>>"elbow must be pointed" downwards? It took me a while to gain a good base position too. [Coming at it for "precision" or "melodic" playing.] I suspect ultimately it's what works for you and is stable. to me it seems a lot of players hold it between a fist's width from the ribs, up to almost a 60 degree(?) angle (a little past half way to being horizontal). Some hold it horizontal and in front of the body, there are different technique approaches to it. What really waves the red flag for me is extra tension. For me I usually sense it in the forearms first, the shoulder and neck are good barometers too. When it's creeping in I find it best to stop take a breath or a step away to try to drop the extra tension until I can get back to my "zero position" and raise my hands to playing position keeping them "relaxed". Then start the piece again if I've repeated that already a few times and still got tense usually I'm either practicing it too fast or it's better just do some scales and exercises for a minute, or play through a standard I know well, to get back that sense of playing without the extra tension. hth - John -----Original Message----- From: spellbound-l@yahoogroups.com [mailto:spellbound-l@yahoogroups.com] On Behalf Of kmg5443 Sent: Saturday, June 16, 2007 9:59 AM To: spellbound-l@yahoogroups.com Subject: [SPELLBOUND-L] Theremin Elbow One thing I have noticed, and will have to work on, is that when I am really getting into it, my pitch arm (elbow) will go almost horizontal, so that my elbow is pointing to the right, and not at the ground. This causes me to cramp up pretty quick. Am I correct in saying that my elbow must be pointed towards Terra Firma???? Philip [Non-text portions of this message have been removed]
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RE: [SPELLBOUND-L] Theremin Elbow
2007-06-16 by John Hoge
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