SergeModular

Ah, so you can use one of them in conjunction with the rise and fall
knobs/funktions. O, that means you create a sustain by making it a
gate! But a sustain without a pot I assume.

It also intrigued me from the start, that both signal in's are set in
the middle. I suspect that this does mean that they correspond with
left side as well, right? Or is this done, only cause of space
problems?

Cheers,

Roel


--- In SergeModular@yahoogroups.com, Bakis Sirros
<synth_freak_2000@...> wrote:

>
> i forgot:
> black audio ins:
>
> also, input a gate there, to create an ASR envelope instead of an

AR envelope that the TG 'normally' is.

>
>
> Bakis Sirros - Parallel Worlds / Interconnected / Memory Geist
>
> [Doepfer_a100] group owner
>
> www. parallel - worlds - music. com
>
> www. myspace. com/ parallelworldsmusic
>
> www. myspace. com/ interconnectedmusic
>
> www. myspace. com/ memorygeist
>
> www. DiN. org. uk
>
> www. musicamaximamagnetica. com
>
> www. shimarecords. co. uk
>
> www. rubberrecords. gr
>
> Athens - Greece
>
> --- On Fri, 2/20/09, roelelec <r.steverink@...> wrote:
> From: roelelec <r.steverink@...>
> Subject: [SergeModular] Re: Soft Sync + Linear FM
> To: SergeModular@yahoogroups.com
> Date: Friday, February 20, 2009, 10:39 AM
>
>
>
>
>
>
>
>
>
>
>
>
> That's something I haven't tried yet.
>
> Thanks for the tip.
>
> I will try this, cause I'm also very curious how much it
>
> differs/matches the soft sync effect of the other osc's.
>
>
>
> The Timegen osc is still a puzzle to me.
>
> I don't remember how I patched it (I'm gonna note these findings
>
> carefully down from now on) but a couple of times turning the rise
>
> knob revealed only a small area of frequenties, just if the right
>
> part was transformed in a notch filter or something?
>
>
>
> I also haven't the faintest idea what the signal in's (in the

middle)

>
> can be used for?
>
>
>
> Cheers,
>
>
>
> Roel
>
>
>
> --- In SergeModular@ yahoogroups. com, "kkonkkrete"

<kkonkkrete@ ...>

>
> wrote:
>
> >
>
> >
>
> > If I remember correctly, you can get some (roughly) hard-sync

style

>
> > effects using your timegen osc, or more generally any of the

slope /

>
> > transient generator variants. Use the trigger switch to make the
>
> > right half self trigger (oscillate). Now patch the gate out of

the

>
> > left half into the trig in of the right half. I think you should
>
> now
>
> > have the right oscillator re-triggered by the left oscillator.

Mess

>
> > with frequency offsets. Instant razorblade cocktail. Just don't
>
> cut
>
> > yourself.
>
> >
>
> >
>
> > --- In SergeModular@ yahoogroups. com, "roelelec" <r.steverink@ >
>
> wrote:
>
> > >
>
> > > Hi John,
>
> > >
>
> > > Yeah I know what sync is, that it eliminates the beating when

two

>
> > > osc's frequenties are locked in together. It's the way of

getting

>
> > > razor sharp sounds in stead of the more organic, floating

sounds

>
> like
>
> > > f.e. strings.
>
> > > But is soft syc then only the soft variant of hard sync? I'm no
>
> > > technician. I'm interested and very much like to know.
>
> > >
>
> > > Cause I reckon soft sync must have more uses that only
>
> eliminating
>
> > > the beating. Why otherwise did Serge include soft sync in his
>
> osc's
>
> > > and not the so favourable hard sync? Which are the secrets?
>
> > >
>
> > > Thanks for the info on the waveforms!
>
> > >
>
> > > Cheers,
>
> > >
>
> > > Roel
>
> > >
>
> > >
>
> > >
>
> > >
>
> > >
>
> > > --- In SergeModular@ yahoogroups. com, John P <johnp299792@ >

wrote:

>
> > > >
>
> > > > soft sync is used when you want two or more oscillators to
>
> track
>
> > > > together, in sync, *without* beating.
>
> > > > If you patch two oscillators from, say, your SSG Stepped Out
>
> into
>
> > > their
>
> > > > 1V/Oct inputs, they will track together, but no matter how

well

>
> you
>
> > > tune
>
> > > > them, there will be some beating, and the beating will change
>
> as
>
> > > the
>
> > > > pitch input changes. Patching the Sawtooth of one into the
>
> Sync of
>
> > > the
>
> > > > other one will eliminate this beating, if the Osc's are tuned
>
> > > closely to
>
> > > > begin with.
>
> > > >
>
> > > > roelelec wrote:
>
> > > > >
>
> > > > >
>
> > > > > My question is: what's the use of soft sync in general?
>
> > > > >
>
> > > >
>
> > >
>
> >
>