We really need to get him over here in the US to perform as well. I wish I was rich and famous and knew how to produce such things to get both of you a gig in New York. I bought his book which, though I cannot read the text, is filled with pictures, exercises and beginner repertory along with a practice CD for all of them and even has an applause track for when you achieve living room concert levels. The I couldn't use the Kavina wrist up technique exactly as he requires it, but it all adapted quickly to the Rockmore style that's less painful for me. I found it very helpful and the pedagogy is excellent, especially his approach of starting with big intervals first and working down to discrete scales I've been dreaming of going to Japan as well and getting immersed in the Theremin Culture there, it sure *seems* a lot richer than it is here. Maybe he will join this list someday, I'd love to have a more open connection with Japan and the rest of Asia both personally and on ThereminWorld, but language seems the biggest problem, I never did find an English writing member of The Friends of the Theremin. So let me add my call for international tour producers and Japanese contacts to Suzi's. Thanks for the info! Skol - John www.hoge-theremin.com On 10/16/07, Lunette Records <lunetterecords@...> wrote: > > Kevin - you will not be disappointed by the Takeuchi CD I can assure > you. > I had the great fortune to do two shows with him last year in London > (complete with the 17 piece Mable orchestra of Matryiomin players - baby > theremins in the shape of Russian dolls!) - it was an awesome experience. > http://www.mandarinelectron.com/theremin/english/matryomin/index.html > > I was also gifted to have a short impromptu lesson in his hotel room (in > front of the girls from the Mable orchestra - no pressure then!). He plays > > a Moog Series 91, which is, I think, a difficult instrument to play but he > has such intuition, grace and skill! I think for classical music, he is > the > best there is - anywhere. the classical music in the show sent a shiver > down my spine. It's a real shame because of trading and language barriers > it's not so easy to access his music. He told me in Japan he has 3000 > students (or has had) and the Matryiomin is more popular an instrument to > play than the ordinary theremin - particularly for young girls. The > Japanese are studious and dedicated to their art - no mucking around! The > theremin is taken very seriously there. I really hope to have the > opportunity to go to Japan soon to play with them again. > > PS - He is interested in selling the Matryiomin in other territories...the > only problem is, it is very expensive for what people will be willing to > pay > in West - he cited $250 US as dealer price...perhaps he will come down if > he > has old stock to shift, or to enter the market. Any music equipment > retailers interested in taking on discussion? I can make an introduction. > -- > Susi > (aka Ms Hypnotique) > Tel: 07981 222799 > > http://www.hypnotique.net > http://www.lunette.co.uk > http://www.babyslave.net > > See our blog: http://www.babyslave.wordpress.com > . > > > [Non-text portions of this message have been removed]
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Re: [Aetherphon] Masami Takeuchi and the Matryiomin
2007-10-16 by John Hoge
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