And still further My further thoughts on Ilford Gold Fibre Silk v Epson Premium Semi Gloss or Epson Premium Lustre for that matter. >I favoured the Epson Premium Semi Gloss paper as it is a brighter white - the Ilford Gold Silk is a creamier paper. I have revised my comments made above. Although the IGFS is a "creamier" paper, compared with either the EPSG or EPL it seems to produce better, brighter whites than the other two and a warmer/neutral print for the same ink settings. I would suggest adjusting the ratio of cold/warm ink settings for the Epson papers to 60%/40% if you required a warmer "look" to your prints than 75%/25% produces. The EPSG and EPL papers are a "colder" blue grey white, giving a reading of 0.09 D (the plaque standard on my X-Rite 810), whereas the IGFS gives a reading of .04 D - more reflection and a brighter white. So I think on balance I prefer the IGFS paper and by the way, it is heavier, 310gsm, compared with EPSG, at 251gsm and EPL at 250gsm. --- In QuadtoneRIP@yahoogroups.com, "Mel" <chilterns@...> wrote: > > Still further on this topic, I posted the following in two replies in the Digital Black & White forum (should have been here first I think since it is a QTR topic). > > I re linearized David Goldenberg's IGFS profiles(QTR_1400_UT14_IGFS_warm and QTR_1400_UT14_IGFS_cool) for the Epson Prem Semi Gloss using an X-Rite 810. The plaque of the 810 gives a reading of 0.09 D on the white spot and 1.79 D on the black spot. These are the correct readings for this plaque's reflection standard. When reading "paper white" the 810 also reads 0.09 D, which is what I would expect. > > These were the readings I got using the 810, QTR_1400_UT14_IGFS_cool and Epson Premium Semi Gloss paper. > > .09 > .15 > .20 > .25 > .29 > .33 > .38 > .43 > .47 > .50 > .52 > .58 > .65 > .73 > .81 > .90 > 1.01 > 1.19 > 1.34 > 1.53 > 1.81 > > I then opened QTR_1400_UT14_IGFS_cool in Curve Creator, cleared Liearization and entered these figures and saved it as QTR_1400_UT14_EPSG_cool. > > Looking at the curve for the result it doesn't look very linear (David's curve for the IGFS is virtually a straight line). > > Not satisfied with this I then printed a further 21step.tif with this file, remeasured the steps and entered these measurements into the Linearization Values of Curve Creator saving this as QTR_1400_UT14_EPSG_cool1. When I clicked on Show Curve, to my amazement I got a nearly straight line - just a slight wave in the middle. > > I did the same with QTR_1400_UT14_EPSG_warm and called it warm1 and got a good straight line, identical to David's QTR_1400_UT14_IGFS_warm. As this was a better curve than the QTR_1400_UT14_EPSG_cool1 I replaced the cool1 values with the warm1 values to produce the same straight curve and called it cool2. > > If the object of the exercise is to produce a straight line "curve", have I, in using this method achieved the right result ? > > --- In QuadtoneRIP@yahoogroups.com, "Mel" <chilterns@> wrote: > > > > Further on this topic, I have printed off the 21step.tif using QTR_1400_UT14_IGFS_cool and a blend of QTR_1400_UT14_IGFS_warm and QTR_1400_UT14_IGFS_cool (75% cool and 25% warm and) and find bronzing on the black end of the step wedge. This is only on the 100% patch and only seems to be in daylight. None of the other patches are affected and it doesn't appear when viewed in artificial (incandescent) light. > > > > I also did the same using the same profiles with Epson Premium Semi Gloss paper, with the same result. > > > > When using Epson Premium Semi Gloss paper with the Epson 1290 and the 1290 profiles with UT2 inks there was no bronzing - alas the 1290 "gave up the ghost" and is no more. > > > > Is there a satisfactory explanation for this and/or could UT2 inks be used with the Epson 1400. > > > > I favoured the Epson Premium Semi Gloss paper as it is a brighter white - the Ilford Gold Silk is a creamier paper. > > > > --- In QuadtoneRIP@yahoogroups.com, "David" <dpgoldenberg33@> wrote: > > > > > > No. > > > > > > The profiles do not include glop (in the "yellow" cartridge in UT-14), and there should be no need for spraying. (I've never actually tried it.) The profiles use the glossy-compatible photo-black ink and no ebony. > > > > > > David > > > > > > > > > > > > --- In QuadtoneRIP@yahoogroups.com, "Mel" <chilterns@> wrote: > > > > > > > > One for David (dpgoldenberg33) really > > > > > > > > Does QTR_1400_UT14_IGFS_warm and QTR_1400_UT14_IGFS_cool, require "glop" or spray application ? > > > > > > > > > >
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Re: 1400 and IGFS profile
2012-01-08 by Mel
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