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Message

Re: OT (kinda) recording live

2005-01-19 by Randy Hiatt

close mic the drums and add a few overheads, use a noise gate to supress 
bleed thru.

rh




--- In Logic_Cafe@yahoogroups.com, Michael Tuminello <mt@m...> wrote:
> to what extent can you expect to separate drums with a situation like 
> this (large room with baffles)?
> 
> thanks!
> 
> On Jan 19, 2005, at 3:04 AM, GAmoore@a... wrote:
> 
> >
> >  In a message dated 1/18/05 10:38:32 PM, mt@m... writes:
> >
> >
> >
> > thanks for the info.  I'm particularly interested in the experience of
> >  recording a band if anyone has any input.  looking for either 
> > effective
> >  ways to eliminate bleed from different instruments when recording 
> > live,
> >  or effective ways to generate live feel/energy when recording direct.
> >
> >
> >
> >  Ideally you would have a huge studio with sound baffles to divide the 
> > players, then you try to capture the vibe without the crowd and 
> > colored lights. If you play onstage its hard to keep the things 
> > separate other than close micing. Or you could do a hybrid - record 
> > the overall live mix. Then individually add tracks of each instrument 
> > and voice, and then perhaps take the original mix out or turn it down 
> > low.
> >
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