tv dinners
2006-05-23 by Lunette Records
Hi all, thanks for all your positive feedback on my Paul O Grady TV show - I have done quite a few bits of TV before (including 5 episodes of a series for Channel 5 called 'House of Astonishment' which was funny at the time but looking back at the tapes we came to know it as 'the House of Awfulness'. It was a kind of twisted talent show featuring a man who lit his own farts, man who stuck 150 pegs to his face, man who could recognise the sound of every lawnmover ever invented (overall series winner) etc. etc. - and these were the highlights. I shared a dressing room with a chicken hypnotizer and his collection of hens). This was definitely the best show in terms of exposure. I liken doing it to Samuel Hoffman back in the 1950s - he certainly wasn't the greatest theremin player in the world but he got 'out there' and did it and played on TV shows with Cary Grant, Shirley Temple etc. We don't have such stars in UK so I guess the guys 'clowin around' in the clip Paul O'Grady (former comic drag queen) and Eammon Holmes (breakfast tv host) are probably our sorry equivalents. My 'mentor' Jean-Jacques Perrey also started his career playing on heaps of TV shows with his 'crazy instrument' (the Ondioline) - in the days where game show hosts smoked and chewed gum on air. I like Gerard's vision of Cosey and Genesis of Throbbing Gristle terrorising daytime TV. I did consider a Sex Pistol Vs Bill Grundy moment but, well...(I actually did an art show last year with ex-Coum Transmissions founder Foxtrot Echo who is now a wedding photographer and artist. Damn nice fellow.) Some advice if you're doing TV - make it adamantly clear what your technical needs are - i.e. plenty of space around the instrument (beware flying cameras), good foldback, and a chance to line check directly before the performance. Make sure you can get your instrument switched on and warmed up according to room temperatures - TV studios can be really hot places. Play something not too complicated - acapella is always more forgiving than with accompaniment and you'll need to get all backing tracks cleared for usage. Don't let them sell you short - make an effort to create your own personality or they will try and give you one. I once did a dodgy cable show with inventor of theremins, brain machines and time machines Mr Tony Bassett of London. We gave the world premiere of the stereo theremin. The PA was in mono. The presenter called me Mrs Harmonica. It was rubbish. I agree that most music played on theremin is not 'authentic' - although there are some interesting compositions written for it - and Lydia Kavina does a mighty fine job of playing all the obscure and exotic compositions on the 'music from the ether' CD. On the subject of which... I'm not a big fan of MIDI theremin - I like the authentic sound of the regular theremin! Although I do experiment with different FX (mainly using the cheap and cheerful V-AMP virtual amp modeller). I saw a fantastic video of Lydia playing with an Ethervox - she had MIDI sounds coming out - triangles, timpani, bells...sonically it was like a kid playing around with a Casio keyboard - but, as always, Lydia did it with such aplomb - it was a theatrical piece - she gave lots of gestures and facial expressions...very, very interesting and entertaining. My reservation with MIDI is about glissandi and glitches....use an Auto Tune on your voice and you'll get loads of wobble, and I think a cheap MIDI converted would be quite crude. The beauty of theremin - like the un-effected human voice - is that sometime it is a little out of tune - this gives it colour and body - like a section of string instruments. The theremin should always sing. Miss Hypnotique Hypnotique "The Hanging Garden" - soothing and uplifting music for the impending apocalypse - out now! http://www.hypnotique.net [Non-text portions of this message have been removed]