwould there be anything to gain from
> assigning Roy Harrinton's RGB-Lab.icc (or Gray-Lab.icc) profile and
> doing my edits in this workspace instead?

No not really as the file will go out with pixel values adjusted when you do
the conversion in 2 below. (more refined profiling is on its way)
> 
> 2  I understand that before saving the file as a TIFF file, I'll need
> to do a profile conversion to one of Roy's supplied Matte or Photo
> profiles.  I also understand I need to use RGB-Matte or RGB Photo
> because Qimage doen't handle grayscale.  I've also gathered that I
> can use either Photoshop or Qimage to handle the conversion.  But
> since I'd like to use Qimage's interpolation and smart sharpening
> features, I was thinking of letting Qimage handle the conversion...
> then do a print to file...and then save as a TIFF.
> 
> So I guess here my only question at this point is...would there be
> any advantage either way as to which application handles the profile
> conversion?

I doubt it.
> 
> 3.  Once I have a TIFF file, I understand I can then load it into QTR
> and begin applying the supplied or downloaded curves.  As I
> understand it, these curves apply the desired toning touches, taking
> into consideration the ink/paper combinations.
> 
> My question here is...if I desire my file to look exactly as it was
> when I saved it (i.e., no toning whatsoever), do I set the toning
> slider to 50% between two Cool and Warm curves...or do I choose no
> curve at all?

The way to think about the curves is each is a greyscale made by a defined
use of ink.  You need at least one curve to tell QTR which inks to use and
how.  The slider blends 2 curves.  Getting a curve mix which matches neutral
requires a little experimentation but is around 65 cool/ 35 warm.
> 
> 4.  Softproofing...this one has me thoroughly baffled.  I understand
> that I can use Roy's Matt or Photo ICC profiles to do a rough
> softproofing in Photoshop...

 this just soft proofs the tonal compression that is done by converting to
the print profile (grey or matte)

>but is there any way to see the effect
> the toning slider in QTR is having on the image?  In other words, if
> I want my image "somewhat" cool...how can I tell if I've got the
> right percentage mix?  Is doing a printed proof the only way?

Only by trial and error.  Print a set of step wedges from 100 cool/0 warm to
0 cool/100 warm for example.  Once you've got a mix you like you can create
a proof using the (preserve color numbers) softproofing technique outlined.
> 
> 5,  And finally...if I wanted to substitute MIS' Eboni cartridge for
> the Epson black cartridge (either Matt or Photo), how much would that
> throw off the supplied curves?  I realize the correct way to do
> things would be to build my own curve for this altered ink set, but
> until I learn a bit more how to do it and can purchase a densometer,
> I was hoping I'd be able to use the ink for a bit richer looking
> black.

Probably not tooo much.
Show quoted textHide quoted text
> 
> I realize I've prattled on quite a bit here with my questions, so I
> want to thank anyone who's read this far for indulging me.  If anyone
> would care to take a shot at this list of questions, I'd be most
> appreciative...even if you're able to address only one or two of them
> it would help tremendously.
> 
> Thanks,
> 
> -Dean Carnagey
> 
> 
> 
> 
> 
> 
> 
> Please visit the Group Homepage to check the Files, and other resources as
> they are often being updated.
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> If you wish to receive no emails or just a daily digest, or you wish to
> unsubscribe, please edit your Membership preferences by visiting this same
> page.
> 
> Please follow these basic guidelines:
> - As threads develop, trim off excess portions of earlier messages to keep
> them short.
> - Good manners are required at all time. No personal attacks or flames.
> Hostile, aggressive or argumentative users may be removed from the membership
> without notice.
> - Keep your posts and threads related to the group topic of digital B&W
> printing. Users who persistently make off-topic posts may be removed from the
> membership.
> - By posting on this forum you agree to abide by the group rules and
> guidelines, and to abide by the actions and decisions of the group Owner and
> Moderators. See ³Group Topic, Rules and Guidelines² in the Files section:
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/
> 
> BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
> YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE ³OWNER² AND
> ³MODERATORS² OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU
> FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
> DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, GOODWILL,
> USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  ³OWNER² AND ³MODERATORS² OF
> DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH
> DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW,
> THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR
> TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON THE
> DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO THE
> DIGITAL BW, THE PRINT YAHOO GROUP.
>  
> Yahoo! Groups Links
> 
> 
> 
>  
> 
>

Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-08 by Dean Carnagey

Thanks, Steve, that helps.  A quick follow up question or two, if you 
don't mind...

