QTR-Quadtone RIP

Steve

Have you tried using the Curve Creator to look at the two curves in
question? The curve for Premium semigloss has ink limit of 12 and 13 for LC
and LM respectively. The corresponding limits for Permajet Oyster are 29 and
30. The LC/LM are used to cool the warmth of the LK. Perhaps there are not
enough of those inks in the PSG cool curves for your (or others') taste. You
could try modifying the PSG curve to suit your taste. 

Tom Moore

> -----Original Message-----
> From: QuadtoneRIP@yahoogroups.com [mailto:QuadtoneRIP@yahoogroups.com] On
> Behalf Of SteveZ
> Sent: Monday, April 25, 2005 7:47 PM
> To: QuadtoneRIP@yahoogroups.com
> Subject: [QuadtoneRIP] To Diane Re: gossy or luster prints
> 
> 
> 
> After reading your reply to Andy's post, I thought I'd try the same
> experiment with my 2200. I printed a b&w image on epson semi-gloss
> using the UC-pk Permajet Oyster cool curve and....you're right....no
> hint of brown, a very neutral print indeed. A bit of bronzing but
> nothing too serious. Which begs the question about the QTR....why do
> my prints turn out brown using the semi-gloss curve but print out
> quite beautifully in fact with the...what's it called again?...the
> Permajet Oyster curve? I just don't understand this.
> 
> 
> --- In QuadtoneRIP@yahoogroups.com, "Diane Fields" <picnic@c...> wrote:
> > Andy, I can't remember what printer---2200?
> >
> > Diane
> >
> >   I posted this to the other group, but probably should have posted
> it
> >   here...I just picked permajet oyster at random and ran a print on
> >   Epson premium glossy, and got a pretty neurtral print.  No hint of
> >   brown, although something seemed just a wee bit odd about it, and
> I
> >   haven't gone back yet to mess with it (glossy is just terrible
> paper.
> >   I'll bet the "oddness" wouldn't be there on semi-gloss of luster).
> 
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> Yahoo! Groups Links
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