Lightroom 1.1 and QTR
2007-06-27 by Carl Schofield
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2007-06-27 by Carl Schofield
Good news/bad news. You can now print via QTR using color management in LR 1.1 (Mac) without getting crashes. Bad news is that rendering is not correct - prints look washed out and "veiled" without contrast. Solutions?
2007-06-27 by Walker Blackwell
What profile where you printing with? -Walker On Jun 27, 2007, at 10:37 AM, Carl Schofield wrote: > Good news/bad news. You can now print via QTR using color > management in LR 1.1 (Mac) > without getting crashes. Bad news is that rendering is not correct > - prints look washed out > and "veiled" without contrast. Solutions? > > > [Non-text portions of this message have been removed]
2007-06-27 by Carl Schofield
I was using a custom create-icc profile (rgb mode) that I made for the paper I used (Merlin Natural) for the test. Actually, prints are not as bad as I described in the first post. My first print was done using photo black ink because I forgot to change the ink selection to matte, but even with the correct ink the prints look relatively flat and muddy compared to prints made from CS3. I was using perceptual rendering intent in LR so I'll try rel col and see if that improves contrast. Carl
On Jun 27, 2007, at 11:17 AM, Walker Blackwell wrote: > What profile where you printing with? > > -Walker > > > On Jun 27, 2007, at 10:37 AM, Carl Schofield wrote: > >> Good news/bad news. You can now print via QTR using color >> management in LR 1.1 (Mac) >> without getting crashes. Bad news is that rendering is not correct >> - prints look washed out >> and "veiled" without contrast. Solutions? >> >> >>
2007-06-27 by Ernst Dinkla
Carl Schofield wrote: > Good news/bad news. You can now print via QTR using color management in LR 1.1 (Mac) > without getting crashes. Bad news is that rendering is not correct - prints look washed out > and "veiled" without contrast. Solutions? Perceptual with BPC ? Set BPC OFF if possible. The thing I encountered in Qimage, I have no experience with Lightroom. If that doesn't work or not enough you possibly have to make Lightroom specific profiles. Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-06-27 by Carl Schofield
Ernst, Perceptual, but there is no option to set BPC on or off - I don't even know what the LR default setting is for BPC. Carl
On Jun 27, 2007, at 11:45 AM, Ernst Dinkla wrote: > Carl Schofield wrote: >> Good news/bad news. You can now print via QTR using color >> management in LR 1.1 (Mac) >> without getting crashes. Bad news is that rendering is not >> correct - prints look washed out >> and "veiled" without contrast. Solutions? > > Perceptual with BPC ? Set BPC OFF if possible. The thing I > encountered in Qimage, I have no experience with Lightroom. > > If that doesn't work or not enough you possibly have to make > Lightroom specific profiles. > > > > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) |
2007-06-27 by Walker Blackwell
BPC is on
2007-06-27 by Carl Schofield
--- In QuadtoneRIP@yahoogroups.com, Walker Blackwell <wblackwell@...> wrote: > > BPC is on > Thanks. I missed seeing the little note in the print panel indicating that BPC is on. Guess it is always on with either perceptual or relative. I tried both intents and even tried setting the clarity slider to 100%, but still get muddy gray prints. Oh well, back to CS3 for printing with QTR until they fix CM in LR.
2007-06-27 by Ernst Dinkla
Carl Schofield wrote: > --- In QuadtoneRIP@yahoogroups.com, Walker Blackwell <wblackwell@...> wrote: >> BPC is on >> > Thanks. I missed seeing the little note in the print panel indicating that BPC is on. Guess it is > always on with either perceptual or relative. I tried both intents and even tried setting the > clarity slider to 100%, but still get muddy gray prints. Oh well, back to CS3 for printing with > QTR until they fix CM in LR. You could check whether it is the CM in LR by printing an image that is converted to the QTR paper profile in PS and have CM OFF in LR. -- Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-06-27 by Carl Schofield
Ernst,
I just tried that. Converted the image file in CS3 to the QTR create-
icc profile and then printed from LR 1.1 with color management off
("managed by printer"). Print was perfect so looks like something is
not right with LR CM.
