Analogue-sequencer

>>(similar to surface tension because flies walk on it) by shifting
something out of its natural scale<<

even without being able to transpose it simultaneously &
properly-harmonically, I have got reinspired by the wretched maq
simply by letting the p3 F it T S & then holding down just two of my
parts with different scales on their eyes. 
you can write lines- of ephemeral significance to the piece,
generally, but nevertheless it gives the non-p3-user summat to do-
that don't need to be transposed so long as they are playing from the
correct selection of notes. 
there's a proper music-school term for this
only-doing-half-a-key-change, I'm sure. 

so the p3 changes key properly (chromatic shift + change of scale)
while the maq stays on the same root... unless the maq's root is one
of the notes that changes.....
but I get a stuck note on the middle row. I have to peel the skin off
the p3 again & see if this new PIC thingy makes any difference. while
I'm about it I'll try another maq. aye.
d.