On 3/23/06 6:54 PM, "Helen Bach" <helenbach@...> wrote: > I'll try other media settings. I'd like to try to understand how the > media settings affect this. If a 0,0,0 pixel gets printed as a square > with an L* of 2.5 and an 18,18,18 pixel gets printed as a square with > the same L*, where has the media setting come in? Too much ink? > > The above example comes from the profile with no adjustments. I am > using the Epson Premium Glossy setting for Epson Premium Glossy paper. > I've checked the spectro against my calibrated TR924 densitometer, and > they agree closely. Helen, I tested a couple of glossy papers on my 4800 and the Semi-Matte setting opened up the shadows a little more than Epson's recommended media setting...but just a little. I have since switched to matte black...my first test prior to profiling is printing a ten patch grayscale from 100% to 90% with about five media settings. Mainly to find the best setting to keep the shadows open as the Epson driver has a tendency to bring black in fast. You might have read my post below a few weeks ago as it's really helped with delicate shadow detail: " I too have found media settings are fairly close to each other but I wanted to explore a little more. Epson's black usually comes in hard and fast, less so with the newest printers but I wanted to find the media setting that has smoothest black from 100% to 90%. So I recently tested to find the "best" media setting for William Turner paper on my Epson 4800. I printed a ten patch gray ramp from 100% to 90% with five media settings. My Excel results are below for William Turner on an Epson 4800: http://homepage.mac.com/johnvito/WilliamTurnerMediaSettings.png From 100% to 90% only two media settings show linear density loss albeit stepped at times. While the other three actually have spiked increases in density called reversals on some patches. For example Epson's Enhanced has the same density at the following patches: 100%, 99% and 97%. As you can see the 98% patch has a lower density. Another reversal at 94%. My choice is the UltraSmooth media setting, as it has the most linear path in the shadows."
Message
Re: Neutrality, and shadow separation
2006-03-24 by John Vitollo
Attachments
- No local attachments were found for this message.