CarlOn Jun 27, 2007, at 1:42 PM, Ernst Dinkla wrote: > Carl Schofield wrote: >> --- In QuadtoneRIP@yahoogroups.com, Walker Blackwell >> <wblackwell@...> wrote: >>> BPC is on >>> >> Thanks. I missed seeing the little note in the print panel >> indicating that BPC is on. Guess it is >> always on with either perceptual or relative. I tried both >> intents and even tried setting the >> clarity slider to 100%, but still get muddy gray prints. Oh well, >> back to CS3 for printing with >> QTR until they fix CM in LR. > > You could check whether it is the CM in LR by printing an > image that is converted to the QTR paper profile in PS and > have CM OFF in LR. > > > -- > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) |
2007-06-27 by Carl Schofield
Posted this reply a few hours ago by email, but didn't go thru so here is answer via web:
Ernst,
I just tried that. Converted the image file in CS3 to the QTR create-icc profile and then
printed from LR 1.1 with color management off ("managed by printer"). Print was perfect
so looks like something is not right with LR CM.
Carl
--- In QuadtoneRIP@yahoogroups.com, Ernst Dinkla <E.Dinkla@...> wrote:
>
> Carl Schofield wrote:
> > --- In QuadtoneRIP@yahoogroups.com, Walker Blackwell <wblackwell@> wrote:
> >> BPC is on
> >>
> > Thanks. I missed seeing the little note in the print panel indicating that BPC is on.
Guess it is
> > always on with either perceptual or relative. I tried both intents and even tried setting
the
> > clarity slider to 100%, but still get muddy gray prints. Oh well, back to CS3 for
printing with > > QTR until they fix CM in LR. > > You could check whether it is the CM in LR by printing an > image that is converted to the QTR paper profile in PS and > have CM OFF in LR. > > > -- > Met vriendelijke groeten, Ernst > > > | Dinkla Grafische Techniek | > | www.pigment-print.com | > | ( unvollendet ) | >
2007-06-28 by Ernst Dinkla
Carl Schofield wrote:
> Posted this reply a few hours ago by email, but didn't go thru so here is answer via web:
>
> Ernst,
>
> I just tried that. Converted the image file in CS3 to the QTR create-icc profile and then
> printed from LR 1.1 with color management off ("managed by printer"). Print was perfect
> so looks like something is not right with LR CM.
>
> Carl
I got both Carl.
On BPC with Perceptual: Mike Chaney thinks that BPC
shouldn't be used with Perceptual rendering as that
rendering already compresses the image to the printer gamut
including the greyscale range. Sounds logical to me. But you
find it used everywhere as an option in software CM
including Qimage. The Canon iPFx000 driver plug-in doesn't
have it and people complain about that omission :-)
Is there a Chinese wall between the Photoshop and the
Lightroom developers ?
Met vriendelijke groeten, Ernst
| Dinkla Grafische Techniek |
| www.pigment-print.com |
| ( unvollendet ) |2007-06-28 by Walker Blackwell
Maybe it's something to do with Lightroom's ProPhotoRGB workspace? I'll test a Photoshop ProPhoto to Create-ICC-RGB to print and see if I get the same thing . . . ps: I was getting weird stuff with the old SPro9600 drivers with color prints out of lightroom a couple months ago because of the fact that they couldn't handle a ProPhoto -> OutputRGB conversion, or the couldn't hand Lightroom's rendering of that conversion. The new 9600 drivers worked fine except when printing over a network through OS X Server. Maybe this is one for ColorSync forum. take care, Walker
2007-06-28 by Carl Schofield
Walker, I just checked this and did not find any difference using either Adobe98 or ProPhotoRGB for conversion via a create-icc profile in Photoshop. Seems to be something going on in the Lightroom rendering engine that is not right. Carl
On Jun 28, 2007, at 12:55 PM, Walker Blackwell wrote: > Maybe it's something to do with Lightroom's ProPhotoRGB workspace? > > I'll test a Photoshop ProPhoto to Create-ICC-RGB to print and see if > I get the same thing . . . > > ps: I was getting weird stuff with the old SPro9600 drivers with > color prints out of lightroom a couple months ago because of the fact > that they couldn't handle a ProPhoto -> OutputRGB conversion, or the > couldn't hand Lightroom's rendering of that conversion. The new 9600 > drivers worked fine except when printing over a network through OS X > Server. > > Maybe this is one for ColorSync forum. > > take care, Walker
2007-06-28 by Carl Schofield
Just another observation on this problem. The prints produced via Lightroom>Create-icc RGB profile>QTR look like a softproof image in CS3 with simulate black ink and paper white checked (eg. flat blacks and muddy midtones). Is Lightroom somehow sending a simulation file to the printer, rather than just the actual converted image?
