Hi, for what its worth I usually think about how I want to process as a means to decide. Do I want to process each side of the side of the stereo independendly or together as a pair? ie you may wish to compress/eq/take your pick/etc each mic feed of a pair differently and thus choose two separate channels. If you wish to process identically, perhaps using Time and Pitch machine, you may wish to use a stereo channel which ensures phase and pitch relationships are retained. > > On 10/03/2009, at 8:27 AM, Andy Brook wrote: > > > I´m on holiday reading the Logic tutorial, which is excellent, and I > > am > > learning a lot from it. Can recommend it to any other novices, its > > worth > > every penny. > > > > One subject that´s not explained is when to choose mono and when > > stereo when > > recording. For instance, I haven´t a clue whether it would be better > > to > > record piano, vocals or bass in mono. I have always chosen stereo. > > Could > > someone explain when it would be benefical to chose mono? > > > > Thanks in advance. > > > > Andy B > > > > > > > > [Non-text portions of this message have been removed] >
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Re: Stereo or mono
2009-03-11 by Gil Gillian
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