Frank,
I was responding to Juan's inquiry, not yours, and your situation is
really quite different. If you are using Paul Roark's 3MK method
with the 1800, that is totally different from Juan's situation, where
he is using the Epson K3 inkset on a 2400. Different print and
different inks.
I don't have an 1800 and haven't used the 3MK method, but I think I
understand Paul's basic premise. Since the 1800 lays down a very
small dot (1.5PL, vs the 3.5 or 4 PL dot on the many other Epson
printers) using the MK inks in three different positions can give
smooth tones without the larger dots. From what I have read, Paul
uses three positions of MK inks for smoothness and he ramps the inks
in at different rates. And yes, the MK (or more accurately, the MIS
Eboni Black) is quite neutral. Paul is using the same exact Eboni
Black in all three cartridges, and having three cartridges firing
instead of one helps improve smoothness and avoids banding.
Hope that helps.
Lou
--- In QuadtoneRIP@yahoogroups.com, Frank Jay <frankjay02@...> wrote:
>
>
> I don't understand the LK and LLK ink information. I bought the 3
MIS inks for the R1800 and thought that the inks were of different
shades of black or gray, hence going into 3 slots...MK, PK and the
Glop. When I ordered some empty carts and 4oz of ink to refil them, I
was told that one ink re-filled all three carts. Did I miss something
someplace or is the LK and LLK used for a warmer town and what I
bought was for just plain black and white. If it is for plain black
and white, then why is the same ink used in three slots.
>
> I really can't say how my prints come out becasue since I
bought the inks over two weeks ago, they haven't worked, so MIS sent
me three chips, which I have to install. I am very anxious to see how
they work. I do know I get a very nice black and white using the
epson inks and the QTR, better than using the Epson driver.
> I have a lot of holes in my knowledge of this, but they have
been getting filled little by little, not quick enough for my liking,
but some of this information seems to be discovered thru discourses
here. Which I am thankful for.
> thanks
> Frank
>
> Louis Dina <lou@...> wrote:
> Juan,
>
> MIS Eboni black is fairly neutral all by itself. But the lighter
> black dilutions are decidedly warm, so if you use LK and/or LLK
inks,
> your prints will take on a warm tone. If you want to counteract
that
> warmth using the Epson K3 inkset (or the MIS equivalent) you would
be
> adding some LC and LM, but you don't need to add yellow, since the
> carbon only inks already have too much warmth. Adding yellow would
> just make it warmer, which doesn't seem to be what you want.
>
> If you print with Black Only (the single black ink position) your
> prints will be fairly neutral, but you will see dots in the
> highlights and midtones, because you are using ONLY the black ink,
> and to get light tones, you need more space between black dots to
> simulate a light tone. If you like that look, you have a quick easy
> solution to neutral B&W. If you don't, you will want to add LK and
> LLK for highlights and midtones, and you will need to introduce
some
> LC and LM to cool down the light black inks to neutral.
>
> Lou
>
> --- In QuadtoneRIP@yahoogroups.com, "Juan Riera" <jriera_@> wrote:
> >
> > I'm printing b&w on R2400
> > I have read on several pages that getting neutral b&w tones with
> Epson
> > K3 pigments implies QTR needs to use not only black but other
> pigments,
> > and lots of yellow ("lightfastesness" problem). When using MIS
> > pigments, it seems you can get neutral tone only by using the
Eboni
> > black cart. Am I right?
> > Can QTR manage using only matt k3 black? is it neutral?
> >
> > Thanks a lot
> >
> > Juan
> >
>
>
>
>
>
>
> "The luckiest dogs are those with clipped tails....they're the ones
who won't be chasing their own arses."
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>Message
Re: About QTR and "carbon" printing
2007-11-12 by Louis Dina
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