2007-06-29 by Eric Neilsen
Look in the read me section of the upgrade to 1.1. There are known issues with certain aspects of printing. Sorry, I don't have all you email in front of me right now, but there are some issues. I seem to remember Adobe telling users to make sure to use the correct profile and not let printer manage color. Eric Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226 http://e.neilsen.home.att.net http://ericneilsenphotography.com Skype ejprinter _____
From: QuadtoneRIP@yahoogroups.com [mailto:QuadtoneRIP@yahoogroups.com] On
Behalf Of Ernst Dinkla
Sent: Thursday, June 28, 2007 2:11 AM
To: QuadtoneRIP@yahoogroups.com
Subject: Re: [QuadtoneRIP] Re: Lightroom 1.1 and QTR
Carl Schofield wrote:
> Posted this reply a few hours ago by email, but didn't go thru so here is
answer via web:
>
> Ernst,
>
> I just tried that. Converted the image file in CS3 to the QTR create-icc
profile and then
> printed from LR 1.1 with color management off ("managed by printer").
Print was perfect
> so looks like something is not right with LR CM.
>
> Carl
I got both Carl.
On BPC with Perceptual: Mike Chaney thinks that BPC
shouldn't be used with Perceptual rendering as that
rendering already compresses the image to the printer gamut
including the greyscale range. Sounds logical to me. But you
find it used everywhere as an option in software CM
including Qimage. The Canon iPFx000 driver plug-in doesn't
have it and people complain about that omission :-)
Is there a Chinese wall between the Photoshop and the
Lightroom developers ?
Met vriendelijke groeten, Ernst
| Dinkla Grafische Techniek |
| www.pigment-print.com |
| ( unvollendet ) |
[Non-text portions of this message have been removed]2007-06-30 by Carl Schofield
Eric, There is an issue with color management in LR that has not yet been acknowledged by the developers. The basic problem is that LR does not properly render images using QTR Create-icc RGB profiles. I can get around this issue by converting the image to the Create-icc profile in CS3 and then print from LR to QTR with color management rurned off. I still have to make a round trip to CS3 for final output sharpening before printing so it is not currently a big deal to just do the profile conversion at the same time, but if they finally add output sharpening capability to LR then it would also be nice to have proper color management as well so trips to CS3 could be completely eliminated. All of this pertains to use on a Mac. Carl --- In QuadtoneRIP@yahoogroups.com, "Eric Neilsen" <e.neilsen2@...> wrote:
>
> Look in the read me section of the upgrade to 1.1. There are known issues
> with certain aspects of printing. Sorry, I don't have all you email in front
> of me right now, but there are some issues. I seem to remember Adobe telling
> users to make sure to use the correct profile and not let printer manage
> color.
>
>
>
> Eric
>
>
>
> Eric Neilsen Photography
>
> 4101 Commerce Street
>
> Suite 9
>
> Dallas, TX 75226
>
> http://e.neilsen.home.att.net
>
> http://ericneilsenphotography.com
>
> Skype ejprinter
>
> _____
>
> From: QuadtoneRIP@yahoogroups.com [mailto:QuadtoneRIP@yahoogroups.com] On
> Behalf Of Ernst Dinkla
> Sent: Thursday, June 28, 2007 2:11 AM
> To: QuadtoneRIP@yahoogroups.com
> Subject: Re: [QuadtoneRIP] Re: Lightroom 1.1 and QTR
>
>
>
> Carl Schofield wrote:
> > Posted this reply a few hours ago by email, but didn't go thru so here is
> answer via web:
> >
> > Ernst,
> >
> > I just tried that. Converted the image file in CS3 to the QTR create-icc
> profile and then
> > printed from LR 1.1 with color management off ("managed by printer").
> Print was perfect
> > so looks like something is not right with LR CM.
> >
> > Carl
>
> I got both Carl.
>
> On BPC with Perceptual: Mike Chaney thinks that BPC
> shouldn't be used with Perceptual rendering as that
> rendering already compresses the image to the printer gamut
> including the greyscale range. Sounds logical to me. But you
> find it used everywhere as an option in software CM
> including Qimage. The Canon iPFx000 driver plug-in doesn't
> have it and people complain about that omission :-)
>
> Is there a Chinese wall between the Photoshop and the
> Lightroom developers ?
