On 19.02.2004, at 11:52, John Duval wrote:
for this recommendations. You just shattered my firm believings that I
need an VCFS. That was just what I needed :-)
So perhaps you can help me to sort this out:
- One the one hand I want to add the filter which sonic character is as
far away from the VCFX as possible.
- On the other hand, I want to use the second filter to establish a
second (VCO-VCM-VCF-VCA) voice path in my small system, if I feel like
it.
Which filter is better for these tasks? The VCFS or the VCF2?
I know that the differences between the different Serge filters have
been covered some time back ago on this list, and can be found in the
archives. However, I couldn't find an answer to these questions:
- Did anyone try to make the VCF2 resonant by patching a feedback? How
did it sound?
- Are there any sound files available that demonstrate the effect of
the variable slope of the VCFS on a sawtooth?
Ah…finally: The RES…I have 2 filterbanks at home, the MAM VF11 (yeah,
it is a vocoder, but can be used as a filterbank and an excellent
frequency-selective distortion) and a SND FB-14 (totally different
sound than the FB-14, cleaner, no complete attenuation [sad], very
heavy distortion possible [great], but sounds more valvy than the MAM,
which is very transistor-like, http://www.s-n-d.com/fb14e.html).
I thought adding the RES would be a nice complement to this by offering
a (hopefully) different flavor with its possibility to set some band to
become resonant. Some questions: How high is this resonance, I guess it
will not go into self-oscillation, right? And how big is the possible
attenuation? Is it possible to remove a band completely?
Thanks in advance,
best regards,
Jan-Hinnerk
> take a pass....like wise the WAD. I had one once andThanks John,
> am about to have one again but it's a strange beast.
> It's not a delay line as we think of it; more like a
> delay of voltages but it will do chorusing and stuff
> but you can do that better with outboard gear.
> You have 5 spaces left. Swoosh things around abit. I
> would add a VCF2 and a XFAD and a MIX2.
> Just my 2 cents worth and i'm sure others would
> disagree
> Kind regards
> John Duval
for this recommendations. You just shattered my firm believings that I
need an VCFS. That was just what I needed :-)
So perhaps you can help me to sort this out:
- One the one hand I want to add the filter which sonic character is as
far away from the VCFX as possible.
- On the other hand, I want to use the second filter to establish a
second (VCO-VCM-VCF-VCA) voice path in my small system, if I feel like
it.
Which filter is better for these tasks? The VCFS or the VCF2?
I know that the differences between the different Serge filters have
been covered some time back ago on this list, and can be found in the
archives. However, I couldn't find an answer to these questions:
- Did anyone try to make the VCF2 resonant by patching a feedback? How
did it sound?
- Are there any sound files available that demonstrate the effect of
the variable slope of the VCFS on a sawtooth?
Ah…finally: The RES…I have 2 filterbanks at home, the MAM VF11 (yeah,
it is a vocoder, but can be used as a filterbank and an excellent
frequency-selective distortion) and a SND FB-14 (totally different
sound than the FB-14, cleaner, no complete attenuation [sad], very
heavy distortion possible [great], but sounds more valvy than the MAM,
which is very transistor-like, http://www.s-n-d.com/fb14e.html).
I thought adding the RES would be a nice complement to this by offering
a (hopefully) different flavor with its possibility to set some band to
become resonant. Some questions: How high is this resonance, I guess it
will not go into self-oscillation, right? And how big is the possible
attenuation? Is it possible to remove a band completely?
Thanks in advance,
best regards,
Jan-Hinnerk