Doepfer

I think that sounds the wrong way around. Play the guitar and create the CVs and gates from that to play the synth. The synth is exactly in time with the guitar. Put the synth voice into the delay. The synth voice now follows the guitar with a delay. Isn't that what you want?



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> On 27 Feb 2017, at 21:40, Diego Ragnini diegora@free.fr [Doepfer_a100] <Doepfer_a100@yahoogroups.com> wrote:
> 
> Florian, it seems you care about the matter more than me. Thanks! I believed that the module you suggested worked for the 3 functions together and sync'ed: I discover I was wrong. Since I don't mean to delay the guitar sound, using an audio delay unit I might be able to process the delayed signal through the MS20 ext signal processor and obtain the wanted result...
> 
> 
> Best, 
> dxx
> 
> 
>> Il giorno 27/feb/2017, alle ore 22:23, Florian Anwander fanwander@mnet-online.de [Doepfer_a100] <Doepfer_a100@yahoogroups.com> ha scritto:
>> 
>>  
>> Hello Diego
>> 
>> 
>>> On 27.02.17 19:10 , Diego Ragnini diegora@free.fr [Doepfer_a100] wrote:
>>>  
>>> just need to copy gates+envelopes+pitches from the guitar session, time-shift them
>> What is here "just"? You will need three delays (one for the gate, one for envelopes, one for pitch) and  those three delays are not synchonized.
>> 
>> To say it in theoretical words: there is no difference whether you delay the command or the result. But in this case delaying the command is extremely complicated (think of the syncing), and will be very expensive: about 750 Euros for two voltage delays and one gate delay, versus 50 euros for a Behringer delay stompbox? 
>> 
>> Florian
>> 
> 
>