Effect of aluminum-based coatings (e.g. Harman) on permanence?
2007-10-06 by t_j_l_s
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2007-10-06 by t_j_l_s
Most aluminum compounds are rather chemically active. Does anyone have an opinion on what to expect in terms of print permanence from papers like the reportedly wonderful looking new Harman that uses an "Alumina" coating to control ink absorbtion? Thor
2007-10-06 by Robert Damon
"Alumina" is aluminum oxide (Al2O3). Here is a link with some information: http://en.wikipedia.org/wiki/Aluminium_oxide It's pretty stable stuff. I've used it as a chromatography stationary phase. In this technique, one passes solutions of mixtures of organic compounds though a column packed with the stuff. The solutes are differentially absorbed which allows their separation as the solvent passes through the column. A wide variety of organic solvents can be used. Among other things, this indicates its general inertness to organic solvents. It normally doesn't cause problems for the solvents or solutes used in this process either. Here's a reference to that process in the event that you're curious: http://en.wikipedia.org/wiki/Column_chromatography Whether the stability of the alumina translates into stability of an image printed on this paper is another matter, about which I have no direct knowledge. However, I've tried the Harman Gloss FB Al paper (Epson 3800) and I like it. On Oct 6, 2007, at 1:58 PM, t_j_l_s wrote: > > Most aluminum compounds are rather chemically active. Does anyone > have an opinion on > what to expect in terms of print permanence from papers like the > reportedly wonderful > looking new Harman that uses an "Alumina" coating to control ink > absorbtion? > > Thor > > > [Non-text portions of this message have been removed]
2007-10-07 by Ernst Dinkla
t_j_l_s wrote: > Most aluminum compounds are rather chemically active. Does anyone have an opinion on > what to expect in terms of print permanence from papers like the reportedly wonderful > looking new Harman that uses an "Alumina" coating to control ink absorbtion? > > Thor There's no independent fade testing of any of the Baryta (barite) papers including the ones with Alumina top layer so it will be difficult to get that information. Henry Wilhelm says something about Barium Sulfate versus Titanium DiOxide and analogue RC papers but it goes a bit further than just RC papers. Interesting comments about Barium Sulfate and the use of OBAs in the second one. http://www.wilhelm-research.com/phototechniques/PhotoTechniques_WIR_2005_01.pdf http://www.wilhelm-research.com/pdf/HW_Book_17_of_20_HiRes_v1a.pdf on Alumina: you can get a paper with two articles on Alumina http://www.imaging.org/store/epub.cfm?abstrid=34162 http://www.imaging.org/store/physpub.cfm?seriesid=5&pubid=670 Degussa AG most likely is the supplier of what we see used right now, they have more varities http://www.patentstorm.us/patents/6808769-description.html You could make your own coating and tests based on that article :-) The Alumina (or actually the manufacturing process) is in the first place created to give a gloss surface by its uniform, small particle size. I'm sure they will have tested the other aspects like fade properties as well. The PVA mentioned as the binder for the Alumina has good properties and is used in inkjet inks as well. Aluminium pure is chemically active as it easily oxidises in a variety of environments. But quite inert in its oxidised form. What could be interesting to the use with inkjet inks is the anodising-eloxal process to give aluminium a nicer more durable finish with or without color. In that case several dye types are also used, see dyes at the bottom of this webpage article. http://en.wikipedia.org/wiki/Anodising The layer is afterwards sealed by further expansion of the top surface, encapsulating the dye component. -- Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-10-09 by Ernst Dinkla
Ernst Dinkla wrote: > Henry Wilhelm says something about Barium Sulfate versus > Titanium DiOxide and analogue RC papers but it goes a bit > further than just RC papers. Interesting comments about > Barium Sulfate and the use of OBAs in the second one. > http://www.wilhelm-research.com/pdf/HW_Book_17_of_20_HiRes_v1a.pdf Following up on the comment above. In the euphoria about Baryta papers it would be good to check one thing thoroughly: to get a whiteness equal to the TiO2 coating whitener as used in RC polyethylene and nonRC paper coatings a thicker Baryta coating is needed and I suspect more optical brightener. The Barium Sulfate refractive index is way lower than that of TiO2. The link above describes the advantage of barium sulfate not blocking UV light and by that giving the optical brighteners their best effect. The optical brightener can be added to the paper base instead or additional to the coating for the same reason. There are reservations about the use of optical brighteners and alternative whiteners. UV stability of both are not at the level of TiO2. That alternatives for TiO2 are sought is not just for nostalgic (darkroom) reasons, TiO2 is more expensive so blends with other (cheaper) whiteners are made and other whiteners are developed to give them TiO2 specs, primarily by getting the particle size and uniformity close to that of TiO2. The new Alumina mentioned is one example but Alumina itself in clay coatings isn't new. What Baryta content actually is used in the paper coatings is a mystery. The Sihl Baryta specs mention a high Barium Sulfate content but not that it is the sole whitener in the coating. There is little or no optical brightener in that paper and both base and coating color are warm. It is hard to check how good development has been on substitutes for TiO2 not just in their opacity and whiteness but also in relation to stability in time. One thing is sure, the Baryta coating on inkjet papers of today isn't an exact copy of the analogue Baryta coating of >10 years ago. This was written in 1999 (hard to read in Firefox, Explorer is good): http://www.allbusiness.com/manufacturing/plastics-rubber-products-manufacturing/294696-1.html -- Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-10-09 by djon43
Ernst, I'm under the impression that alpha-cellulose and bamboo papers are free, or relatively free from whiteners... ...because the fibers themselves are inherently bleached thoroughly, unlike more whitened papers, including the new conventional papers that are Baryta-coated. Is there anything to that? Why are (some) alpha-cellulose papers so much more white than most whitened cotton papers? ...Thinking here of Inkjetart's micro-ceramic and Legion's LaSal (and the old Moab's Kayenta). --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Ernst Dinkla <E.Dinkla@...> wrote: > > Ernst Dinkla wrote: > > > Henry Wilhelm says something about Barium Sulfate versus > > Titanium DiOxide and analogue RC papers but it goes a bit > > further than just RC papers. Interesting comments about > > Barium Sulfate and the use of OBAs in the second one. > > > http://www.wilhelm-research.com/pdf/HW_Book_17_of_20_HiRes_v1a.pdf > > Following up on the comment above. > > In the euphoria about Baryta papers it would be good to > check one thing thoroughly: to get a whiteness equal to the > TiO2 coating whitener as used in RC polyethylene and nonRC > paper coatings a thicker Baryta coating is needed and I > suspect more optical brightener. The Barium Sulfate > refractive index is way lower than that of TiO2. The link > above describes the advantage of barium sulfate not blocking > UV light and by that giving the optical brighteners their > best effect. The optical brightener can be added to the > paper base instead or additional to the coating for the same > reason. There are reservations about the use of optical > brighteners and alternative whiteners. UV stability of both > are not at the level of TiO2. That alternatives for TiO2 are > sought is not just for nostalgic (darkroom) reasons, TiO2 is > more expensive so blends with other (cheaper) whiteners are > made and other whiteners are developed to give them TiO2 > specs, primarily by getting the particle size and uniformity > close to that of TiO2. The new Alumina mentioned is one > example but Alumina itself in clay coatings isn't new. What > Baryta content actually is used in the paper coatings is a > mystery. The Sihl Baryta specs mention a high Barium Sulfate > content but not that it is the sole whitener in the coating. > There is little or no optical brightener in that paper and > both base and coating color are warm. It is hard to check > how good development has been on substitutes for TiO2 not > just in their opacity and whiteness but also in relation to > stability in time. One thing is sure, the Baryta coating on > inkjet papers of today isn't an exact copy of the analogue > Baryta coating of >10 years ago. > > > This was written in 1999 (hard to read in Firefox, Explorer > is good): > > http://www.allbusiness.com/manufacturing/plastics-rubber-products-manufacturing/294696-1.html
> > > -- > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) | >
2007-10-09 by john dean
I know. It is all a science experiement and we are the lab animals. Breathing Color has the bright white rag paper and canvas out there now that they promote as having no obs's at all. They do give the illusion of better gamut and dynamic range, and make Photorag for instance look off white. It becomes a situation of terminology. What is an oba, and does another whitener ( almost all papers have some kind of whitener) have any added stability benefits, or could they be worse. john It is hard to check > how good development has been on substitutes for TiO2 not > just in their opacity and whiteness but also in relation to > stability in time. One thing is sure, the Baryta coating on > inkjet papers of today isn't an exact copy of the analogue > Baryta coating of >10 years ago. > > > This was written in 1999 (hard to read in Firefox, Explorer > is good): > > http://www.allbusiness.com/manufacturing/plastics-rubber-products-manufacturing/294696-1.html
> > > -- > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) | >