> The way to think about the curves is each is a greyscale made by a 
defined
> use of ink.  You need at least one curve to tell QTR which inks to 
use and
> how.  The slider blends 2 curves.  Getting a curve mix which 
matches neutral
> requires a little experimentation but is around 65 cool/ 35 warm.

So, then, if I end up building the proverbial dead-nuts neutral 
curve, I can simply use one curve (I guess it would show the same 
name in both places in the GUI)...and say, set the blending at 50%?  
Or maybe I should rephrase it by asking...is there anytime one would 
normally just use one curve? 

"but is there any way to see the effect the toning slider in QTR is 
having on the image?"

> Print a set of step wedges from 100 cool/0 warm to
> 0 cool/100 warm for example.  Once you've got a mix you like you 
can create
> a proof using the (preserve color numbers) softproofing technique 
outlined.

Understand about printing the step wedges...but I guess I haven't 
come across the "softproofing technique outlined".  I haven't 
downloaded QTR as yet, so if this is contained in the read me file or 
something, no need to recite it as I can easily look it up myself.  
However, if this is technique is outlined someplace else, I'd 
appreaciate a pointer to it.

Thanks again,

-Dean Carnagey

Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-08 by Brian Ellis

> 5,  And finally...if I wanted to substitute MIS' Eboni cartridge for
> the Epson black cartridge (either Matt or Photo), how much would that
> throw off the supplied curves?

I don't see any significant difference. I've been using MIS Eboni in place 
of MK since shortly after QTR came out and the supplied curves for EEM and 
PFA seem to work fine with it. FWIW I use 75% cool 25% warm when I want a 
neutral print (to the extent there's such a thing as a "neutral" print).
Show quoted textHide quoted text
----- Original Message ----- 
From: "Steve Kale" <stevekale@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Friday, July 08, 2005 5:08 PM
Subject: Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?





> From: dean_carnagey <jd_tazmo@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Fri, 08 Jul 2005 20:20:43 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?
>
> I'm still trying to get my head around the various options available
> to print B&W in the digital realm.  I've recently read so much about
> the subject here as well as other places on the net that my eyes are
> bleeding.  However, I still have a few unanswered questions that I
> hope a kind soul or two out there will help me with.
>
> I shoot digital (Raw) rather than scanSI'm a Windows user with a
> solid color managed workflow...and I'm using an Epson 2200 (for
> now).  I've settled on using QTR with the Epson OEM UC inks, and I
> plan on using Qimage in my workflow.  (Alternatively, I'd like to use
> the above same workflow, but substitute MIS' Eboni ink in place of
> the Epson Matt or Photo black cartridge.)
>
> So with that, my questions are as follows:
>
> 1  I use Photoshop to make my RGB images appear black and white...
> usually using just the two Hue & Sat layers method.  I then edit
> these images in my normal workspace (ProPhoto RGB) until I get the
> look I'm after.
>
> So my first question isSwould there be anything to gain from
> assigning Roy Harrinton's RGB-Lab.icc (or Gray-Lab.icc) profile and
> doing my edits in this workspace instead?

No not really as the file will go out with pixel values adjusted when you do
the conversion in 2 below. (more refined profiling is on its way)
>
> 2  I understand that before saving the file as a TIFF file, I'll need
> to do a profile conversion to one of Roy's supplied Matte or Photo
> profiles.  I also understand I need to use RGB-Matte or RGB Photo
> because Qimage doen't handle grayscale.  I've also gathered that I
> can use either Photoshop or Qimage to handle the conversion.  But
> since I'd like to use Qimage's interpolation and smart sharpening
> features, I was thinking of letting Qimage handle the conversion...
> then do a print to file...and then save as a TIFF.
>
> So I guess here my only question at this point is...would there be
> any advantage either way as to which application handles the profile
> conversion?

