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luminance wonkiness with spyder 2 (and eye-one)

luminance wonkiness with spyder 2 (and eye-one)

2007-03-18 by davidyoder1000

I'm using an Apple Cinema display 23" and have used the Eye-One for calibration with pretty 
good success. I recently bought the PFP suite with the spyder and the monitor profiles also 
seem pretty good. 

However, and I don't think this is a problem with the calibration equipment, when I try to 
measure and nail down the luminance, the level will keep sliding either up or down over the 
course of many minutes, making it practically impossible to know if the luminance is correct 
even if I select it when it hits the target (does the monitor keep shifting afterward? I don't 
know!). I have noticed this on both my Eyeone and Spyder. 

And this is after long warmup times--most recently after having been on continuously for 
about eight hours. 

Is this normal? I don't think my display was always doing that. What can I do? 

Also... I figured out on my own how to choose a luminance level, but I'm wondering if I 
should have a target figure for the black measurement too

thanks

dave

Re: [colorvision_group] luminance wonkiness with spyder 2 (and eye-one)

2007-03-18 by CDTobie@aol.com


In a message dated 3/18/07 6:06:29 AM, davidyoder1000@... writes:



Is this normal? I don't think my display was always doing that. What can I do?


Can't say whether this is electrical fluctuations, or backlight variations...

Also... I figured out on my own how to choose a luminance level, but I'm wondering if I
should have a target figure for the black measurement too

Native blackpoint is the best choice for single monitors. Then you get the blackest black your monitor will produce. Its only if you want side-by-side matching that dulling a monitor's black to another value is worth considering. Besides, what control on a Cinema display do you intent to use to do this? There is no hardware control available for this...

C. David Tobie
Product Technology Manager
ColorVision Business Division
DataColor Inc.
CDTobie@...
www.colorvision.com




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Re: luminance wonkiness with spyder 2 (and eye-one)

2007-03-18 by davidyoder1000

> Native blackpoint is the best choice for single monitors. Then you get the 
> blackest black your monitor will produce. Its only if you want side-by-side 
> matching that dulling a monitor's black to another value is worth considering. 
> Besides, what control on a Cinema display do you intent to use to do this? There 
> is no hardware control available for this...


 Aren't both Black luminance and White luminance options under the specify luminance 
values window? I presume I'd leave the black one blank I guess, but last time I checked there 
was a number in there and the white luminance was higher than i wanted so i changed it.

Re: [colorvision_group] Re: luminance wonkiness with spyder 2 (and eye-one)

2007-03-19 by CDTobie@aol.com


In a message dated 3/18/07 2:48:24 PM, davidyoder1000@... writes:


Aren't both Black luminance and White luminance options under the specify luminance
values window? I presume I'd leave the black one blank I guess, but last time I checked there
was a number in there and the white luminance was higher than i wanted so i changed it.

If you leave either or both of these blank, the software will fill them in with the monitors native value. This is almost always what you want on the black, but usually its desirable to establish a white value below the monitor's ceiling value. The base reason is to allow headroom so you can continue to calibrate to these settings over time, as the monitor dims a bit, and can't reach the same max value. But most LCDs also run too bright for their ambient light/proofing light conditions, and need to be dimmed for print matching purposes as well as headroom.

C. David Tobie
Product Technology Manager
ColorVision Business Unit
Datacolor Inc.
CDTobie@...
www.colorvision.com



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