>
> Met vriendelijke groeten, Ernst
>
> | Dinkla Grafische Techniek |
> | www.pigment-print.com |
> | ( unvollendet ) |
>
>
>
>
>
> [Non-text portions of this message have been removed]
>2007-06-30 by Walker Blackwell
I agree 100%. Lightroom is fascinating to me as a possible RIP front- end. It's great for keeping track of my many thousands of photographs as well as tiling, etc, on the fly. + it renders so very quickly and in the background where-as PS just locks you out and spins forever . . . . still. The only problem is the bad grayscale conversion . . . It's using the same ACE color engine but it's obviously messing up somehow. Someone at Lightroom Central is a sleep at the switch perhaps. Or perhaps there's a way to build the Quadtone profile differently in order for the ACE engine to work with it in a more compatible fashion? take care, Walker
2007-06-30 by Eric Neilsen
Have you tried installing the profile? I know that you shouldn't need to, but in earlier versions of LR you had to actually use "install profile" before it would see it. And the stuff in LR "read me" in the upgrade that I recall seeing was MAC and Vista related to color. I don't recall users of XP having a problem. Good luck! I wish that they would let non maximized PSD be seen. Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226 http://e.neilsen.home.att.net http://ericneilsenphotography.com Skype ejprinter _____
From: QuadtoneRIP@yahoogroups.com [mailto:QuadtoneRIP@yahoogroups.com] On Behalf Of Carl Schofield Sent: Saturday, June 30, 2007 3:23 PM To: QuadtoneRIP@yahoogroups.com Subject: [QuadtoneRIP] Re: Lightroom 1.1 and QTR Eric, There is an issue with color management in LR that has not yet been ...
2007-06-30 by Walker Blackwell
I believe I just got to the bottom of it. Photoshop (it seems) does all of the grunt-work when it comes to pure color management. That's because it's been around since before OSs had any color management. So when you print a big'ol image it's actually doing a hard- conversion of that file to the out-put profile and then sending that data along to the print driver. (Thus all the time it takes to print.) All the print driver has to do is send the data to the Printer. Lightroom, on the other hand, tags the image with the profile and lets the print driver handle the conversion. I think that is where it's getting sticky. This explains why I was having such a hard time with the old Spro9600 drivers when printing color. They just couldn't handle the profile conversion themselves. The driver expected a converted file.] It also explains the slight lag between finishing a file rip in Lightroom and seeing it come up in the print queue. Can QTR handle ICC profile conversions? And is it v4 compliant? Most likely more and more applications will come out soon that will require OS and Driver color management instead of doing all the work themselves. It makes everything faster and more scaleable. The nice thing is the Adobe CMM is open source and available to use for such a thing as driver-based ICC conversions. take care, Walker
2007-06-30 by Carl Schofield
Walker, I think Roy will have to address that question, but I thought that QTR was relying on Photoshop to handle the front end icc conversion. I didn't realize that LR was passing the CM buck, but what you say certainly helps explain the problem. Thanks, Carl
On Jun 30, 2007, at 5:57 PM, Walker Blackwell wrote: > I believe I just got to the bottom of it. Photoshop (it seems) does > all of the grunt-work when it comes to pure color management. That's > because it's been around since before OSs had any color management. > So when you print a big'ol image it's actually doing a hard- > conversion of that file to the out-put profile and then sending that > data along to the print driver. (Thus all the time it takes to > print.) All the print driver has to do is send the data to the > Printer. > > Lightroom, on the other hand, tags the image with the profile and > lets the print driver handle the conversion. I think that is where > it's getting sticky. This explains why I was having such a hard time > with the old Spro9600 drivers when printing color. They just couldn't > handle the profile conversion themselves. The driver expected a > converted file.] > > It also explains the slight lag between finishing a file rip in > Lightroom and seeing it come up in the print queue. > > Can QTR handle ICC profile conversions? And is it v4 compliant? Most > likely more and more applications will come out soon that will > require OS and Driver color management instead of doing all the work > themselves. It makes everything faster and more scaleable. > > The nice thing is the Adobe CMM is open source and available to use > for such a thing as driver-based ICC conversions. > > take care, Walker
2007-07-01 by Carl Schofield
Walker, I think Roy will have to address that question, but I thought that QTR was relying on Photoshop to handle the front end icc conversion. I didn't realize that LR was passing the CM buck, but what you say certainly helps explain the problem. Thanks, Carl --- In QuadtoneRIP@...m, Walker Blackwell <wblackwell@...> wrote:
