Andy, Gregory pretty much clarified what I was trying to say. Start the recorder, with some kind of time reference (click, drums, etc) a few bars early and clap along before the vocal part enters. Make note of which counts were particularly "nailed" along with the metronome and line up those transients to the grid in Logic after the recording. Interesting that some people nudge MIDI regions back to the left. I don't do that, I just quantize by percent (60-90%). Pete --- In Logic_Cafe@yahoogroups.com, bbgrove@... wrote: > > > > One trick I learned is that it's helpful when you record while > > monitoring the input. the track/s can be late within the session, > > too far to the right as a result. So what I do, is when I record a > > vocal, I will clap my hands along with the click track. Then when I > > am mixing/editing, it is VERY easy to line up the track with where > > it ought to be. This lateness seems to vary based on session, and > > general CPU load. So even though you don't hear any latency, the > > computer prints what would have been latency to the track, if that > > makes any sense. > > > > Pete > > Not really, although I'd like it to! How does clapping to the click track > help? Do you mean that you record another track with live clapping lined > up to the click track and then move the vocal track into line as you move > the clapping into line? > > I've given up recording directly into Logic as I can't get over the > latency problem and my singer is giving up on me! We are using the BR1600 > instead which involves a lot of messing around but doesn't have latency > issues > > > Andy >
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Re: A Question
2010-03-30 by Peter B
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