I doubt it.
>
> 3.  Once I have a TIFF file, I understand I can then load it into QTR
> and begin applying the supplied or downloaded curves.  As I
> understand it, these curves apply the desired toning touches, taking
> into consideration the ink/paper combinations.
>
> My question here is...if I desire my file to look exactly as it was
> when I saved it (i.e., no toning whatsoever), do I set the toning
> slider to 50% between two Cool and Warm curves...or do I choose no
> curve at all?

The way to think about the curves is each is a greyscale made by a defined
use of ink.  You need at least one curve to tell QTR which inks to use and
how.  The slider blends 2 curves.  Getting a curve mix which matches neutral
requires a little experimentation but is around 65 cool/ 35 warm.
>
> 4.  Softproofing...this one has me thoroughly baffled.  I understand
> that I can use Roy's Matt or Photo ICC profiles to do a rough
> softproofing in Photoshop...

 this just soft proofs the tonal compression that is done by converting to
the print profile (grey or matte)

>but is there any way to see the effect
> the toning slider in QTR is having on the image?  In other words, if
> I want my image "somewhat" cool...how can I tell if I've got the
> right percentage mix?  Is doing a printed proof the only way?

Only by trial and error.  Print a set of step wedges from 100 cool/0 warm to
0 cool/100 warm for example.  Once you've got a mix you like you can create
a proof using the (preserve color numbers) softproofing technique outlined.
>
> 5,  And finally...if I wanted to substitute MIS' Eboni cartridge for
> the Epson black cartridge (either Matt or Photo), how much would that
> throw off the supplied curves?  I realize the correct way to do
> things would be to build my own curve for this altered ink set, but
> until I learn a bit more how to do it and can purchase a densometer,
> I was hoping I'd be able to use the ink for a bit richer looking
> black.

Probably not tooo much.
>
> I realize I've prattled on quite a bit here with my questions, so I
> want to thank anyone who's read this far for indulging me.  If anyone
> would care to take a shot at this list of questions, I'd be most
> appreciative...even if you're able to address only one or two of them
> it would help tremendously.
>
> Thanks,
>
> -Dean Carnagey
>
>
>
>
>
>
>
> Please visit the Group Homepage to check the Files, and other resources as
> they are often being updated.
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> If you wish to receive no emails or just a daily digest, or you wish to
> unsubscribe, please edit your Membership preferences by visiting this same
> page.
>
> Please follow these basic guidelines:
> - As threads develop, trim off excess portions of earlier messages to keep
> them short.
> - Good manners are required at all time. No personal attacks or flames.
> Hostile, aggressive or argumentative users may be removed from the 
> membership
> without notice.
> - Keep your posts and threads related to the group topic of digital B&W
> printing. Users who persistently make off-topic posts may be removed from 
> the
> membership.
> - By posting on this forum you agree to abide by the group rules and
> guidelines, and to abide by the actions and decisions of the group Owner 
> and
> Moderators. See \ufffdGroup Topic, Rules and Guidelines\ufffd in the Files section:
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/
>
> BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT
> YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE \ufffdOWNER\ufffd AND
> \ufffdMODERATORS\ufffd OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO 
> YOU
> FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY
> DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, 
> GOODWILL,
> USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  \ufffdOWNER\ufffd AND 
> \ufffdMODERATORS\ufffd OF
> DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF 
> SUCH
> DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL 
> BW,
> THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF YOUR
> TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD PARTY ON 
> THE
> DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER MATTER RELATING TO 
> THE
> DIGITAL BW, THE PRINT YAHOO GROUP.
>
> Yahoo! Groups Links
>
>
>
>
>
>




Please visit the Group Homepage to check the Files, and other resources as 
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to 
unsubscribe, please edit your Membership preferences by visiting this same 
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep 
them short.
- Good manners are required at all time. No personal attacks or flames. 
Hostile, aggressive or argumentative users may be removed from the 
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W 
printing. Users who persistently make off-topic posts may be removed from 
the membership.
- By posting on this forum you agree to abide by the group rules and 
guidelines, and to abide by the actions and decisions of the group Owner and 
Moderators. See "Group Topic, Rules and Guidelines" in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT 
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE "OWNER" AND 
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU 
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY 
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, 
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  "OWNER" AND 
"MODERATORS" OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE 
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY 
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR 
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY 
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER 
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.

