Nice Gino, I love the 188-1y (256 stages). I find myself always patching it through (mix out or bbd out) the A-126 pitch shifter or vice versa. The 126 takes a little bit of the crispy edge off and gives it an instant spooky spectral aura. --- In Doepfer_a100@yahoogroups.com, "ginorobair" <grobair@...> wrote: > > Finally got a chance to use my A-188-1 on a session as a standalone effects processor, away > from the modular. Up to this point, I've mostly been using the BBD module with the > A-149-1/2 modules for no other reason than the patches have been really interesting (in > that so-called West Coast way of using a modular). But for this session with P.A.F. > ( www.myspace.com/paf ), where they wanted something "noisy and psychedelic," I thought > what the heck: the BBD can process anything, right? > > The long story short: we ended up choosing the Bleep Labs Thingamagoop as the sound > source because you can really make it scream in the right kind of lighting conditions. I ran > that through the BBD, then into a guitar amp at a high volume. Because I can play the > Thingamagoop with one hand, I was able to work with the BBD's controls with the other hand. > Instant '50s sci-fi fx, obviously, but it sounded amazing. If you haven't experienced the > sound you get when you slowly lower the delay-clock control manually from top to > bottom...it's really a blast. "The kids love it!" > > The A-188-1 would be a good candidate for the new A-100 Beauty Case, especially for > someone who has already maxed out a couple of suitcases (like I have). > > Frankfurt or bust! >
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Re: Let us now praise famous modules (A-188-1)
2007-03-07 by jeswa
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