it's "slightly" custom, the Piezotone Warm Neutral set, with a bit of the Sepia set mixed in to move the hue a hair redder. They actually have several other samples there, one with the Selenium set, one a split tone warm hi to selenium low, and of course color. The same set was made on the BFK, Montval Aquarelle 310, and Rag Photographique Duo 220. I was just in there, and they have the one you mention there easy to see, but the others are handy if you ask.
I just dropped off a 44" Michael Levin image printed on the Rag 310 with the Selenium ink, when they get it up on the wall it's worth dropping in to see.
The had me make the samples and test the papers as they just started carrying the line. So far I am very impressed with all of the papers including the 310 version of the Rag Photographique which I am testing now. They have a bewildering array of papers in the line to look at, and I need to see a lot more printing on all of them, but so far I am impressed. They don't outperform other old standbys, but they are right up there with them, and the surfaces are more robust than some.
I'll have more to say about them soon, testing can become all consuming...
Tyler
http://www.custom-digital.com/
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "santonov2you" <drumscanner@...> wrote:
Show quoted textHide quoted text
>
> Today I breafly visited Glaser's store in Seattle and was rewarded by very impressive print from Tyler they have on display there -- it is his "Venice 03" done on Canson BFK River paper with Piezotone inks.
> Tyler, which inks did you use for this print? Is it an inkset or custom? What could you tell about this paper? Was the paper your choice or Glaser's?
>
> Thanks,
> Sergei
>