Jon Cone comments on QTR and K7
2005-07-25 by piezobw
Hi all, I just was directed to this group (did not know it existed) because I was told there is more discussion on this list than on the Piezography lists about K7. That certainly is true. I will make a few comments and try and answer questions if you have more. First comment I read was why we would use QTR rather than do ICC profiles. The main reason here is that EPSON driver does not allow an ICC profile to make individual calls to the various black channels if they are used in ways unexpected. Since we were treating all of the color channels as dilutions of black, the 7 and 8 ink printers would not allow us to take advantage of the additional ink channels with an ICC in the way we want. And now that there was going to be three EPSON blacks, and we wanted to be able to take advantage of this next generation, we needed to have drivers. Simply, the QTR allows us to make calls to individual channels which we can fill with ink that the EPSON driver would not understand. QTR is also a great product and great value. Its win/win for everyone as far as we were concerned. Our proprietary ICC profiler was adapted for use with QTR. And contrary to belief we have made a full compliment of QTR curves for the EPSON 2200. We were a bit surprised by the large format 4000,7600,9600 carts coming in so soon - and we did not make curves for those printers. But we decided to put those carts for sale as we re-focused ink fulfillment to the 2200. We will eventually be in full release for the large format printers and will release curves for those. In the meantime, we thought that most Pro users would prefer to take control of their own destiny and use a spectro. K7 black when used with QTR, is about as black as Portfolio Black is when it is used with an ICC. So that should give some reference. There are other blacks which users may want to use, but the deeper ones do have dye or "proprietary dyes". As always, chasing dMax and chasing longevity need to be balanced. We decided to go pure pigment with the new K7. K7 is not related to PiezoTone. Its as quantum a leap as PiezoTone was over its predecessor. Pigments are very tiny, filtered much more uniformly, and specially treated to be compatible with the new finer EPSON heads. This is not to say that they can not be used with older EPSON printers. Rather that older inks just have not caught up to the demands really of the new fine heads that EPSON is heading towards. We will release K7 in bottles and also R800/R1800 cartridges. K7 is neutral on the popular white of Bradford Bright White, Hahnemuhle Photo Rag, and Innova Photo Cotton Smooth. Shifting to a "colder" white tends the inks towards selenium. Shifting to a warmer paper is effective in getting the warm neutral look. With the demise of Concorde Rag we will not be able to hit the carbon sepia look. Finally, hats off to Roy for providing QTR! Its great to collaborate with him... regards, Jon Cone