Hello Steve, You have not said whether you will be using them for tracking or mixing? Obviously closed back phones are better for tracking/monitoring, as they reduce spill onto mics, especially for vocals, but I have always found open back phones easier to listen through for long periods, and definitely better for judging a mix. I would recommend going for Sennheiser Beyer, or AKG whichever you choose, as even their low end models will have the benefit of their R&D experience. Generally avoid phones aimed at the iPod market as they often have a "larger than life" sound. I am using; Open for mixing reference Sennheiser 430, now discontinued, but very familar as I've had them for 20 years+ Sennheiser 565 Ovation Closed for singer monitoring Sennheiser HD250 linear Closed for loud drummers Beyer DT150 (very similar to the DT100s, but with a more open top end) I assume these should all be available in NZ? -- Best Wishes Steve Coates Listen to The Drop at; http://www.TheDrop.biz On 27 Mar 2009, at 10:52, Steve Currington wrote: > Hi.. > > I am about to buy a new pair of Studio Monitor Headphones. I was > wondering what people are using and what people suggest is a good buy? > > Now I don't want cheap ala $30 pairs.. but I also don't wanna spend > my life savings <grin> > I prefer over the ear models.. Don't like the ear bud style and the > styles/designs that sit on the ear and "crush" the ears - I find > that both these are hard to wear for long periods. > > I have had Sennheiser and AKG brands recommended as a starting place > but there re others out there that are also worth looking into. > > Any advice would be appreciated.. > > NB I live in New Zealand so major brands are what I need not some > local knock off etc... I will need to buy locally or I guess via > ebay/amazon or something. > > Steve Currington > Wellington, New Zealand > > > > > > ------------------------------------ > > Yahoo! Groups Links > > > [Non-text portions of this message have been removed]
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Re: [Logic_Cafe] Studio Monitor Headphones
2009-03-27 by The Drop
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