Doepfer

hello list,

last week i toyed around with the a111/2 prototype.
the a111/2 should be seen as a new vco module, with the
vcf and vca parts as an extra bonus. however, the main
part of the unit is the vco in combination with the
morphing section, this is what makes the module special.
therefore the following examples MAKE NO USE of the vcf
and vca in the a111/2. it's all made with the vco and
morphing section only, with vcf and vca in their most
neutral setting. this should give a better idea about
the differences between a standard vco and the a111/2.

sorry, but this time i cannot supply a detailed
patch description. this would not make much sense
with the very first prototype anyway.

all recordings were taken directly from the
a111/2 main output.


1.
an adsr envelope patched to the cv morph input.

http://www.selfoscillate.de/a100files/a111-2-vco-envmorph1.mp3

http://www.selfoscillate.de/a100files/a111-2-vco-envmorph2.mp3

http://www.selfoscillate.de/a100files/a111-2-vco-envmorph3.mp3


2.
a triangle lfo patched to the cv morph input.

http://www.selfoscillate.de/a100files/a111-2-vco-lfomorph1.mp3

http://www.selfoscillate.de/a100files/a111-2-vco-lfomorph2.mp3

http://www.selfoscillate.de/a100files/a111-2-vco-lfomorph3.mp3


3.
manual pulsewidth modulation on pulse2.

http://www.selfoscillate.de/a100files/a111-2-vco-pwm.mp3


4.
a little bit of raving linear fm madness with an
a110 sinewave as fm modulator.

http://www.selfoscillate.de/a100files/a111-2-vco-linfm-assault.mp3


5. 
sometimes an experiment fails in a good way :-)
this was a simple melody in the beginning,
but when i turned the linear bias down to zero
i discovered this complex crackling percussion.
it is a bit uncertain if the bias control will
make it into the final product, because it is not
incredibly versatile soundwise. opinions?

http://www.selfoscillate.de/a100files/a111-2-vco-nobias-perc.mp3


best wishes

ingo