> > I believe I just got to the bottom of it. Photoshop (it seems) does > all of the grunt-work when it comes to pure color management. That's > because it's been around since before OSs had any color management. > So when you print a big'ol image it's actually doing a hard- > conversion of that file to the out-put profile and then sending that > data along to the print driver. (Thus all the time it takes to > print.) All the print driver has to do is send the data to the Printer. > > Lightroom, on the other hand, tags the image with the profile and > lets the print driver handle the conversion. I think that is where > it's getting sticky. This explains why I was having such a hard time > with the old Spro9600 drivers when printing color. They just couldn't > handle the profile conversion themselves. The driver expected a > converted file.] > > It also explains the slight lag between finishing a file rip in > Lightroom and seeing it come up in the print queue. > > Can QTR handle ICC profile conversions? And is it v4 compliant? Most > likely more and more applications will come out soon that will > require OS and Driver color management instead of doing all the work > themselves. It makes everything faster and more scaleable. > > The nice thing is the Adobe CMM is open source and available to use > for such a thing as driver-based ICC conversions. > > take care, Walker >
2007-07-01 by Ernst Dinkla
Carl Schofield wrote: > Walker, > > I think Roy will have to address that question, but I thought that QTR was relying on > Photoshop to handle the front end icc conversion. I didn't realize that LR was passing the > CM buck, but what you say certainly helps explain the problem. > > Thanks, > Carl QTR doesn't have any (I)CM and relies on the application to do the CM. I do not share the view that more and more applications will rely on the driver's CM to handle color management In fact driver manuals usually recommend to use the application's ICM and set the driver CM off.. Most of the time driver (I)CM is less sophisticated than the application's ICM. I write (I)CM as it happens that in some cases there are no ICC profiles used in the driver or there is no use of custom profiles possible, rendering choices etc not selectable either. Lightroom will be very handicapped if it has no (I)CM. In what way would Lightroom tag the profile ? The digital camera files it gets have profiles tagged or EXIF data with the same content. Either Lightroom should let that file as such go through if it doesn't do ICM or it converts the file for another profile tag which is considered ICM handling. If you can add a custom printer profile to Lightroom's ICM then it has to convert the image to that device space and it can send the converted data with or without that profile embedded as the driver's CM should be off and not act on that embedded profile. Why would Lightroom show a BPC feature if it doesn't use it ? No switching off for BPC but nevertheless. There are a lot of other processes going on in an application and a driver other than CM after one pushes the print button. Either the application has to resample the resolution of the file to the native resolution of the printer or the driver has to do it. The application has to communicate with the driver on the settings in the driver, the driver has to check the OS spooling. Etc Etc. Hard to tell what is waiting on what. There are some other issues with Lightroom's ICM if I google on that subject. As written before one wonders why no Photoshop developer co\ufffdperates on that part of the program, they could copy the CM software module from PS to do it right. Even after ICM works correctly Lightroom will need a lot of work done in resampling choices and algorithms etc to get equal to Qimage as semi RIP. -- Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-07-01 by Walker Blackwell
After reading your post, Ernst, I agree with you somewhat. I believe the input/output world is way too varied to really be able to use LR as only a path and not a full CMM. But the only reason why I'm interested in it is for four reasons. I can run it on OS X (my OS of choice); I don't have to sit there for days waiting for prints to spool; I can tile images; I can keep print jobs and portfolios organized permenantly (and with Keywords). That last one is the key when you have 3.2 tbs of photographs hanging around. The reason why it's fast is because it relies on tagging. But that's its flaw as well. I agree. So maybe the Adobe people need to get there act together and make there own conversion quicker. Maybe they can talk with Epson and the Gimp driver community and get file segment policy down so we don't have to sit there waiting for the image to completely spool before we print. We are still in the dark- ages with PS and printing. As a StudioPrint user I can never go back to working w/ Photoshop for spooling. Lightroom and QTR offer a great alternative. I would say they are better than StudioPrint as far as speed and organization are concerned. Once we can use BPC with QTR from Lightroom and the 10,000 pixel limit is lifted it's all rocking and rolling as far as I'm concerned. I also agree with you about the complexity of the hand-off from x application and x printer driver. Lightroom IS color managed in that it gives it gives its intent to the print driver + a background task that I've noticed kick into high-gear in the system process tree after hitting print. It's just not compatible with many drivers out there and they aren't with it. It's a pretty bone-headed move by the the lightroom folks I'd say. take care, W
2007-07-01 by Carl Schofield
The linked discussion is interesting. Suggests that LR is using Colorsync and the system default printer profile when a custom profile is not selected. You can use the Colorsync utility (Mac) to change the default printer profile. I'm still confused about exactly what LR is doing when a custom profile is designated. http://photoshop.weblogsinc.com/2006/03/17/new-adobe-lightroom-podcasts/ Carl
