{sorry left this out}
Oh the vibrato is cause by the back and forth motion (a combination of twist
and forearm abduction it looks like) pitch is mostly controlled by the full
arm moving front and back, very much a dropped elbow version of Sam
Hoffman's technique.
All theremins are a little different in sensitivity and spacing of the
playing field but there's even more variation in the technique of all the
players, every one eventually puts their own stamp on how they play the
instrument.
So yeah, guess it's partly a combination of both instrument and technique,
though a different player could get the same musical result with a different
style of vibrato. You tend to adapt to your own instrument for the subtle
bits and may have to adjust some when you play a different one.
Thanks again Pete.
hth - jh
On 2/9/08, John Hoge <johnbhoge@...> wrote:
>
> Great find thank you!
> I haven't seen this one before either, but it's exciting to learn of more
> theremin appearances on television during the late 50s and early 60s. We
> used to watch this show, quite a flash back.
>
> Will definitely keep it in mind and see if any more information of this
> player is still around, Paul Lippman from New York City and his theremin.
> He appeared or at least recorded with Perry Como at some point and also with
> Lew Davies & his Orchestra, on "Strange Interlude" and another
> record, probably as a response to the success of the Les Baxter and Samuel
> Hoffman's recordings.
>
> very! much appreciated,
> John
>
>
> --
> ----------------------------------------------------
> John Hoge, NYC
> "Absolutely dedicated to the propagation
> and continuation of the Theremin."
> www.hoge-theremin.com
> and also check out
> www.ThereminWorld.com <http://www.thereminworld.com/>
> On 2/9/08, ldahlke <ldahlke@...> wrote:
> >
> > This is my first post to the group (yes, I'm on the woo-woo list)! I
> > have appreciated the information from this community. It is encouraging
> > to hear that people are getting out and performing on these challenging
> > instruments.
> >
> > And bravo to David V. and all of the performers on Spellbound Radio. I
> > would not have believed that a 2-hour weekly program of theremin music
> > would be possible, but the talent of the performers and the diversity of
> > music make it an impressive program. It keeps me practicing.
> >
> > I digress. My main reason to post was something I stumbled on today
> > from a Classic TV Blog. In case you haven't seen this on YouTube, check
> > out this 6-minute clip from "I've Got A Secret" 1966)
> > <
> > http://classicshowbiz.blogspot.com/2008/02/whats-my-line-with-guest-the\
> > remin-1966.html<http://classicshowbiz.blogspot.com/2008/02/whats-my-line-with-guest-theremin-1966.html>>
> > . It's a hoot.
> >
> > My question - does anyone know who manufactured the theremin in the
> > video? I grant that I am new to the theremin world, but I haven't seen
> > one quite like this before. Not sure what he meant when he said "you
> > can't buy it" Any ideas?
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
>
[Non-text portions of this message have been removed]Message
Re: [Aetherphon] Theremin on "I've Got a Secret" (1966)
2008-02-09 by John Hoge
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