Analogue-sequencer

>>well, you wouldn't want the ones they used in the ion, as they tend
to go bad. but seriously, this is a good idea... can you get 360 pots
with LED rings?<<

I like what the memorymoog does- there's a little window & when you
move one of the knobs, it shows you the stored value & also where the
knob's pointing right now. the stored value isn't edited until you
move the knob through it so that the little numbers match. hardly "the
wheel", but it does make life a bit more bearable. 
compare the source- one encoder (albeit the best encoder ever made- it
has a flywheel!) & the membrane switchgear from hell.... mine works
ok, but I keep it vertical to reduce the effects of age.
(must look at source schemos again- I think there's a spare slot in
it's addressing..... could use that to add another lfo or something...)

ahem.

much as I like the idea of encoders or infinite pots, I have
experienced both these & the cheap jobs used by behringer. I thought
the v-amp was too good to be true at £120, & it was. not only do the
encoders glitch, but they are insensitive to nuance. to make things
worse, the v-amp hisses louder than a real amp turned right up. uli,
wassup w' that? I should've bought the red pod instead, to go with my
black one, which does for the bass what the p3 does for analogue
synths. (see what I did there? back on topic... clever, eh?)

erm, anyway. when I said "identical".... I'd quite like the "track" &
"part" labelling per mr hawtin's machine. otherwise, just like #73.
can I send some money soon?

d.