On Jul 1, 2007, at 10:21 AM, Walker Blackwell wrote: > After reading your post, Ernst, I agree with you somewhat. I believe > the input/output world is way too varied to really be able to use LR > as only a path and not a full CMM. But the only reason why I'm > interested in it is for four reasons. I can run it on OS X (my OS of > choice); I don't have to sit there for days waiting for prints to > spool; I can tile images; I can keep print jobs and portfolios > organized permenantly (and with Keywords). That last one is the key > when you have 3.2 tbs of photographs hanging around. > > The reason why it's fast is because it relies on tagging. But that's > its flaw as well. I agree. So maybe the Adobe people need to get > there act together and make there own conversion quicker. Maybe they > can talk with Epson and the Gimp driver community and get file > segment policy down so we don't have to sit there waiting for the > image to completely spool before we print. We are still in the dark- > ages with PS and printing. As a StudioPrint user I can never go back > to working w/ Photoshop for spooling. Lightroom and QTR offer a great > alternative. I would say they are better than StudioPrint as far as > speed and organization are concerned. Once we can use BPC with QTR > from Lightroom and the 10,000 pixel limit is lifted it's all rocking > and rolling as far as I'm concerned. > > I also agree with you about the complexity of the hand-off from x > application and x printer driver. Lightroom IS color managed in that > it gives it gives its intent to the print driver + a background task > that I've noticed kick into high-gear in the system process tree > after hitting print. It's just not compatible with many drivers out > there and they aren't with it. It's a pretty bone-headed move by the > the lightroom folks I'd say. > > take care, W
2007-07-01 by Ernst Dinkla
Carl Schofield wrote: > The linked discussion is interesting. Suggests that LR is using > Colorsync and the system default printer profile when a custom > profile is not selected. You can use the Colorsync utility (Mac) to > change the default printer profile. I'm still confused about exactly > what LR is doing when a custom profile is designated. > > http://photoshop.weblogsinc.com/2006/03/17/new-adobe-lightroom-podcasts/ > > Carl http://www.inkjetart.com/custom_profiles/manual/Lightroom/Creating_Lightroom_EpsonPro.html indicates how to set off both CMs to create the target to make the profile from. http://www.luminous-landscape.com/forum/lofiversion/index.php/t16565.html advises to set the driver CM off and Lightroom's CM on to use the created profile correctly. That Lightroom's CM doesn't handle QTR profiles correctly is another thing and it shares that with Qimage and PWP though the last are on another OS. -- Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
2007-07-01 by Steve Bye
>Lightroom, on the other hand, tags the image with the profile and >lets the print driver handle the conversion. I think that is where >it's getting sticky. This explains why I was having such a hard time >with the old Spro9600 drivers when printing color. They just couldn't >handle the profile conversion themselves. The driver expected a >converted file.] What you are describing is simply the difference between having the conversion from the image colorspace to the printer colorspace done by Photoshop (Let Photoshop Manage Colors) or done by the printer (Have Printer Manage Colors). Both Photoshop and Lightroom offer both options, so I don't think the problem is there. I think Roy is the guy to pinpoint the problem. Steve [Non-text portions of this message have been removed]
2007-07-11 by Roy Harrington
Sorry for jumping in late -- I've been away for the last week. I've been trying various things with LR and color management. It's surprising that its so different in many ways from Photoshop -- you'd think they would capitalize on their PS experience. It appears that when you print with a custom profile in LR that the problem is not lack of ICC conversions but double profiling. Profiles have two sets of curves -- one for sending data to the print driver and the other for displaying as in softproofing. The reduction in dMax indicates to me that what is printed is similar to a proof print. I.e if you setup softproofing and enable Ink Black Simulation you get the same effect. You can also see this happening if you take an image in PS, convert it to Gray Matte, and then convert it again to say GG2.2 without BPC. So my guess at this point is that LR is setting up a conversion to your custom print profile but that ColorSync later on is converting again -- (all this is before QTR ever sees anything). Input files also have some very interesting conversions happening when you import. It appears that embedded profiles are honored but everything is converted to a linear gamma profile they call "Melissa RGB". But when you look at histograms or R G B percents everything is again converted to sRGB. All this makes it pretty mysterious when you try to figure out what to do. Printing targets for making ICCs is likely to be somewhere between impossible and tricky to know what gets to the driver. I'd be curious if anyone has info about the profiles for color printing and the Epson driver. I'd think it may be tricky to get identical results from both LR and PS. Roy
