Doepfer

My studio is currently inaccessible so I can't try this and post the result, but isn't it simply a matter of using separate rows for gate, timing, and pitch?  (Also, I didn't watch the videos so forgive me if I am repeating their suggestions....and I am not intimately familiar with TD's sequencing style, but from what I gather, ratcheting is creating multiple triggers for the same pitch duration, and not simply speeding up and slowing down a sequence of notes)

In the sketch I made last night: 
-  I imagined Row 1 being used for the gate pattern being sent to the ADSR.  PA1, G12, all notes on, producing a constant 1/8th note gate pattern.
-  Row 2 is used for the timing of Row1, set to t.4 (I think, or whatever you prefer), allowing you to change the rate of Row1 from 1/8 to 1/16 or 1/32nd notes.  G12 so that timing is changed along with the new pitch.
-  Row3 is used for pitch data, set to whatever range and direction you like.  G12, so pitches change every eighth note.  G values for rows 1 and 3 are adjustable to set your slowest timing division.  

Does this make sense?  Anyone want to try it out?  

Nick


> On Apr 1, 2014, at 2:41 PM, Arian Leviste <arian@paletterecordings.com> wrote:
> 
> Thanks, I'll give it a try
> 
>> On Mar 31, 2014, at 9:59 PM, <karelvanbezooijen@yahoo.com> wrote:
>> 
>>  
>> Maybe this video: https://www.youtube.com/watch?v=Lh_9vUWPHoo but I must admit that I've never tried it myself. I use the COTK Ratchet Sequencer for this fx.
>> 
> 
>