Yahoo! Groups Links

Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-09 by Steve Kale

Dean

You can always use just one curve by selecting 100-0 or 0-100.  And it
doesn't have to be neutral.  For example, if you wanted sepia then you would
just select sepia 100 and x 0.  Re soft proofing the technique is referenced
on Roy's site:

http://harrington.com/QuadToneRIP.html#softproof

See the "download this" part.  You need an Eye One to do it.  Net net though
I think you will likely softproof hue less than the tonal compression part.
I would keep the step wedges for different curve mixes on the same page as a
ref, soft proof the tonal compression with the printer ICC profiles and test
print your curve mix with a full print.  Hope this makes sense (Friday night
and a few vodka gimlets under the belt...   :-)  )

Steve
Show quoted textHide quoted text
> From: Dean Carnagey <Mister_Tazmo@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Fri, 08 Jul 2005 22:49:58 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?
> 
> Thanks, Steve, that helps.  A quick follow up question or two, if you
> don't mind...
> 
>> The way to think about the curves is each is a greyscale made by a
> defined
>> use of ink.  You need at least one curve to tell QTR which inks to
> use and
>> how.  The slider blends 2 curves.  Getting a curve mix which
> matches neutral
>> requires a little experimentation but is around 65 cool/ 35 warm.
> 
> So, then, if I end up building the proverbial dead-nuts neutral
> curve, I can simply use one curve (I guess it would show the same
> name in both places in the GUI)...and say, set the blending at 50%?
> Or maybe I should rephrase it by asking...is there anytime one would
> normally just use one curve?
> 
> "but is there any way to see the effect the toning slider in QTR is
> having on the image?"
> 
>> Print a set of step wedges from 100 cool/0 warm to
>> 0 cool/100 warm for example.  Once you've got a mix you like you
> can create
>> a proof using the (preserve color numbers) softproofing technique
> outlined.
> 
> Understand about printing the step wedges...but I guess I haven't
> come across the "softproofing technique outlined".  I haven't
> downloaded QTR as yet, so if this is contained in the read me file or
> something, no need to recite it as I can easily look it up myself.
> However, if this is technique is outlined someplace else, I'd
> appreaciate a pointer to it.
> 
> Thanks again,
> 
> -Dean Carnagey
> 
>

Re: [Digital BW] Workflow - QTR, Workspace Profile, Qimage & Eboni?

2005-07-09 by Dean Carnagey

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale 
<stevekale@b...> wrote:
> Dean
> 
> You can always use just one curve by selecting 100-0 or 0-100.  And 
it
> doesn't have to be neutral.  For example, if you wanted sepia then 
you would
> just select sepia 100 and x 0.  Re soft proofing the technique is 
referenced
> on Roy's site:
> 
> http://harrington.com/QuadToneRIP.html#softproof
> 
> See the "download this" part.  You need an Eye One to do it.  Net 
net though
> I think you will likely softproof hue less than the tonal 
compression part.
> I would keep the step wedges for different curve mixes on the same 
page as a
> ref, soft proof the tonal compression with the printer ICC profiles 
and test
> print your curve mix with a full print.  Hope this makes sense 
(Friday night
> and a few vodka gimlets under the belt...   :-)  )
> 
> Steve
 

I think I'm beginning to get the full picture.  A bit more to it than 
I originally thought, but I think I understand.  Actually, I'm about 
ready to start my own little happy hour by beginning to crank out 
some test prints.  Got a feeling this will be a late, but enjoyable, 
night.

Enjoy that Gimlet, Steve...and thanks!

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.