On 6/30/07, Carl Schofield <list@...> wrote: > Walker, > > I think Roy will have to address that question, but I thought that > QTR was relying on Photoshop to handle the front end icc conversion. > I didn't realize that LR was passing the CM buck, but what you say > certainly helps explain the problem. > > Thanks, > Carl > > On Jun 30, 2007, at 5:57 PM, Walker Blackwell wrote: > > > I believe I just got to the bottom of it. Photoshop (it seems) does > > all of the grunt-work when it comes to pure color management. That's > > because it's been around since before OSs had any color management. > > So when you print a big'ol image it's actually doing a hard- > > conversion of that file to the out-put profile and then sending that > > data along to the print driver. (Thus all the time it takes to > > print.) All the print driver has to do is send the data to the > > Printer. > > > > Lightroom, on the other hand, tags the image with the profile and > > lets the print driver handle the conversion. I think that is where > > it's getting sticky. This explains why I was having such a hard time > > with the old Spro9600 drivers when printing color. They just couldn't > > handle the profile conversion themselves. The driver expected a > > converted file.] > > > > It also explains the slight lag between finishing a file rip in > > Lightroom and seeing it come up in the print queue. > > > > Can QTR handle ICC profile conversions? And is it v4 compliant? Most > > likely more and more applications will come out soon that will > > require OS and Driver color management instead of doing all the work > > themselves. It makes everything faster and more scaleable. > > > > The nice thing is the Adobe CMM is open source and available to use > > for such a thing as driver-based ICC conversions. > > > > take care, Walker > > > > > Yahoo! Groups Links > > > >
2007-07-11 by Carl Schofield
Roy, Eric Chan made a custom icc profile available in the Adobe Lightroom forum. His profile is for converting from gamma 1.8 to 2.2 in Lightroom and was designed for printing to the ABW Epson driver. Strangely, using this profile, instead of the Create-icc custom profiles, seems to also work well when printing to QTR from Lightroom. Here is the link to download Eric's profile and the Adobe Forum thread where this is discussed: http://people.csail.mit.edu/ericchan/photos/tmp/GrayGamma22Print.zip http://www.adobeforums.com/cgi-bin/webx?128@@.3bc43829 I think the rationale for doing this was that Epson ABW expects gamma 2.2 input and in Lightroom everything is gamma 1.8 (ProPhotoRGB). However, I don't understand why this profile would improve printing to QTR. Carl
> Sorry for jumping in late -- I've been away for the last week. > > I've been trying various things with LR and color management. It's > surprising that > its so different in many ways from Photoshop -- you'd think they would > capitalize > on their PS experience. > > It appears that when you print with a custom profile in LR that the > problem is not > lack of ICC conversions but double profiling. Profiles have two > sets of curves > -- one for sending data to the print driver and the other for > displaying as in > softproofing. The reduction in dMax indicates to me that what is > printed is similar > to a proof print. I.e if you setup softproofing and enable Ink Black > Simulation you > get the same effect. You can also see this happening if you take > an image in > PS, convert it to Gray Matte, and then convert it again to say GG2.2 > without BPC. > > So my guess at this point is that LR is setting up a conversion to > your custom > print profile but that ColorSync later on is converting again -- (all > this is before QTR > ever sees anything). > > Input files also have some very interesting conversions happening > when you > import. It appears that embedded profiles are honored but everything > is converted > to a linear gamma profile they call "Melissa RGB". But when you look > at histograms > or R G B percents everything is again converted to sRGB. All this > makes it > pretty mysterious when you try to figure out what to do. > > Printing targets for making ICCs is likely to be somewhere between > impossible > and tricky to know what gets to the driver. > > I'd be curious if anyone has info about the profiles for color > printing and the Epson > driver. I'd think it may be tricky to get identical results from both > LR and PS. > > Roy > > > On 6/30/07, Carl Schofield <list@...> wrote: >> Walker, >> >> I think Roy will have to address that question, but I thought that >> QTR was relying on Photoshop to handle the front end icc conversion. >> I didn't realize that LR was passing the CM buck, but what you say >> certainly helps explain the problem. >> >> Thanks, >> Carl >> >> On Jun 30, 2007, at 5:57 PM, Walker Blackwell wrote: >> >>> I believe I just got to the bottom of it. Photoshop (it seems) does >>> all of the grunt-work when it comes to pure color management. That's >>> because it's been around since before OSs had any color management. >>> So when you print a big'ol image it's actually doing a hard- >>> conversion of that file to the out-put profile and then sending that >>> data along to the print driver. (Thus all the time it takes to >>> print.) All the print driver has to do is send the data to the >>> Printer. >>> >>> Lightroom, on the other hand, tags the image with the profile and >>> lets the print driver handle the conversion. I think that is where >>> it's getting sticky. This explains why I was having such a hard time >>> with the old Spro9600 drivers when printing color. They just >>> couldn't >>> handle the profile conversion themselves. The driver expected a >>> converted file.] >>> >>> It also explains the slight lag between finishing a file rip in >>> Lightroom and seeing it come up in the print queue. >>> >>> Can QTR handle ICC profile conversions? And is it v4 compliant? Most >>> likely more and more applications will come out soon that will >>> require OS and Driver color management instead of doing all the work >>> themselves. It makes everything faster and more scaleable. >>> >>> The nice thing is the Adobe CMM is open source and available to use >>> for such a thing as driver-based ICC conversions. >>> >>> take care, Walker >>
