Antonis:
The Epson 1680 is a flatbed scanner with a resolution of only
1600dpi. Why would I want to use that for scanning negatives?
-Robert
--- In DigitalBlackandWhiteThePrint@y..., "antonisphoto"
<antonisphoto@y...> wrote:
> Robert,
>
> look at the Epson 1680. There is a review of it in Photo Techniques
Jan/Feb
> 2002. It seems the most promising in your price range. I
recommended it to a
> friend who just got it, so I haven't done any serious tests yet.
>
> Also in your price range is the Kodak 3600. Nice dynamic range and
> sharpness, but I thought grain did get exaggerated. This one I had
and used
> for a year. Miserable interface, but you can work around it. Now in
the $800
> range.
>
> As far as judging grain and other issues of quality - only a test
scan can tell
> you that. Most so-called film scanners won't keep film as flat as
a drum
> scanner. But they will be "good enough". The other issue is
software: A nice
> big preview with the ability to really see what the final scan
will look like and
> read the values accurately is a big plus. Look for scanners
supported by
> SilverFast (not the only criterion, just another option).
>
> Good luck, and please let us know what you find.
>
> Antonis
>
> PS. If you go with a flatbed, there has been a lot of talk about
wet mounting
> negs to the glass (using Kami fluid). Let us know and we'll dig up
the
> archives!...
>
>
> --- In DigitalBlackandWhiteThePrint@y..., "robertades"
<roberti22@h...> wrote:
> > I'm looking for a scanner for b&w negatives in the $750-$1,000
price
> > range. There's a wealth of information on the web about the
various
> > scanners, but very little about using them with b&w. I'm told
that
> > dynamic range is particularly important with b&w, and that some
> > scanners that do well with color don't do as well with b&w.
> >
> > I've basically narrowed it down to the Canon FS4000US (which has
> > greater resolution but lower DR), or the soon to be released
Minolta
> > Scan Elite II (which has less resolution but possibly greater
DR). I
> > considered the Nikon LS-40, but was told that its LED light
source
> > caused problems with the grain structure in b&w.