Analogue-sequencer

Colin, the relative Xpose works nice too. :)
Is there a place where I can set the max xpose value, where 
it resets? 

I'm freaking out here on a two-track piece, where track one 
is both grabbing and xposing from track 2. And all that 
with a nice Andromeda.

Too bad there isn't any shortbread.