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SergeModular

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Re: Seq and Sync

2004-05-02 by john duval

Oh yea... forgot about the ACPR... that would work for
the XFAD solution, maybe this and some combination of
the VCA control for the voices that each row of the
sequencer is driving. Maybe i'll be able to get into
this when i get back from my trip. Last minute prep is
consuming most of my time.
john duval




--- John P <johnp299792@...> wrote:
> xfade is for audio (AC coupled), the active
> processor is for DC control
> voltages.
> You could use xfade as an audio switcher, near the
> end of your signal
> chain, instead of using it for CV, and accomplish
> the same thing. Maybe
> you'd need twice the oscillators though.
>
> >The xfade adds lag to the signals. I didn't realize
> this. Are these designed
> >for audio and have caps to drop any DC offset? That
> would explain the lag.
> >Still, it might do in a pinch.
> >
> >James R. Coplin
> >***************
> >If anyone asks of my whereabouts,
> >simply tell them i've gone out the window
> >for a spot of tea and am not
> >expected back any time soon.
> >***************
> >
> >
> >>-----Original Message-----
> >>From: john duval [mailto:darkstr717@...]
> >>Sent: Sunday, May 02, 2004 12:09 AM
> >>To: SergeModular@yahoogroups.com
> >>Subject: Re: [SergeModular] Seq and Sync
> >>
> >>
> >>
> >>Your missing the point. there is no stopping "A"
> and
> >>starting"B"... they ALL run concurrently. You
> might be
> >>able to simulate the same effect by having
> whatever
> >>vca is responsible for the output of the voice
> that
> >>row A is driving to attenuate after the first pass
> of
> >>the sequence... also attenuates row B output vca
> for
> >>that voice while row A runs..... then switches
> that
> >>vca while bringing up same vca for row B when the
> >>sequencer makes another pass. Hmmmm... ? now
> there's a
> >>patch i'd like to see. LOL. I'm not sure how you
> would
> >>do this... a Shmidt Trigger?? Do you see what i
> mean??
> >>all the rows run at the same time.. it's just a
> matter
> >>of controling the VCAs that control the output of
> the
> >>respective rows voice.
> >>This sounds like a job for one of Grenaders Event
> >>Triggers.
> >>I'd give this some energy but for the fact that
> i'm
> >>trying to figure out how to use the DSG as a
> filter.
> >>I've heard that it is good for taking the "buzz"
> out
> >>of sounds so that they sound smooth.... or
> >>smoother.Anyway, i put up a patch last night to
> work
> >>on this and when i got done i had a veritable
> pasta
> >>fest going on that was so far from the original
> intent
> >>that it became something else entirley. oh well.
> >> kind regards
> >> john duval
> >>
> >>
> >>--- Ioannis Kazlaris <ikazlar@...> wrote:
> >>
> >>
> >>>Hi,
> >>>
> >>>OK, lets say that row A outputs values a1, a2,
> a3,
> >>>and a4 (a1, a2, a3 < a4). If I feed the A output
> to
> >>>a comparator with its value set to a4 + 1 and
> then
> >>>to a XOR that also has its output to row B, I
> >>>suppose then that an inverted signal from the XOR
> >>>would stop A and start B. I really think that by
> >>>using some boolean logic to the party it might
> >>>happen. Have I got this wrong?
> >>>
> >>>For hard sync, I suppose that any waveform that
> sees
> >>>a sharp transient modulating its pitch would be
> >>>forced to restart. Isn't this after all, the
> nature
> >>>of synchronization? Now wonder why you can't sync
> >>>sines. There's not a sharp thing anywhere.
> >>>
> >>>Rex send me some stuff and .... God how bad I
> want
> >>>one...
> >>>
> >>>Yannis
> >>>
> >>>
> >>>---------------------------------
> >>>Do you Yahoo!?
> >>>Win a $20,000 Career Makeover at Yahoo! HotJobs
> >>>
> >>>
> >>
> >>
> >>
> >>__________________________________
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> >>
> >>
> >>Keep on Patchin'!
> >>
> >>Yahoo! Groups Links
> >>
> >>
> >>
> >>
> >>
> >>
> >
> >
> >
> >
> >
> >
> >Keep on Patchin'!
> >
> >Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
> >
>
>





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