2007-07-11 by Roy Harrington
Carl, Thanks. His profile is basically just GG2.2 in RGB format so that LR recognizes it. The main difference in this profile is that it goes from L=0 to L=100 -- there is no reduced dMax. I could also do this for Create-ICC but what you lose is the softproofing with "simulate ink black" option. This would pretty certainly fix getting a full dMax, but I'd have to check more to be sure of all the values are corrected properly. Roy
On 7/10/07, Carl Schofield <list@...> wrote: > Roy, > > Eric Chan made a custom icc profile available in the Adobe Lightroom > forum. His profile is for converting from gamma 1.8 to 2.2 in > Lightroom and was designed for printing to the ABW Epson driver. > Strangely, using this profile, instead of the Create-icc custom > profiles, seems to also work well when printing to QTR from > Lightroom. Here is the link to download Eric's profile and the Adobe > Forum thread where this is discussed: > http://people.csail.mit.edu/ericchan/photos/tmp/GrayGamma22Print.zip > http://www.adobeforums.com/cgi-bin/webx?128@@.3bc43829 > I think the rationale for doing this was that Epson ABW expects gamma > 2.2 input and in Lightroom everything is gamma 1.8 (ProPhotoRGB). > However, I don't understand why this profile would improve printing > to QTR. > > Carl > > > Sorry for jumping in late -- I've been away for the last week. > > > > I've been trying various things with LR and color management. It's > > surprising that > > its so different in many ways from Photoshop -- you'd think they would > > capitalize > > on their PS experience. > > > > It appears that when you print with a custom profile in LR that the > > problem is not > > lack of ICC conversions but double profiling. Profiles have two > > sets of curves > > -- one for sending data to the print driver and the other for > > displaying as in > > softproofing. The reduction in dMax indicates to me that what is > > printed is similar > > to a proof print. I.e if you setup softproofing and enable Ink Black > > Simulation you > > get the same effect. You can also see this happening if you take > > an image in > > PS, convert it to Gray Matte, and then convert it again to say GG2.2 > > without BPC. > > > > So my guess at this point is that LR is setting up a conversion to > > your custom > > print profile but that ColorSync later on is converting again -- (all > > this is before QTR > > ever sees anything). > > > > Input files also have some very interesting conversions happening > > when you > > import. It appears that embedded profiles are honored but everything > > is converted > > to a linear gamma profile they call "Melissa RGB". But when you look > > at histograms > > or R G B percents everything is again converted to sRGB. All this > > makes it > > pretty mysterious when you try to figure out what to do. > > > > Printing targets for making ICCs is likely to be somewhere between > > impossible > > and tricky to know what gets to the driver. > > > > I'd be curious if anyone has info about the profiles for color > > printing and the Epson > > driver. I'd think it may be tricky to get identical results from both > > LR and PS. > > > > Roy > > > > > > On 6/30/07, Carl Schofield <list@...> wrote: > >> Walker, > >> > >> I think Roy will have to address that question, but I thought that > >> QTR was relying on Photoshop to handle the front end icc conversion. > >> I didn't realize that LR was passing the CM buck, but what you say > >> certainly helps explain the problem. > >> > >> Thanks, > >> Carl > >> > >> On Jun 30, 2007, at 5:57 PM, Walker Blackwell wrote: > >> > >>> I believe I just got to the bottom of it. Photoshop (it seems) does > >>> all of the grunt-work when it comes to pure color management. That's > >>> because it's been around since before OSs had any color management. > >>> So when you print a big'ol image it's actually doing a hard- > >>> conversion of that file to the out-put profile and then sending that > >>> data along to the print driver. (Thus all the time it takes to > >>> print.) All the print driver has to do is send the data to the > >>> Printer. > >>> > >>> Lightroom, on the other hand, tags the image with the profile and > >>> lets the print driver handle the conversion. I think that is where > >>> it's getting sticky. This explains why I was having such a hard time > >>> with the old Spro9600 drivers when printing color. They just > >>> couldn't > >>> handle the profile conversion themselves. The driver expected a > >>> converted file.] > >>> > >>> It also explains the slight lag between finishing a file rip in > >>> Lightroom and seeing it come up in the print queue. > >>> > >>> Can QTR handle ICC profile conversions? And is it v4 compliant? Most > >>> likely more and more applications will come out soon that will > >>> require OS and Driver color management instead of doing all the work > >>> themselves. It makes everything faster and more scaleable. > >>> > >>> The nice thing is the Adobe CMM is open source and available to use > >>> for such a thing as driver-based ICC conversions. > >>> > >>> take care, Walker > >> > > > > > Yahoo! Groups Links > > > >