oh! ... there it is, sharp, in the upper left of the picture:
http://www.sequencer.de/pix/auralesque/Auralesque.jpg
As this is a Half-Modular Synth, I had to find out how to get the
most out of the module without having to patch it. After a long test
(on a wooden faceplate), I had the impression, that I will use for
the Sqr-Inputs:
A) Output from a Divider (Blacet), this one has a Output-Attenuator
B) Sine from the same VCO
C): Off (Middle-Position of the Switch)
For the Triangle-Inputs I added a extra input-Attenuator:
A) Triangle (from the same VCO)
B) Sine (from the same VCO)
No Off (Input Attenuator)
I use the Grinder separately: It has nothing to do with the Folder
Section. I can use it to shape the Triangle of another VCO OR (as the
Grinder is NICE for complex Inputs): I can switch the whole Grinder
to another position between two Filters. With just one 4-Switch.
BTW: The Ringmodulator in the same Picture is the Real-Ring. I love
it, but it loads the inputs, I already mentionned that here.
cheers!
Olivier
http://www.sequencer.de/pix/auralesque/Auralesque.jpg
As this is a Half-Modular Synth, I had to find out how to get the
most out of the module without having to patch it. After a long test
(on a wooden faceplate), I had the impression, that I will use for
the Sqr-Inputs:
A) Output from a Divider (Blacet), this one has a Output-Attenuator
B) Sine from the same VCO
C): Off (Middle-Position of the Switch)
For the Triangle-Inputs I added a extra input-Attenuator:
A) Triangle (from the same VCO)
B) Sine (from the same VCO)
No Off (Input Attenuator)
I use the Grinder separately: It has nothing to do with the Folder
Section. I can use it to shape the Triangle of another VCO OR (as the
Grinder is NICE for complex Inputs): I can switch the whole Grinder
to another position between two Filters. With just one 4-Switch.
BTW: The Ringmodulator in the same Picture is the Real-Ring. I love
it, but it loads the inputs, I already mentionned that here.
cheers!
Olivier