close mic the drums and add a few overheads, use a noise gate to supress bleed thru. rh --- In Logic_Cafe@yahoogroups.com, Michael Tuminello <mt@m...> wrote: > to what extent can you expect to separate drums with a situation like > this (large room with baffles)? > > thanks! > > On Jan 19, 2005, at 3:04 AM, GAmoore@a... wrote: > > > > > In a message dated 1/18/05 10:38:32 PM, mt@m... writes: > > > > > > > > thanks for the info. I'm particularly interested in the experience of > > recording a band if anyone has any input. looking for either > > effective > > ways to eliminate bleed from different instruments when recording > > live, > > or effective ways to generate live feel/energy when recording direct. > > > > > > > > Ideally you would have a huge studio with sound baffles to divide the > > players, then you try to capture the vibe without the crowd and > > colored lights. If you play onstage its hard to keep the things > > separate other than close micing. Or you could do a hybrid - record > > the overall live mix. Then individually add tracks of each instrument > > and voice, and then perhaps take the original mix out or turn it down > > low. > > > > Yahoo! Groups Links > > > > To visit your group on the web, go to: > > http://groups.yahoo.com/group/Logic_Cafe/ > > > > To unsubscribe from this group, send an email to: > > Logic_Cafe-unsubscribe@yahoogroups.com > > > > Your use of Yahoo! Groups is subject to the Yahoo! Terms of > > Service. > > > >
Message
Re: OT (kinda) recording live
2005-01-19 by Randy Hiatt
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