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Disklavier

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Message

Re: DGH1BII or U1HQ100. Which would you rather own?

2008-01-15 by ramseymonoi

This forum is highly instructive.

However, may I ask what needling actually means ? And do you mean 
that yamaha uses actual needles on their felt ? Is that a manual 
process ?

Pascal

--- In disklavier@yahoogroups.com, "Carol Beigel" <thecarolb@...> 
wrote:
>
> MessageOkay, I stepped into that one!  Basically, voicing is a good 
thing.  You are correct that needling hammers softens them and 
regular piano use recompresses the hammer felts - especially in the 
string grooves.  What often makes a piano sound harsh and tinny, as 
opposed to just bright, is that the felt in the grooves cut by the 
strings is too hard and generates wild, high harmonics. A little 
touch up, or sugar coating with a voicing needle can produce a 
sweeter, more mellow tone in that situation.
> 
>  A good visual image is lobbing a 10 lb. bowling ball into the deep 
end of a quiet swimming pool.You see a cannon ball type spash at the 
impact, then beautiful rings spreading across the pool.  When sitting 
at a piano, you hear the splash, while the people sitting further out 
in the room are hearing the rings.  The splash can sound especially 
annoying when sitting at a grand piano.
> 
> The objective of piano designers is to hear an explosion of sound 
upon impact of the hitting of the hammer against the string called an 
impact blow.  You want the tip of the hammer to be firm, but the 
shoulders need to be more flexible.  You open up the sound by 
needling the shoulders.  If the hammers are too hard the sound is 
dull and harsh.
> 
> Piano hammers are designed and voiced using two different  
philosophies.  Steinway pianos are voiced using lacquer on the hammer 
felts.  During some of my factory training at Steinway school, one of 
our tasks was to lacquer a set of hammers to the point of ruining the 
sound, then bringing it back.  Yamaha uses a different method where 
the hammer felt is hot pressed and then voiced using needles.  For 
me, the coolest control issue you can take charge of over the piano 
is being able to take the voice of a piano between bright and mellow 
and have absolute control of the dynamics in between.
> 
> When you select a piano, the quality of the hammers is built into 
the price you pay.  The more you pay the greater dynamic range is 
built into the possibilities of the tone.  Pianos built to a lower 
price usually have harder felts in the hammers and higher tension 
stringing scales.  This way affords getting more bang for the buck.  
These hard hammers are mightly difficult to ruin - even using vice 
grip pliers or steam!!
> 
> Most people complain that their pianos are too loud  not that they 
have too limited a dynamic range.  You can have the piano hammers 
softened; put foam baffles both underneath the soundboard and 
underneath the lid, or just change the velocity parameter of the MIDI 
data to about 64 or lower.
> 
> Hope this better explains "oblivion"!
> 
> Carol Beigel
> 
>   ----- Original Message ----- 
>   From: Michael Weinstock 
>   To: disklavier@yahoogroups.com 
>   Sent: Tuesday, January 15, 2008 5:28 AM
>   Subject: RE: [disklavier] DGH1BII or U1HQ100. Which would you 
rather own?
> 
> 
>   Hi Carol,
> 
>   I'm intrigued regarding a comment you made here:
> 
>   > If you don't like the sound of the piano, you can always have 
it voiced into oblivion
> 
>   Should I read into that that voicing can in some way cause damage 
if taken too far ?  My understanding was that needling the hammers 
softened their felt thereby producing a more mellow tone, which in 
some cases is desirable if the tone is too bright and brassy to start 
with.  If voicing is overdone, would not regular piano use recompress 
the hammer felts over time or is the situation not that simple ?
> 
>   Regards,
> 
>   Michael Weinstock
>   Melbourne, Australia  
> 
> 
>     -----Original Message-----
>     From: disklavier@yahoogroups.com 
[mailto:disklavier@yahoogroups.com] On Behalf Of Carol Beigel
>     Sent: Tuesday, 15 January 2008 5:15 AM
>     To: disklavier@yahoogroups.com
>     Subject: Re: [disklavier] DGH1BII or U1HQ100. Which would you 
rather own?
> 
> 
>     If you live in the United States, do not buy a gray market 
piano. It is 
>     nearly impossible to get either technical support or parts. 
Remember, there 
>     is a huge difference between a II and a IIXG. XGs are more 
flexible. If 
>     you don't like the sound of the piano, you can always have it 
voiced into 
>     oblivion or trade it in for one you like better later.
> 
>     Carol Beigel
> 
>     ----- Original Message ----- 
>     From: "uhhmmmmmmmmmm" <ronjong@...>
>     To: <disklavier@yahoogroups.com>
>     Sent: Monday, January 14, 2008 12:22 PM
>     Subject: [disklavier] DGH1BII or U1HQ100. Which would you 
rather own?
> 
>     > Thank you for the confirmation. I've been browsing through 
this great
>     > messageboard for more information. I think what I'm reading 
is that
>     > people in the know generally prefer the upright U series 
disklaviers
>     > over the DGH1BII baby grands for sound. I like the look of a 
baby
>     > grand but sound is important too.
>     >
>     > I am torn between the two because I can obtain a 1992 model 
DGH1BII for
>     > around $7900 or a 1994 Japanese Market U1HQ100 for $2900 
(both include
>     > delivery costs). Which would you choose? ;) I like the look 
of the
>     > DGH1BII but it does cost more and the sound/tuning apparently 
isn't as
>     > good. Sorry to be so flaky. I've seen both models and they 
look
>     > great, but I'm a beginning player so I really can't comment 
on the
>     > action and sound.
>     >
>     > --Ron
>     >
>     >
>     >
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