"With the blended M300 sounds it is a gradual fading out of the lower
instrument and the fading in of the higher one to make the transition
smooth. There are areas on the keyboard where both instruments are being
crossfaded as opposed to 2 Tenors and 2 Altos where everything is firing in
unison."
Hmmm. That seems a fair amount of effort to
go to in order to offer contemporary support for an instrument with so few
representatives around. Would this be a foreshadowing of a modern British
M400 update with a longer keyboard and some interesting new sound
sets?????