Re: [disklavier] MDR Record Mode
2003-07-12 by PianoBench@aol.com
Good morning, everyone. In a message dated 7/12/03 6:27:51 AM, Carol writes: << I had no idea a Disklavier could do this.>> I believe that every record-capable Disklavier except the MX80 series has had an MDR mode. Before the internal Memory Disk, all MDR recording was done to the floppy drive. With modern Disklaviers, MDR recording can be done to the Memory Disk or to the floppy drive. <<I should read the Owner's Manual!! I guess this means that the guy with a Roland keyboard now has a chance at recording his DKV playing with the percussion sounds on his Roland.>> I don't recall what the issue was with Roland percussion. However, MIDI data is MIDI data. When recording in MDR mode, the Disklavier does not care what data it receives from an external source; it simply records it. <<And if a PianoSoft ESEQ file is converted to MIDI first, it can be recorded into a Memory Disk using a computer using the MDR Record Mode?>> Yes. Furthermore, if you had an E-SEQ player, you could record from it to the Disklavier. <<MIDI is so fascinating once you learn how to turn it on! It took me 3 years to find those little check boxes in Windows that turn on and off the various features of the soundcard! Then there is the matter of knowing what buttons to push that access screens behind the screens on a Disklavier. Now I find out there are these cool features that you can turn on, like Remote, if you know they even exist at all!>> You might want to browse every screen of the Disklavier and see if there are other items that you don't recognize. <<Little tidbits like a blank measure with no notes, or setting the key and time signatures on notation software on the first measure can save a lot of hair-pulling!>> Anyone who creates a MIDI file for general distribution would be well advised to start with a setup measure that contains: --a message to turn on General MIDI (GM reset) --a message (that FOLLOWS the GM reset message) to turn on XG (if XG sounds are used); this is called XG Reset --tempo --time signature --on each track, put a volume message (controller 7) and the desired patch (program) message If you do a simple recording on your Disklavier that starts when you play your first note, you will notice (if you examine the file in your computer) that the first note starts 10 ticks into the pieces. Before the first note, the Disklavier puts in all of the messages above as well as some other system exclusive stuff. By delaying the first note by 10 ticks (a fraction of a beat), the Disklavier has a brief but adequate amount of time to read and respond to the other messages on playback. However, if you end up creating a multitrack sequence, some devices will not be able to read and respond to all of those messages on all tracks in the space of 10 ticks. It is much better provide an entire measure of time for these messages. <<And on Macs, knowing there is something in the OS called MIDI Manager with its own set of switches that kicks in before the Sequencer software you use.>> Although OMS is a pain, the principle is simple and is similar on Windows: The MIDI software does not send and receive information directly to/from the designated input/output ports on the computer. Rather, the MIDI software sends and receives information to/from a MIDI driver which, in turn, communicates with those ports. On the Mac, prior to OS X, OMS was a commonly used MIDI driver. It came with a bunch of complexities in its setup that ultimately made the MIDI programs easier to use. Basically, the idea is that you configure OMS and tell it what devices you have, such as multiport interfaces, specific brands of keyboards, et cetera. All of this information would then be communicated to the MIDI program that you use. With OMS properly configured on my Mac, I can go to the MIDI setup window in most music programs and choose Disklavier or Clavinova as my output device as opposed to USB port or modem port. If the program in question knows anything about my keyboards, it will provide me with choices--like patch selection--using the actual names that are available in the keyboard. Regards, PianoBench