don hassler wrote:
:)
kidding.
Well, actually not, but as dogs loves trucks, blah blah blah...
I think Paul Schreiber thunk this one up. From what I've gleamed, it's any
use of synthesizers that dares to go outside the confines of the 12 tone
set and the use of pitch and rhythm as the major compositional motifs.
Basically what I'm saying if it's not Rick Wakeman, Aphex Twin or Walter
Carlos, Paul's callin' it bug music.
Derogatory? Well, would you like to be compared to an arachnid?
Examples are numerous, too numerous to list here:
Lez speaks the truth with Rick and Mort. Then there's Stockhausen, Cage,
Appleton, Schrader, Babbit, Ussachevsky, Lanksy, Smiley, Laurie Speigel,
Kreiger and about 5000 more. Heck, throw in Stravinsky. Elliot Carter,
Harry Partch, Schoenberg, Berg (although those not electronic obviously),
...and basically every other composer I hold in great esteem!
> Would folks mind describing "bug music"Bug Music is what one does with a Model 15.
:)
kidding.
Well, actually not, but as dogs loves trucks, blah blah blah...
I think Paul Schreiber thunk this one up. From what I've gleamed, it's any
use of synthesizers that dares to go outside the confines of the 12 tone
set and the use of pitch and rhythm as the major compositional motifs.
Basically what I'm saying if it's not Rick Wakeman, Aphex Twin or Walter
Carlos, Paul's callin' it bug music.
Derogatory? Well, would you like to be compared to an arachnid?
Examples are numerous, too numerous to list here:
Lez speaks the truth with Rick and Mort. Then there's Stockhausen, Cage,
Appleton, Schrader, Babbit, Ussachevsky, Lanksy, Smiley, Laurie Speigel,
Kreiger and about 5000 more. Heck, throw in Stravinsky. Elliot Carter,
Harry Partch, Schoenberg, Berg (although those not electronic obviously),
...and basically every other composer I hold in great esteem!